This was probably my favourite older “Find” of 2019 I realise it wont be for everyone taste wise but it’s mixture of Campy horror, faux 50’s rock soundtrack and the genuine feeling that Norman J. Warren enjoyed his time making this. Really shines through with Bloody New Year.
We’ve done a full length commentary of this movie landing this new years. and I was shocked that my partner in crime Ben wasnt as enthralled with it as I was. he found it funny but he said it was more irritating than anything else…Which while not shocking did surprise me a little bit.
Either way. Here’s Bloody New Year…A film that apparently only looks worse over time.
(This VHS cover is so badass…all the other promotional material generated for this movie never really manages to land the campier absurdities this film offers…this VHS cover to me is the closest it’s ever come.)
As mentioned in my last video review post here I’ve quite recently worked in collaboration with the team over at “Inside the Nutshell” to cover both “The Rocky Horror Picture Show” (Available here) and it’s equal “Shock Treatment” and here is the 2nd part of that.
Personally; whether it’s down to overfamiliarity with the former or whether the charm has just rubbed off I’ve found myself somewhat weining to Rocky over recent years…by contrast Shock Treatment feels like a booster shot in the arm of life! it’s so high energy, rocky and relentless I loved it on the first vieweing and fell in love with it on the 2nd viewing.
Im very fond of this movie and having been able to produce this review with likeminded friends my memories of this movie have only grown more and more positive. And I cant wait till I get to watch it again in future 🙂
(Also how striking is this film poster!? Jesus!?…it’s not one i’ll forget in a hurry!)
Another Halloween’s upon us ladies and gents and once again I get to dig out some of the archives most terrifying creations to display for your entertainment and viewing pleasure. I’ve been trying to decide on a format for these halloween specials and I think for the time being at least that im going to do a year on a theme and a year on a series of halloween-esq movies…mainly because there are a lot of good halloween movies that dont necissarily fit into a theme. But also; there are loads of films that i’d love to talk about which I think if I link them while discussing their themes it creates a bit of “a history of” vibe…which I always encourage because it allows me to go deeper into the movies than I probably would…
naturally just doing 5 random halloween films every year would be a bit boring and wouldnt quite cover the depth I would like to cover. Equally if I did 5 themed films every year. I’d probably grow quite bored of the format. So this is a good happy medium…at least for the time being. by this logic next year will be a random assortment again.
Nosferatu isnt a film that i’d pick up regularly. it’s a good movie. But as I mention in the review I just dont really get on with Silent cinema all that much…I can appreciate it’s form and acknowlege that it is a item of it’s time. But I do struggle with quite a few of them and I find that finding good silent movies is quite a challenge. Because of this; It was a bit of a struggle to get this years theme well and truely under way. But Im glad I rewatched this movie as it really allowed me to get to the origins of the Vampire Mythology quickly and gloriously.
This is the start of a 5 part series on the history of Vampire movies from 1922 to 1986. You might wonder why it’s such an oddly specific timeframe. but those 64 years really do define such a massive evolutionary leap. that I think it should prove quite an interesting trip. I’ve already decided that a 2nd part will need to happen at some point (If nothing else just to cover the movies from 1987 to whenever I decide to go through all this again)
In the mean time I hope you enjoy the start of this series and I look forward to seeing it develop over the next few weeks!
(I love this poster…Im about 99% sure this isnt the original theatrical poster…if it even had an original theatrical poster…but there’s just something so unsettling about this one.)
It’s rare that I get to see films like Liquid sky. Movies movies sacrifice plot over absolutely everything in order to deliver a creative, colourful and unique viewing experience. This isnt a film that is trying to balance a good plot with visuals. This film couldn’t care less where its going. It just wants to look good doing it. And in that sense it’s absolutely achieved its goal here.
The films a rare example of a “Nice Video; Shame about the song” movie that’s made it onto my shelf of interesting things. And I’m pretty sure it’s going to be there for a pretty long time. It does have its faults, bit it’s far from a terrible film.
Equally; I’m not sure if I mention this in the review (I wrote this some time around March 2019) but I found out today (19th July 2019) that lead actress Anne Calisle plays both Jimmy and Margret in this film. If I dont mention it in the review then I almost certainly would have as it’s an astounding performance in this case! If I do mention it…then I was a good egg for doing so and its yet further proof of my increasing frailty. Anyway! Enjoy.
