Finishing the Complete Twelfth Season (2022)

Season 12 was a season punctuated with several rather big moments for the channel, ones im very proud of. It was the season that helped us ease into monthly streaming, it was the season to feature our longest review (“Sweet Insanity” – Thanks to Peckingforgoodtv for being a good sport on that one!) it featured probably our most mainstream review (I Spit on Your Grave) and our most obscure review (Santa’s Pocket Watch)

It saw the wind down of “The Comedy Dining Experience” and probably our crowning achievement for the year, as not only did we smash through 150k views (for the 2nd time I might add) BUT! we also FINALLY hit 1000 subscribers after over 6 years of weekly uploads. It’s been a hell of a road, but its one im fiercely proud of, and one that I simply couldnt have done without the help of our wonderful viewers and the many friends and creators i’ve made along the way.

Latter in the year seasons (basically the September – December stint) are always a little less fun for me. Don’t get me wrong! they ARE still very fun, otherwise I wouldnt do them the way I do. But with the pressure to do spooky stuff at Halloween and Christmassy stuff at Christmas, it usually means that at least 8-10 of my 16-18 slots for the year are eaten up with a rigidly structured type of arrangement. one of the things I really love about the February – June/July run is the fact that it’s in total free flow. I can plan the season out months in advance, but all it takes is one release to creep into my radar and I can easily swap it into the schedules with no problem. With the September – December run, im not as carefree.

But this year was a little bit different, Being able to collab with so many wonderful people across this season really helped to keep things fresh and keep my interest on the ball. The fact this years halloween special theme was “Poundland Horror” meant I wasnt rigidly stuck to one genre for a full month and could relax into the season quite nicely. and even the christmas specials were perked up somewhat by being able to tackle movies like “Winterbeast” with George. It just made things a lot less dogmatic and more, just for the fun of it. Yes I didnt get to do everything I wanted to do this season, but I got like; 95% of it done, and thats good enough for me!

Of the two seasons that made up 2022, Season 11 was probably the most fun to work on, but Season twelve was almost certainly the most rewarding. The former was the last hurrah to my old system, and the latter was me basically relearning how to do my trade having upgraded all my kit over the summer. and Season 12b (Im not calling it Season 13, theres no way im cursing this thing right out of the gate) is going to be the biggest and longest season we’ve ever done to date! I honestly cant wait for you guys to see it when we premiere on Feb 3rd 2023!

All I can say is, Season 12 was a fun one, and I hope 2023 keeps that postive energy coming!

I Spit On Your Grave – (1978)

Probably the most surprising film of this season for me, I REALLY wasnt looking forward to talking about this one, it’s a catagory 1 Video Nasty however, so I kind of felt obliged to.

I was expecting over 90 minutes of rape and unpleasent grimness that would leave me feeling uncomfortbale. But instead I actually found the film strangely compelling an empowering. I absolutely dont agree with Siskel and Eberts take that this work is Mysoginistic. I think personally it comes from a place of very careful consideration.

As the credits rolled I actually felt more comfortable with the film that I had expected, and I actually kind of got on with it a bit more than say ‘The New York Ripper’ or ‘Night Train Murders’. This one was Palettable, and is absolutely one i’d watch again.

‘Iconic’ is too small a word.

Champagne and Bullets (GETEVEN) – 1993

Champagne and Bullets was another one of those films that kept getting pushed back, missing out on being a part of previous seasons by a hairs Breadth. Originally scheduled for Season 10 it JUST missed out and ended up getting pushed back to Season 11, where it got as far as being recorded and put on the timeline ready to edit, before another film came in (Night of the Demon) that JUST pushed it out once again into this season.

A long time coming, I have kind of mixed feelings ultimately about Champagne and Bullets. I think it definitely has its moments, but on the whole, I can think of ‘entertainingly bad’ movies that appeal to me more. it’s still a good time for the most part and I can absolutely recommend checking it out, if you can ever find a DVD copy (the Bluray copies now long out of print and goes for silly money)

Footprints On The Moon (1975)

‘Footprints’ was a film that chronically fell into the ‘I’ll cover it next season’ pile. As far back as season 7 I’d intended to cover this one, but when it came to finalising the running order, it just didnt sit right with what was in the dock at the time, so…i’d cull it over to the next season and PROMISE to do it then…where it’d sit on the list again till the very last minute and then ultimately get culled back to the NEXT season and so on.

