Finishing the Complete Tenth Season (2021)

So! We’ve hit a quite significant milestone. At the time of writing we’re now halfway through my 5th year of making content for youtube. and honestly; looking back im left with a simultanious feeling that this has just…always been the way things have been, while also thinking that no time has passed at all. it’s quite an unusual emotional response to describe honestly. I still recall back in 2018 when I was talking to Ben about plans I had for videos that “Wouldnt happen till 2020” and him looking at me as if I was absolutley potty to even BEGIN to suggest such a thing.

But the honest answer is; this channels kind of been my lifeline for the last few years. What started out of a genuine frustration at the lack of detailed information and an almost outright dismissal of bad movies and cult cinema as “Not REAL film” has, five years on, evolved into something much MUCH more than that. Sitting here now in 2022 looking back over the years, at all the absolutely astoundingly good friends i’ve made as part of this project, The film makers and people behind the scenes i’ve had the opportunity to connect with as a result of me reviewing a film they’ve worked on, and the people who’ve been reunited as a result of my simple efforts to try and prove that theres as much educational benefit in deconstructing BAD cinema as there is in deconstructing the mainstay “classics” has left me honestly quite speechless.

All I ever wanted to do was try and share my love and passion for these types of movies to a wider audience and, in turn, hopefully attempt to rebalance the discourse around film theory and studies. I wish we lived in a world where someone could, in a crounded film theory class, openly talk about the cinematography in say “Robot Ninja” or the directional choices in “Theatre of Blood” and be taken with a level of seriousness and acceptance that comes with namedropping things like “Apocalypse Now” or “Drive”.

That isnt to say that im putting those films in the same catagory as each other you understand. Rather; for years theres been a culture of snobbishness around “Cult” cinema in professional and academic settings simply because it either didnt attain mainstream success or it deals with themes that are unconventional from what elder academics would deem “acceptable” with only very few film makers (David Lynch, Jan Svankmajer, Robert Wiene to name a few) being allowed the air of dignity within an academic setting.

To me? if you only watch what academia and the mainstream culture consider to be “Good movies” you’ll ONLY make “Good” movies…and in many ways thats the problem. The history of counter culture cinema is a rich tapestry of experimental and arthouse, a sea of trial and error on various mixed media formats. it’s the story of “Fuck around and find out” to put it bluntly. and is probably responsible for greater changes in the mainstream than most professional critics and lecturers will EVER be willing to admit. And yet; it only ever seems to be “Skimmed” by the people in charge. referenced as an afterthought in the shadow of the “Tarantino’s” and “Von Trier’s”. Pilfered of its “Best bits” with 80% left to wither on the vine or end up the subject of countless articles of mixed quality that purely focus on “HOW CERRRAZY” the film is or how, while we do have to aknowledge that this weird film inspired a much MUCH better film. we also must feel embarrissment or even shame that this original film even existed at all.

Its a systemic problem that even I am guilty of from time to time, and the last 5 years have really been a lesson in reprogramming to try and shake off this “Two Tier” system that the film industry regularly imposes on it’s output. it shouldnt be a case of “There are good films…and those films” rather. There is just film. art. expression. and while we can collectively agree a sliding scale of budget, technicality and complexity I feel more attention needs to be paid to just what CAN be achieved with so little, rather than simply focussing on eyewatering budgets, pixel counts and CGI hoy polloi.

I spent a not insignificant time of Season 10 covering the world of SOV cinema. A much maligned field because of its low budget, dependency on horror, gore or titlation to get bums on seats and an overdependency on references to other movies to try and sell people on a sense of familiarity. Its equally been one of the most interesting, thought provoking and inspiring experiences i’ve ever gone through. these people were “true” film makers. visionaries. creative souls who tried their damndest to make what was, to them, the best damn movies they possibly could on budgets that wouldnt even cover a QUARTER of a modern shoots catering budget FOR A DAY. they HAD to be creative because there simply wasnt an alternative. and the results are a testimony to the craft that I feel should be better recognised by academic bodies and not simply dismissed as “Fodder for the experimental film crowd”

So I say “Make Bad/Cult film relevent” challenge the so called “Authority” explain your workings, change the discourse and help make the world of film a better and more inclusive place for people who dont just think with there wallet or ride the coat tails of passing trends. give Bad and Cult cinema a reverence BEYOND it’s disposability. Because I guarentee, the sooner that modern film makers start to look at BAD films as a friend and NOT a tool or an aesthetic. the sooner the current rut that hollywood and the film making system has found itself in will evaporate.