(While the original poster is nice…the VS re-release poster is just astounding…if not a tad muted for my taste.)
Well after a hell of a break we’re back!…sort of! (Admittedly this “Comedy Dining experience” for the Monkees 1968 breakout film “Head” was recorded almost 12 months ago to the day. But! The important thing is it’s new and its here!
We recently laid down 2 more commentaries as well coming in the near future and we’re hoping to meet up again for more soon too so keep those eyes peeled!
For now though enjoy what I can best describe as confused ramblings!
The story that I tell at the beginning of this review is very much true. back in the mists of time for what was the mid 2000’s Sky digital was a veritable raft of obscure, strange and bordering on the “Public Access” levels of quality content. I could and would easily sink entire nights flicking through the likes of “Rapture TV”, “The Community Channel”, “Anime Central”, “Channel M” And “Teachers TV” and thats before I got into the foreign channels or better still the cheapo foreign channels (Which especially after a beer or two quickly resemble alternate universe television)
The Horror Channel around this time was in it’s absolute infancy. and while it’s not unheard of now to catch classics like “The Evil Dead”, “The Fog” and “The Thing” on there back in 2004-2009 you were much MUCH more likely to find films like “The Wasp Woman”, “Manic Nurses Find Ecstacy” and in the early hours of the morning, Indie fodder like this movie.
It was a simpler time in all honesty and I do genuinely miss that invigorating thrill that came with landing on the “Cheapo Movie” channels and finding all sorts of obscure trash to pick through. “Movies 4 Men”, “Talking pictures” and “True Movies” still carry the mantel to this day but it’s not quite the same without those absolute bargain bin features padding out the graveyard slot.
Penetration angst is a film that stayed with me for over a decade before I actually found out what it was and the fact I was actually able to secure a copy only makes me all the better for it. it’s filth cinema, smutty, sultry and dirty a true contender in the “Modern Exploitation cinema” catagory. It has a pride of place on my shelf and with the exception of the likes of “Bad Biology” and “Teeth” I’d argue it’s the best non porn vagina driven movie I’ve ever seen.
(Also. if you own a digital television subscription be it Sky, Virgin or Freeview give your obscure channels a spin some time…while they’re not quite as tacky as they were back in the day. They do still have the habit of pulling absolute chaos out of there backsides!)
(This is another film that never quite got it’s poster/DVD art right…then again how do you market a killer vagina movie!?)
I first watched Gandahar about 3 months ago and im still about as lost for words about it as I am to this day. Seriously. Where do I even begin to process what I saw in this epic Pure unadulterated slice of sci-fi…and this is pure sci-fi. theres no mistaking that. it’s pumping through this movies veins.
It’s such a wonderful piece of art from a time when Hand drawn animation was just beginning to wind itself down and the “Adult cartoon” genre was fizzling out into hybernation for the better part of 15-20 years when it would inevitably be revitalised by the likes of Adult Swim, Fox and MTV.
My review of this movie will speak more for it than anything I could ever type here. I feel that even typing this basic mop up post above this review is in some way cheapening the effect of this movie. it’s a tremendously powerful picture. So much so that this is the longest single review I’ve done for my channel to date (Clocking in at a whopping 33 minutes and 38 seconds) and the worst part is. I feel I could have said more…as it stands…well, I let me do the talking…
(In 1000 years my youtube channel will be deleted and 1000 years ago it will be restored…)
This entire review came about entirely by chance and I was very grateful for it. I love old TV ad’s not even english adverts strictly, US ones were my thing for the longest time. theres a youtube channel called “80’scommercialvault” and from about 2011 to 2017 I’d spend most evenings or lunch breaks just cycling through dozens of there videos, having them run in the background or just playing for laughs really…its amazing to see how a different country was handling things from a commercial perspective in the 80’s and 90’s.
It was on this channel that I first saw a trailer for “Fade to Black” and until that point i’d never heard of this film. it took nearly 5 years for me to finally get round to watching it but I’ll tell you this. I didnt half enjoy it!
The films effectively “Scream” before “Scream” was “Scream” its well written, eloquent and quite well put together…apart from 1 or 2 overly padded shots and a random masturbation scene this movies got a very broad and impressive knowlege about it.