The fact i’ve actually finally got it out, AND the fact that it came out only a week or so after Severin Films announced a lovely box set which includes this film. was both coincidental and a very nice surprise.

I honestly always seem to forget just how interesting a concept this movie was and how surprisingly fun it could be. Im really going to have to dig it out again in the near future for a re-spin. It’s definitely not perfect. But it is one that I recall with fondness.

Seriously though, quite why the astronauts are in this at all is a mystery to me…oh well..

Finishing the Complete Eleventh Season (2022)

Well! when it came to the 2nd half of our 5th anniversairy celebrations, I decided to try and do a bit of everything. Part of me wanted to cover movies i’d wanted to do for years (“Flight to Hell“, “Cannibal Girls“, “Camp Blood“) Some were movies i’d promised id do in the future, and then totally forgot to do in the future (“The American Ninja 4“, “Cyborg Cop 2“, “Alien Species“) and some were first time watches that arrived on short notice and genuinely caught me off guard (“Gatwick Gangsters“, “Night of the Demon“, “Dont go in the house“). Hell, we even rounded off the TYTD Reviews episodes by revisiting our very FIRST video for the channel “The Dragon Lives Again” hopefully finally doing justice to a film I’ve long admired and wished my review of could have been better.

It was a celebration of the old, and a look forward to the future of the channel. With this series marking a few milestones, it being the last season edited in 1080p,the last season edited in Adobe Premiere Pro, The last to use the branding we’ve been using now since 2020 across all fronts and the last season predominantly recorded on my focusrite condensor mic, a mic thats pretty much been what you’ve heard me through since AT LEAST 2020, which also made a few on and off appearences between 2017 and 2019 too.

What does the new season hold? well as seen in the review for “Dont go in the house” i’ve had a systems and kit upgrade on almost all fronts! including a new machine, a new mic, new lights for the packaging shots, new editing software and some other new tools to help give a bit more variety. As such we have new branding across all our main shows, we’ll be solely uploading in 4k going forward with better quality sound and visuals, faster processing power means it takes less time to export and convert reviews now, and as such it means we’ll be able to *hopefully* turn things around a bit quicker which’ll give me some time back to be able to enjoy a sunset or eat a well prepared meal!

There have also been some changes that are not quite as pleasent to announce, but here we are. After 2 years or so of monthly uploads and over 50 feature length commentaries, “The Comedy Dining Experience” will be swapping back to an irregular upload schedule, as it was when we first launched in 2018. Part of this is down to the amount of time it takes to edit the commentaries, part of it’s down to lower uptake than our other shows (we’ve had some episodes record less than 20 views after 3 weeks of being live in some cases) and part of it’s down to both myself and Ben just being absolutely ram jammed with stuff going on at the minute. Im in the middle of writing/recording and editing next years episodes (and I still have stuff to finish with Season 12!) and Bens recently had several good news stories that means he’s a lot busier than he was at the moment.

What this means in practical terms is that the Comedy Dining experience isnt going anywhere, it just means that, for the moment at least, it’s going to be on pause while we sort life stuff out, and when it does come back it’ll be likely an “As and when” affair rather than a regularly scheduled “thing” which will allow me more time to work on and refine our reviews, and it means we wont be oversaturating the channel too.

What it ALSO means is that we can do other fun things like monthly game night streams (we’ve done 3 so far and a pilot) AND it’s meant I can start an official Discord from which we’ll be hosting various watchalongs, games nights and other good stuff, alongside chats on everything from good and bad movies to music and weird youtube oddities, so do please tag along for that!

Season 11 marked a change in the wind for the channel, and with Season 12 currently rolling out weekly, I hope your enjoying the direction we’re taking the channel in, I had an absolute blast working on this season, I think it’s one of my favourites i’ve worked on alongside Season 10 and the chance to work and hang out with so many interesting people in collaboration has been an absolute delight. I couldnt have asked for a better 5th year on the platform.

She Freak (1967)

In many ways, I wish I could have been kinder to She Freak, it’s not a BAD movie by any stretch, I just feel like it’s a difficult film to market really, how do you sell a movie thats basically a 60’s remake of Todd brownings “Freaks” but with all the wonderful pathos and artiness that is the chiascuro 1920’s black and white drenched goodness removed?

“Oh, it’s basically “Freaks” but toned down because the MPAA didnt like the original and less interesting” is a HELL of a tagline. Not helped AT ALL, by the fact they hang their hat on the titular “She Freak” who doesnt ACTUALLY materialise ‘freaked up’ until the end, and even then only for 60 seconds max. I know the whole idea is that SHES THE REAL FREAK FOR BEING A JERK YEH? YEH!. But the reality is, it just fell short of really truely winning me over, and in many ways I felt quite let down by it for that.

