Barbie, 2023 – ★★★★

I speak with sincerity when I say, ‘They just dont make movies like this anymore’.

Some kind of monsterous hybrid of those old 80’s ‘Journey’ movies (Pee Wee’s Big Adventure, The Wizard, Elvira: Mistress of the Dark) a self aware and acidic slash at ‘toy commercial’ movies, a self aware and acidic swipe at the dumbing down of cinema (and kids films in particular) and an acidic swipe at Incel culture, toxic masculinity and the pressures placed on women and young girls in our society, while ALSO acknowledging that acknowledging those cultures and pressures is in and of itself a stereotype at this point. I feel SO sorry for anyone who came to this movie expecting a slushy pink bimbocized picture. Because there is FAR more going on in this thing than even I expected going in.

I had to remind myself at multiple points through this thing that it was in fact *supposed* to be a kids film. Because, barring a somewhat faux setup in the first 10 minutes establishing ‘Barbieland’ as a magical and perfect place where yesterday was as amazing as today and tomorrow is set to be even better. The entire rest of the movie is about Barbie heading into the real world (with Ken in tow) to try and settle existential dread that has creapt into the ‘stereotypical’ Barbies subconcious; leading to a journey of self discovery, identity definition and not only a heavy discussion on what it takes to be a woman in the modern day, but also a vivid exploration of masculinity, patriarchy and the self (eid).

And somehow they juggle all of that while also throwing in slapstick comedy, stupid humour that doesnt go lowbrow and actually funny jokes.

I cant say this film holds together well. The act structuring itself is pretty solid, but the film acknowledges that the *exact* science between how Barbie and co get from Barbieland to the real world is one that shouldnt be thought on too heavily. If you can get over that hurdle, the rests a breeze.

Pacing is breakneck, but enjoyably so. the themes are fascinating and MORE than welcome in the age of ‘The Emoji Movie’ and ‘Trolls’. But there were times where the film felt a little *too* much like attending a lecture series than a movie, and equally times where the humour went even a little *too* dumb for me. Is it heavy handed? I’d say it is in places. and the film quite often seems to lose its own thread at times. But y’know what? Its enthusiasm about what it’s trying to do and say shines radiently resulting in an imperfect film thats charming, charismatic and…While the whiff of ‘Toy commercial’ is very much in the air with this thing… …. … The movies called ‘Barbie’ what did I THINK they were gonna do with it?

Visually this things nuts. part german expressionist inspired and part experimental cinema led. Barbieland rides the line of films like ‘Dr. Caligari’ (1989) and the works of Wes Anderson. But on a big budget. everything is visually stunning the decision to flick between all manner of different styles of layering (the paper and plastic craft transition scenes between the real world and Barbie land were my personal highlights) were wonderful. Its nice to see a film not be afraid to go garish and glam with HYPER vivid colours turning what could have been a fairly generic production into something altogether ‘Extra’.

The real world sequences are a little bit of a letdown by contrast, coming across as a bit bland and muted. I get what they were trying to do, but it never quite hits in the same way as the more surreal moments. but Greta Gerwig has delivered here a production that, while inconsistent. IS unique, IS interesting and I sincerely hope is a launchpad rather than a ‘one off’.

The cine is solidly composed. Theres maybe a bit too much of an overreliance on CG for my liking. I’d have preferred a return to matte paintings and realising the more surreal ideas practically personally. But, it’s a studio picture. it wasnt going to be horrendous. I wouldnt have expected it to be, it’s maybe not *quite* as interesting compositionally as I’d personally have liked. But it holds up well enough.

As for the performances, both Margot Robbie and Ryan Gosling DELIGHT as Barbie and as Ken, bringing a rock solid range across the runtime that showcases some of Robbies best work i’ve seen to date, Gosling by contrast is a delight playing a Ken who’s golden retriever energy and later dedication to the patriarchy (I never thought in a million years i’d write THAT in a Barbie review) is lunk headed, but clearly carefully coordinated and equally wonderful.

