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This movie sucks. and since getting involved in the whole “Video Nasty” scene this was one of the movies i’d wanted to see the most out of all the entries on that section 1 and 2 list. it just seemed on paper to be a fun and weird, nasty little horror movie. in my minds eye I was envisioning something super bleak but played as if it had been directed by Ken Russell. and BOY was I in for a dissapointment.
I remember clear as day the first chance I got to watch this via Full moons streaming service last year sometime over the summer and within about 30 minutes I realised i’d been fully cheated on the premise and that in fact this was just going to more or less be a pretty generic war movie with a few very poorly shot and directed shock moments thrown in for good measure. I didnt come away from this movie on the first watch sad, I came away angry that I’d waited literaly years to see this film, only to be bitterly dissapointed by just how underwhelming it is as a work. I jumped into a group chat with some friends to vent my frustration and got a mixture of “Oh Wow that bad eh?” and “yeh it’s awful” which didnt really soothe me much either.
As times gone by i’ve been able to be a bit more critical about all of this and i’ve kind of ended up in a place where I feel that this is a film that; if you can get it for cheap or ideally free I’d say it was worth keeping. but I certainly wouldnt say it was any good and I DEFINITELY wouldnt say it was worth any more than $5.
It’s a good job I caught this film on streaming as I was seriously planning to spend upwards of $35-$48 to import a copy of the US Severin release of this movie at one point. the official line is that the BBFC dont have a problem with this film and that if it was submitted for classification today it’d be passed uncut for release. the problem is the films SO shit that UK distributors wont go near the thing. Leading to a bizarre situation whereby the film IS available to import from international sources. but because dealers know it’s so shite they wont license it for a UK release. despite it being perfectly okay to do so. Which leaves people like me who, before seeing it on streaming couldnt find a copy anywhere else, to have to do drastic things like pay upwards of $48 in costs and shipping to find out just how unwatchable and WHAT a money pit it truely is.
Totally rubbish, worth owning for reference and maybe as a filler feature for a pretty lively party. NOT something you’d just stick on because you want to enjoy your evening. this films so bad…
So; Here’s a bit of a cards on the table “Confessions” moment. a decent chunk of this season is VHS based; and the main reason for that decision is because while I was doing the writing and planning for this season I was also unpacking all my belongings into my recently refurbished room (I started writing scripts for this season in October last year) so while I was putting everything back it gave me a bit of chance to try and have a clearout and of all the formats in my collection, VHS is the most bulky and the the hardest to properly store.
So; I kinda sorta used this season to do some spring cleaning on my collection so I could thin out tapes I thought I might not keep based on the title and box art. and honestly? it’s been quite effective for most of the choices this season. a lot of what i’ve watched has either ended up being gifted on to others or found its way to refuse. but this movie? this movie right here? I was genuinely surprised at how entertaining it was. As I say in the review it really does have a lot going for it.
I initially chose it because I had 3 of the 4 films in this franchise on VHS and I figured if I did one of these a season it’d probably be a good way to get rid of 3 “Meathead” tapes from collection pretty easily. But instead the opposites ended up happening. I genuinely cant wait to watch the second one of these later in the year and I’ve been keeping my eye on a bluray collection of these movies now since I saw this one. Im hoping the sequels are as entertaining (if not as good) as this first one because if they are. I literally have no hesitation on upgrading all these to bluray quality and having the set as soon as possible.
Genuinely entertaining, fun and Eric Roberts is frankly astonishingly good in this. if you dont have the 20(ish) minutes needed to get through my full review and just want a quick caption. BUY THIS MOVIE NOW!
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I…I just had to show it to Ben. I just had to. we were in between films, it was 64 minutes long. I just had to. he hates it. he’s watched it 3 times now and he hates it. i’ve seen it 5 times and I hate it too. im planning to watch it again soon.
this was recorded back in November 2020 as part of a triple feature when lockdown restrictions eased very briefly in the UK. This was the middle film between “On her Majesty’s secret service” and another commentary that hasnt yet been released. we look forward to bringing you that commentary in June. for now. Nutbag…I gotta watch this one again…
One of the biggest headscratchers that plagues my review “process” is figuring out the right mix of genres so that things dont get stale. as a general rule; themed months excluded, I try to make certain that theres never a time where 2 films of the same genre are sat next to each other. So I’ll always try and seperate say; 2 horror movies that are sat together or 2 sci fi movies. I like to keep a mixed bag just to purely stop things from stagnating a bit.
Part of that dilemma is deciding how many 40s and 50’s B-movies I do a year. if my youtube analytics are anything to go by, you guys dont really care much for the older B-movie films. and hey; thats cool. I can dig it. y’know, time marches on and all that. But to me? I find these early movies a fascinating glimpse into the old days of the wild west of Poverty row film making. when corners would be cut, anything that could save money would be utilised whether it was to the detriment of the film or the cast and for the vast majority of these movies its amazing they got made at all.
Evil Brain from Outer space was never intended to be a movie, it was supposed to be a series of serialisations. and most of them are so drastically different to each other that the idea of cutting them together into one movie would be daft.
the 1960’s said “Fuck it” to daftness and did it anyway. they did it because they realised they wouldnt make their money back on the serialisations they purchased because serialisations in general were on the way out. so they did what they thought would make SOME money back (because making SOME money back is always preferable to making non of the money back) thats why they recut these into 4 features. it wasnt out of some grand artistic sense of tying together elements. it’s because they bought a lemon and had to make lemonade some goddamn way.
the supergiant serials arnt too bad on their own in all honesty. I mean; they’re a bit repetative in places. but they’re fine enough. but these recut ones? goddamn. just….goddamn.
I’ll continue to cover movies from this era, mainly because…they’re bizarre as hell. but if your looking for an example of the madness of 40’s and 50’s cinema. this films definitely a strong contender.
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