Now it’s by no means a perfect movie. but it’s a fun little film that im very glad I’d had the privilage of landing upon. While I dont tend to watch US ad’s as often as I used to (It’s all about 80’s and 90’s Itallian Adverts these days Home boy!) Its one of the few gems I’ve found during my trecks through the swamps of bad movies. it’s most definately shelf worthy 🙂
(His Dracula sequence is my personal favourite of this movie…though I also liked his “White heat” finale)
Now I may not be 100% accurate on this one but I believe this was my first ever “Requested” review. And Joel (The absolute diamond who suggested this film to me) chose an absolute stomper of a film right here. Its absolutely astounding and the mental images that this film paints have stayed with me as clear and vividly many months after I watched this film as they did the first time I saw it.
This was the only film that Chris Shaw ever made and he was pretty involved in it as far as I can tell acting as 3 of the critical roles that a film needs to get made (Writer, Director and editor) but thats really just scratching the surface. Chris is this film to much of an extent there are very few elements outside of the other casts performances that dont have his fingerprints on them to some degree.
But thats a good thing here! This is a very clear and strong vision of how arthouse and experimental cinema can challenge audience expectations and be cerebral at the same time. This is a challenging watch, but in a good way. I came away from this film really wishing Shaw and his crew had made more movies as I’d love to see them develop and further expand there ideas using this film as a launching pad…even if it were a multi media endeavour.
Not much has changed for me in terms of my feelings towards split. The review took a very long time to put together because I wanted to ensure that the wording for it was just right. this is one of the only reviews I’ve written thats exceeded 3 drafts, purely because trying to explain my interpretation of Split vocally was a surprisingly challenging thing to do.
I would heavily suggest you watch this film with as little forewarning as possible because if you go into this film with pre-set expectations your judgement may get a little clouded by just how strange this film can be at times. So please. This is one of the few times I’ll actively tell you not to watch this video if you havent seen the movie first.
Also; I really feel the need to say that Chris Shaw is simply a very lovely man, and my experience of talking to him (While limited) was a real treat. Both him and his brother are wonderful conversationalists and it was a pleasure to have the opportunity to ask them about split. This review has definately been a highlight for me of producing these videos. and had I not recieved the suggestion i’d probably have never found it.
(…I usually write a comment here about the film but what do you say about this thing…”Undescribable” is all I have really…)
Split was due out on Bluray in March of this year but due to some delays it has now been pushed back to an undisclosed time. However it will be released eventually by Verboden Video and I for one will have my preorder well in place because it looks to be astoundingly good!
If you are interested in owning “Split” please show Verboden some support by following them at the link below and possibly considering picking up some of there titles as they seem like a great bunch of lads too!:
I don’t really know what went on in my mind when I considered picking this one up. I was hesitant, I remember that much. But with “Arrow Video” being synonymous with quality to me I felt assured that however “Nekromantik” panned out, there would at least be some assurance that what I was buying would have some level of cult or artistic merit
What I wasn’t expecting was just how near the knuckle “Nekromantik” is at times. Since watching this film I’ve since seen the likes of movies like “Cannibal Holocaust” and this movies sequel “Nekromantik 2” so my expectations are a little better managed. Though this film is still pretty high up there.
Since this video was uploaded one of the things that’s really stuck in my mind when reading other reviews of this movie (as I try to avoid reading other people’s reviews until mines been done as I don’t want to feel like I’m subcociously “lifting” other people’s thoughts) is just how few people pick up on the John waters influences in this film. Seriously when you realise that the director of this film was heavily inspired by the likes of movies like “Pink flamingos” and “Female trouble” then the campy undertones of this production really come out in a wonderful flourish.
Is this an extreme movie? Well; Arrow saw it fit to release this film both as a fully restored and a “nasty” era inspired grindhouse cut…So Id say there are excessive elements to this film. But “Nekromantik” to me is one of those special types of films that has somehow managed to perfectly straddle the lines between “cult shock value horror” “extreme border pornographic content” and “art house sensibilities” and I love this movie for that…
As mentioned, I’ve since watched the sequel to this and it’s alright…in some ways it’s a bit harsher than this film in others it’s a bit sillier but I’ll give my full thoughts on this one another time. Though what I will say is I still prefer the original and if your looking for a new challenging watch; I highly recommend checking this one out.
(The main theme to this film was my ringtone for a while…I thought that anyone who recognised it wasn’t in a position to judge)