Special kudos has to go to Michael Cera as ‘Allan’ who’s the real sleeper of this picture. I honestly dont think i’ve seen Cera give a bad performance and his own eccentric energy pours into this thing perfectly leading to honestly rock solid results.

In fact, bizarrely; it’s Will Ferral who feels the odd one out here. the script doesnt really develop his character all that much, he turns up incrementally throughout and doesnt…really…do a lot…other than his usual ‘Step Brothers’/’Elf’ routine. Which was a bit dissapointing…I actually found the business men he surrounds himself with to be more entertaining at times than him.

The supporting cast do a damn fine job completing this bizarre ensamble. creating ultimately a movie that, with a lesser cast, would have almost certainly fallen apart.

All of this is tied together with a decent soundtrack mixing more modern tracks with remixes of 80’s dittys (Babies peak generally) to create a strangely textured work.

It very much is a ‘planets have aligned’/’Just the right people in just the right place, at just the right time’ movie. Is it perfect? absolutley not. While the script is charming and endearing, it is ultimately a tad flawed and its hard to tell whether the blame is on corporate interference or directoral oversight. A touch heavy handed in places and a little bit all over the place plot wise, it’s the characters, tone, energy and vision for ‘Barbie’ that shines through and ultimately saves the day for me.

Is this a good kids film? I honestly dont know. the themes discussed are quite complex and I think even adults would struggle to really truely process everything thats laid down here. But what I will say is if you have an older daughter (8-10+) and your down for some in depth disucssions on femenism and the patriarchy. Go for it. I think you’ll have a time and a half! If you have a son. Take him to see this movie as soon as possible.

And dont be fooled by the faux glam. Bubbling just below the surface of this thing is a witty, dark, sardonic work that will absolutely appeal to anyone who ever hated barbie growing up. I honestly cant wait to grab this on home release.

source https://letterboxd.com/tytdreviews/film/barbie/

After These Messages, We’ll Be Right Back!

So…We’re going to be stopping the channel for a while. A decision that im personally absolutely devastated by, and one that I have not taken lightly. But if your reading this, odds are you already know this and have come here for a little bit more context. 

The honest answer is, 2023 is just over 7 months of the way complete, and this year has been quite possibly the worst year i’ve experienced in a VERY long time. But thats for a few reasons, that somehow all have manifested independently, and have also impacted every aspect of my day to day life to the extent that, at this point, im pretty much paralyzed from making content. So lets start from the top, and then i’ll explain what all this means in real terms. 

As many people may (or may not) know, I work very far in advance with producing my content. In fact, the season thats just finished (January – June 2023) was actually initially planned in August of 2022 and was more or less fully written, recorded and largely edited by December 2022. Because of this, Everything thats happened since February of 2023 has pretty much gone unnoticed because, the show was all premade before the shit hit the fan. 

In January of 2023 a recurring health issue of mine suddenly got significantly worse. I’ve been suffering from chronic sore throats and tonsillitis now on and off for AT LEAST 10 years. But up until this year it was manageable. It would come and go and there’d be enough time between incidents for me to record for a bit, then edit in the downtime. Around mid January, It suddenly and sharply deteriorated. My throat became sore, and basically never recovered. I went to the doctors in mid February ‘23 and basically from there things have spiralled. 

Its difficult to say honestly exactly whats going on, depending on who you ask I’ve either been dealing with one case of Tonsillitis for 5 and a half months at this point, or 4 separate instances that just so happened to perfectly overlap with each other in such a way as theres no breaks (got to love Doctors) In either case, in April I was sent for an Endoscopy (not as bad as you’d think, but I can think of better ways to spend a friday morning) just to rule out anything nefarious. But the hospital got my results mixed up with another patients. I went in with a sore throat, and they diagnosed me as having chronic migraines and ear pain. 