Season 10 was a season of growth and development for the channel. and while we’re still a rather small and plucky channel, we’ll continue to try and push the discussion as far as we can take it.

Heres to 10 seasons, 5 years, to the good times and to hopefully many years more.

Dan.

Silent Night Bloody Night (1972)

Well, another year is winding up and once again we’ll be ending things on the channel with a good old fashioned spooky Christmas horror movie. Silent Night Bloody Night surprised me as being, not just a pretty decent christmas horror film, but a border proto slasher that full on predates “Black Christmas” by nearly 2 whole years!

Weirder still it was an early entry in the career of Troma founder Lloyd Kaufman who helped to co-produce the feature. and WEIRDER STILL! given the slice of fried gold that this film is. the fact someone let it slip into the public domain is frankly INSANE to me. this film should be held in WAY higher regard in my opinion…it may be far from perfect. but if it hadnt been for the fact that basically NOONE saw this film when it first came out. it could have easily kickstarted the slasher genre a full 10 years earlier than it did take off.

A great, solid little horror flick. definitely one to watch this festive season, I say go and check out Silent Night Bloody Night. a hidden gem and one of the true hidden slices of horror history!

And…with that we’ve reached the end of the 10th season. it’s been a hell of a ride (there’ll be a “Complete Season” post incoming imminently!) and i’ve loved every minute of it. thank you to everyone who’s helped make this year extra special! the 5th anniversairy celebrations continue on next year with season 11 (currently in production!) and it’s gonna be a big one!

So thank you for dropping by, have the very merriest of christmasses, the very happiest of holidays and the very brightest of new years! and we’ll see you all! in the future! which is where you and I are destined to be!

Stay safe x

This poster says nothing. Im so confused. I love the colour palette though…

Annabelles Wish (1997)

Annabelles Wish was one of those movies that I saw a TON for a brief period in the late 90’s the marketing campaign for this movie in the UK was quite frankly insane. I remember WH Smiths, Woolworths and most places that sold tapes being absolutely rammed with it. I remember the channel 3 childrens block “CITV” having CHRONIC amounts of adverts running for this (probably because CITV was being run by “Carlton” at the time, which was also the company who distributed this film in the UK) for a good year or two it was nothing but wall to wall Annabelle. and honestly; at the time I thought it sounded like a load of old rubbish.

So to sit here nearly 25 years to the day of its release and finally watch this thing to see what all the hubub was about…well…as you can expect the sour laughs of a special that not only missed the mark but full on faceplaneted the concrete could be heard for miles around. This was amazing. a film that really truely tried to be sincere and heartwarming/Bittersweet. Inadvertently becoming DEEPLY troubling and quite confusing to boot! I had NO idea what to expect when I hit play. but I certainly wasnt expecting THAT!

it surprised, shocked and genuinely made me laugh at just how corny and awful it was…and for the last TYTD Reviews episode of 2021…well I couldnt have asked for a more perfect example of what this series is all about.

bloody hell…

This poster is a LIE and will be ceased by the workers as an act of defiance. WE ARE STRONGER TOGETHER COMRADES!

A Karate Christmas Miracle (2019)

This was my first experience with a Ken Del Vecchio production. and by GOD i’ve never been so conflicted as to whether I want that experience to happen again. On the one hand, this films SO rediculous but aiming to be sincere that I kind of feel obliged to at least see what on EARTH this guys on about. On the other hand; this was quite possibly one of the worst christmas films i’ve ever seen in my life. it makes “We Wish You a Turtles Christmas” look like “White Christmas”, it makes “Alphas Magical Christmas ” look like “A Christmas Story” it’s about as close to a christmas film as I am to being a millionair playboy (not very…)

Im just…astounded by this thing. and while I dont really have a lot more to say about it than what my review covers. Im even MORE astounded that it hasnt been picked up more intensly. you’d think with a bait title like this, it’d have filmies like myself swarming over it…but at the time of writing, im the only critics review submitted for this on IMDB and ratings remain at a relative low…I kind of want more critics to cover this thing, just so it can be outed as the piece of garbage (in my opinion) that it is.

