In many ways; I love films like this. Films that live beyond the screen. films that continue to organically grow like some kind of bizarre trash terrarium. Gatwick Gangsters has a life beyond it’s stream and I live for stuff like that. When I first started researching the movie I had NO idea that Shampagne was working to be an auter media personality. I just thought this was a goofy movie that I could take apart and explain what worked and what didnt and then mark it off my list.
And then the world opened up to me, Shampagnes colourful life and history, the Gatwick Gangsters website, the music videos, the social media presence, the fake IMDB trivia…The fact they’re ACTIVELY in development for a Gatwick Gangsters 2!? its “On Cinema” level artistry at its finest.
I feel it may be a touch overdramatic, but I consider this kind of melding of real living breathing personalities and social media/movie integration bordering on performance art. and while I wish absolutely no ill will to ANYONE involved in the production of these movies. I REALLY hope they dont become self aware. These are the film makers who are best left uncontacted like the tribes in the amazon. Let them exist in their bubble, thinking they’re making the greatest movies ever. and just. let them make the magic.
I feel im almost overstepping my boundaries just by simply talking about this movie here, I need to really push this I DONT want interaction with these people. I want them to keep as far away from me and people like me as possible. I want them to keep making these weird HYPER aggressive movies so that I can pay them £8 for and then just…enjoy the utter UTTER weirdness thats come out of 5-7 years of stop and start film making.
Pandering to people like me or aknowleging your film is being viewed by a VERY specific audience that it wasnt intended to be made for is whats RUINED film makers like Rick Sloan, Tommy Weisau and Barry J. Gillis in the past. If you want proof in motion of what happens when you shut that crowd (I.E Me) out of planning when making your movie look at Neil Breen. who has somehow through adversity managed to make half a dozen movies that are PERFECTLY weird and awful and wonderful in every way. he doesnt humour us. and im absolutely glad for that.
So yeh. Gatwick Gangsters. I had quite an emotional time with this movie, and I hope you go check it out, and; Shampagne. if you do ever see this, ignore it. I really dont know what im talking about.
This week! Dan and Ben take a look at *arguably* one of the better known Ken Russell movies and one of Ben’s all time favourites as we discuss “Tommy” an absolute blast of a movie that gets surprisingly dark for a movie that quite frankly is so high energy and colourful.
Im not joking. recording this with Ben reignighted my passion for Ken Russell movies, By sheer chance a week after we recorded this I managed to talk to a bootlegger who was able to provide me with HD copies of “The Devils” and “Lizstomania” and I also managed to grab “Altered States” and “Lair of the White Worm” frankly, im in on Russell in a bad way at the minute. But im LOVING it.
I was a fan years ago, but i’d forgotten just how wild and fun his movies could be. and I HIGHLY recommend checking his stuff out whenever you get the chance.
In a season of firsts literally 1 week after we did our first Godfrey Ho movie! we’re NOW doing our first Jess Franco movie! and…this was my first ever Franco film many MANY years ago, and having seen a LOT more Franco since then, im inclined to think this is one of his better efforts. Which is a shame because its COMPLETELY out of tone with his other bodies of work.
This is one of those weird movies where Franco wasnt entirely invested in it as a director, so he just does a servicable job of making a horror movie, and it’s fine. its bordering on good even! and compared to his other 6000 movies. Well this is probably one of his best really…but that says more about my opinion on Franco movies than on my opinion of THIS movie.
This is a VERY flawed movie in all honesty. NOT one of the better nasty’s but sometimes it manages to wiggle into “So bad it’s good” terratory with laughable dialogue and kill scenes that make Antropophagus look like Cannibal Holocaust.
I’d say it was worth a watch at least once. but err…yeh, dont expect THAT many more Franco films on the channel…they’re…not my scene.