That being said AGFA have done a BLINDER of a job on this thing, it looks incredible and if you were lucky enough to get the limited edition slip (as seen below) then you were doubly blessed! honestly while the film may not be *THAT* great, the release really cant be faulted.

That slipcover…god DAMN.

Valerie and her Week of Wonders (1970)

This is…unfortunately, one of those few situations where I honestly dont have a lot to say about the behind the scenes of this weeks episode. I know it’s always a bit of a downer when all I can really say is “Watch my review for the full story!” But sometimes it just be like that tho m8.

What I CAN say, and its totally off topic, but hey. your reading this, you’ve got time. is that at the time I was working on this review I was in a quite stressful and unpleasent place. in fact a decent chunk of this year has been rather stressful and genuinely unplesent at times. I quite recently got a promotion at work where i’ve basically been assigned to *fix* a VERY broken aspect of their business. I like fixing things, im ALL for improvement projects and optimisation. It’s my jam…but this thing…this fucking thing…holy shit. it’s BROKE.

As a result I spent the first 3-4 months being basically dragged by the project face first into the dirt. it was sprawling, awkward FULL of weird variations and bylaws that made NO sense. I likened the experience of coming into work as “Stepping on Landmines” because the problems were seemingly invisible till stepped on, at which point you’d be launched into 2-3 weeks of absolute shrapnel induced carnage only recovering long enough to accidentally drag yourself onto another one. it’s been a shit time honestly. it was painful and i’d regularly find myself working WAY overtime and burning myself out over the weekends trying to catch back up with myself only to repeat it all again the next week!

But! in the last 4-8 weeks i’ve finally stopped being blown up quite so frequently, i’ve managed to slim out some of the worst aspects of the system and introduce better, more robust procedures that have not only given me back more time during the day to actually work on larger improvements to save me even MORE time. But have actually (more often than not) given me my evenings back as well. Im still a few weeks off saying im “comfortable” again…but for now at least…I dont feel quite so distressed by it all and im kind of getting back to being happy with my lot again…and if thats the direction im heading in, I can live with that!

Anyway; yeh…kind of…went off on a tangent there. ENJOY!

I love this poster, its so striking, yet so simple.

Gatwick Gangsters (2017)

In many ways; I love films like this. Films that live beyond the screen. films that continue to organically grow like some kind of bizarre trash terrarium. Gatwick Gangsters has a life beyond it’s stream and I live for stuff like that. When I first started researching the movie I had NO idea that Shampagne was working to be an auter media personality. I just thought this was a goofy movie that I could take apart and explain what worked and what didnt and then mark it off my list.

And then the world opened up to me, Shampagnes colourful life and history, the Gatwick Gangsters website, the music videos, the social media presence, the fake IMDB trivia…The fact they’re ACTIVELY in development for a Gatwick Gangsters 2!? its “On Cinema” level artistry at its finest.

I feel it may be a touch overdramatic, but I consider this kind of melding of real living breathing personalities and social media/movie integration bordering on performance art. and while I wish absolutely no ill will to ANYONE involved in the production of these movies. I REALLY hope they dont become self aware. These are the film makers who are best left uncontacted like the tribes in the amazon. Let them exist in their bubble, thinking they’re making the greatest movies ever. and just. let them make the magic.

I feel im almost overstepping my boundaries just by simply talking about this movie here, I need to really push this I DONT want interaction with these people. I want them to keep as far away from me and people like me as possible. I want them to keep making these weird HYPER aggressive movies so that I can pay them £8 for and then just…enjoy the utter UTTER weirdness thats come out of 5-7 years of stop and start film making.

Pandering to people like me or aknowleging your film is being viewed by a VERY specific audience that it wasnt intended to be made for is whats RUINED film makers like Rick Sloan, Tommy Weisau and Barry J. Gillis in the past. If you want proof in motion of what happens when you shut that crowd (I.E Me) out of planning when making your movie look at Neil Breen. who has somehow through adversity managed to make half a dozen movies that are PERFECTLY weird and awful and wonderful in every way. he doesnt humour us. and im absolutely glad for that.

So yeh. Gatwick Gangsters. I had quite an emotional time with this movie, and I hope you go check it out, and; Shampagne. if you do ever see this, ignore it. I really dont know what im talking about.