As i’ve always said, ideally; you DONT want to be featured on my show, because being featured on my show is seldom good news. and MAN if this film doesnt live up to that…

Merry christmas.

I want this poster, full size, as part of my christmass decorations. hot damn!

Jack and the Beanstalk (1974)

Well, it’s the start of the christmas season and the final run of reviews until we break for the new year, and to kick things off I thought i’d introduce my (predominantly American audience) to the great british pantomime!

If you ever get the chance to see one performed, I highly recommend it as I think everyone should see a panto at least once in their lives. the colour, the campness, the cameradere. it’s just a truely wonderful experience for all involved.

I havent had the chance to go to a pantomime in years, I think my last one was maybe in 2016…maybe even 2017. I basically had a string of years where I saw too many panto’s that just wernt particularly very good and it kind of tainted my experience on going. Thats the only issue with pantomimes really. you could see 5 good panto’s and thats great! but just 1 single bad pantomime is equally to seeing 10 bad pantomimes in terms of deep hurting it causes.

The closest I can describe the feeling of a bad pantomime is it’s a bit like being stuck with an insufferable comedian who keeps picking on you, but you cant just leave…and the shows between two and a half and three and a half hours. I had 3 of those on the bounce once over 3 christmasses and it was enough to totally kill my interest. but having been in lockdown now for over 2 years at this point. I really kind of miss the scene, the vibe and the general weirdness panto offers.

Covering Jack and the beanstalk here was my attempt to try and capture a bit of that magic back, or at least reaquaint myself with the genre of “Fairytale” kids movies that would usually be used in pantomime. and I think it’s genuinely been a quite lovely experience more or less from start to finish.

The missus recommended this one to me after I showed her my VHS copy in a haul I picked up a few years ago and after playing her a brief clip a memory unlocked for her and she begged me to watch it with her. needless to say I was not dissapointed!

This posters fine. WAY better than the VHS box art which looks like someone drew this poster from memory after only seeing it once 3 years ago.

Chick Boxer

I had a rather pleasent surprise while these reviews were going live. JR Bookwalter the man himself was doing a live stream Q&A for a new release for makeflix and I dropped in to ask a question about whether he’d ever consider getting back into directing (his answer was “never say never!” so here’s hoping for the SOV 12 pack in 2024!) but while watching he mentioned in passing that he’d actually been checking out a couple of these reviews as they dropped! which…well I was honestly quite beside myself as, while I have had the odd director, DOP, Cam Op or in one specific case producer drop by to tell me about how their movie sucked, or that they were grateful for my honesty. i’ve never had someone say that live, on video. TO ME.

Anyway; I mention that because this was the review he referenced specifically when he said he’d seen a couple of the reviews I’d done. and…if you’ve seen my review of this in advance of reading this post. you’ll know that I was not a fan of this movie…didnt care for it at all…hates a strong word but I do believe I said this movie was “The kind of film you take to a bad movie night when you dont like anyone in attendence.” which was then quoted in a tweet by J.R Bookwalter himself. POSITIVELY I might add!…but still. he hates this movie. I…didnt care for this movie. most people i’ve shown this film to (Because im an evil fuck) hated this movie. this is not a good movie. the poster and title is about as good as it gets.

In my minds eye I imagined Chick boxer to be a kind of gritty “Rocky” type flick. y’know, a young girl is bullied or harrassed or…I dunno SOMETHING happens. and she decides to “Get tough” cue several training montages and eventually said weedy girl is now a martial artist taking on the scum of the streets vigilante style, with the papers and police not really knowing what to make of her. almost like what was done in “Robot Ninja” but without the super hero costume and the scene where a guy removes and inserts weird tubes into his arm.

Instead we got…well I’ll let the review do the rest of the work.

This cover is the best thing about the movie. and it took nearly 30 years for it to happen.

Finishing the Complete Eighth Season (2020)

Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.

For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.

The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.

Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.

In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.

Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.

So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.

Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)

Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.

So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.

Silent Night Deadly Night (1984)

Well! We’ve done it again! another year has reached it’s end and with it, we have the final review of the year! I hope each and every one of you had a Merry Christmas and a Happy New Year! I spent the day with the missus and my parents, we had a lovely dinner, played some board games till the evening and then had a small buffet that put us into a food coma well into Boxing day!