That mix up took nearly 3 months to correct and I actually only got the ACTUAL results of the test back a couple of weeks ago, turns out it IS nothing nefarious. At this point? I’m pretty convinced im going to need to have my Tonsils removed. The question is what options do I have available. Going via the NHS, I’ve already been told they will basically stick me on every Antibiotic they can get their hands on FOR MONTHS, and i’ll have had to have had at least 7 cases of Tonsillitis in a 12 month window before they’ll even CONSIDER taking them out (They’re still very likely to say no even at that point. Seriously, this shit can run on for YEARS.)

On the other hand, having looked into the private alternative, I’d be staring down the barrel of 3 grand in medical costs *minimum* and i’d be nearly a grand in the hole before I’d even know if they’d perform the operation. They just as easily could still say no at which point i’ve spent a grand and got nothing to show for it. 

As it stands, I can talk continuously for about 40 minutes and then my throat swells up, my tonsils get incredibly sore and I basically spend the next 2 days in pain, struggling to speak. If its conversational, I can manage a couple of hours (depending on how lively it is and how many people are involved) before the same thing happens. I’ve gone from being able to record 2 scripts a day, and 4 scripts over a weekend. To barely being able to struggle throug one of my usual scripts over 3 days…

Throat aside, I had also been dealing with burnout for a while now and had planned to make this a shorter season anyway to try and spend some time doing other things and hopefully relight the spark I have for these movies as an art form. With the throat issues combined with the burnout, it’s compounded things to the point that it’s made me realise that I probably need quite a bit more than a couple of extra weeks to get my groove back…

The OTHER issues…well…they’re quite a bit more significant. In May, I lost my Grandma. I’ve been part of a very fortunate family really in the sense that we havent really experienced death, we have a lot of very mixed health people, but they’ve all hung on to a reasonable age. My Grandmas passing was sudden, unexpected and not of *strictly* natural causes. It blindsided us honestly, particularly my mum and her brothers for whom, their mum was the figurehead of the family. It was horrible. 

That was shortly followed only a couple of weeks ago when my Dad passed away too AGAIN of unexpected circumstances and again on very short notice. Any one of those losses would be seismic, but to lose both of them in less than a month was truly awful. I feel honestly quite lost without them and i’ve spent most of the past week or so trying to regain my bearings because…y’know. Its my Dad. 

So. At least for the foreseeable, Not only am physically unable to work on new things. Im absolutely fried by a truly terrible year in almost every other regard. What does that mean in the long run? Well. 

Any and all existing obligations will be met and complete. That should mean 2 more uploads happening between now and September. I’ll be pausing the channel for the rest of the year from thereon (at least), while I try and get my voice fixed and I process the shitshow thats unfolded. I will still be appearing on other peoples channels occasionally on streams and such, and I’ll make sure to share when that will be. 

I’ll still be responding to comments where possible on my videos and im hoping to be more active on Letterboxd in the interim while my voice is shot. You’ll still be able to find me on Twitter, IG, Bluesky and our discord group and again, im hoping to be more active on those platforms too. My hope is that, if I can get my voice back up and running before the years out. That I’ll be able to have new stuff coming around early to mid next year. But for the moment, I don’t think I’ve watched a movie in about 3 weeks and I haven’t properly even rested in a couple of months at least. 

So! Not the best news in the world. But I absolutely didn’t want to leave any of you guys hanging on radio silence. I want to  thank you all so much for your patience and continued support, and I really hope I get to see you all again very soon. Thank you for your understanding and…Till next time.

– Dan

The Unbearable Weight of Massive Talent, 2022 – ★★★½

Not my favourite Nick Cage film, but it’s in the upper half entertainment wise. The stories fun, it looks great and has at least a few moments that made me laugh out loud.

It’s a bit overlong for my taste, I think it could have easily been 20 minutes shorter and had another draft or two in it to really nail the premise. But it was fun enough. One I may revisit in future. But not without its faults.

source https://letterboxd.com/tytdreviews/film/the-unbearable-weight-of-massive-talent/