While I wish i’d had the time to relax and savour my time off (I had 19 days leave from work this year and it REALLY flew by) I’ve spent a lot of time working on next years season over Christmas and as of today (Jan 2nd) we’ll officially start cutting for the new series! Im hoping to have at least one rest day before I go back to work. but for now. im super grateful i’ve been able to get so far ahead! so do keep an eye out for the new season when it lands in February (At least…im hoping it’ll land in February)

I watched this movie for the first time this year, for the purpose of this review. I wrote the script some tim in late July/Early August and I was fortunate enough to pick up the lovely limited edition box set of this movie and it’s sequel from 101 films almost as soon as it was announced. they’ve done a genuinely lovely job in cleaning this movie up and it was a blast to actually watch it around christmas time, in the vibe, in the festive atmosphere. I think it’s probably one of the better christmas horror movies i’ve seen. While I’d probably hesitate to say it OG “Black Christmas” good. it’s definitely up there! and I hope you consider giving it a go some time!

Anyway! Im going to be hard at work editing Season 9 now for at least the rest of this month, there’ll be a few commentaries uploaded in the mean time while im away. and, as always, i’ll be in the comments on every review i’ve done to date. So if your new to the site. please feel free to reach out and say “Hi!”

I wish you all a very happy, healthy and fruitful 2021 and lets all just…HOPE. that it is only a shadow of the year we’ve come from!

LOVE this poster. Controversial? Absolutely…But it bloody works!

The Night B4 Christmas (2003)

Sooooo…Im going to be honest here. The Holidays kind of got away with me this year. Given that it was supposed to be a super quiet isolated christmas. I think it’s probably been busier than any christmas i’ve had…mainly because, for some reason, I’ve been nominated the “Dedicated point of contact” for 2 households.

What that means in real terms is I’ve been looking after my partner and my parents for a good chunk of the festive period and…in blunt terms. I’ve spent more time at the dump this christmas than I have in front of movies. it’s been manic. that’s probably the best way to describe this years christmas. Very little actual christmas celebrating and a hell of a lot of sitting around waiting for stuff to happen and sitting in traffic.

This has nothing to do with the below review. but because i’ve been all over the place I just havent had time to update the site as I normally would and honestly? this is one of those reviews where I pretty much say everything I need to say in the video. theres no real afterthought on this one.

In fact; as part of some of the admin I’ve been working on over Christmas, I rewatched this one while it uploaded to a backup site. and I still 100% agree with pretty much everything I said in this…which, given this was written back in July is always a nice thing to find out.

I still say go and check this one out, dont be put off by the animation. I genuinely think this ones got it’s heart in the right place *mostly* anyway! more christmas chat to come in my “Silent Night Deadly Night” review which is going to be loaded up to the site very shortly!

It’s not often I get a poster that is simultaineously EXACTLY perfect in summing up what this film is about, while also being it’s biggest advert for avoiding it. shame really…

Alphas Magical Christmas (1994)

I dont really know what I expected of this special in all honesty, One quick glance of the cover and I was convinced I was getting into “We wish you a turtle christmas” terratory. But honestly? when alls said and done. I found this movie to be a totally hollow experience.I’ve had a few months seperation from this review now by this point, and all I can honestly say is; “Well; it’s a thing that exists!”

It’s probably the best and worst example of “The Spirit of Christmas” because on the one hand Alpha is a charitable and loving robot who just wants to celebrate christmas with his friends. on the other hand all his friends are SO egotistical that they expect presents of Alpha, but dont get it anything in return. Alphas christmas basically consists of slaving away through all of christmas eve and christmas day and it’s big reward for exerting all that energy is that it gets to see 3-4 of the power rangers. All im saying is that the rangers who didnt turn up to wish Alpha a merry christmas may want to check the brakes on there Zords next time they hop in for a spin.

This really is a low point in the world of Direct to VHS specials…and more worryingly, I feel like I’ve only begun to scratch the surface. in either case. sit back, relax, and enjoy hearing a robot massacre christmas carols for 28 minutes. god even thinking about this tape now makes me want to go and get drunk…Merry christmas.

This cover is the perfect representation of what you’re getting into…you just need to airbrush out like…3 of the rangers and it’d be perfect.