The Beast in Heat (SS Hellcamp) (1977)

This movie sucks. and since getting involved in the whole “Video Nasty” scene this was one of the movies i’d wanted to see the most out of all the entries on that section 1 and 2 list. it just seemed on paper to be a fun and weird, nasty little horror movie. in my minds eye I was envisioning something super bleak but played as if it had been directed by Ken Russell. and BOY was I in for a dissapointment.

I remember clear as day the first chance I got to watch this via Full moons streaming service last year sometime over the summer and within about 30 minutes I realised i’d been fully cheated on the premise and that in fact this was just going to more or less be a pretty generic war movie with a few very poorly shot and directed shock moments thrown in for good measure. I didnt come away from this movie on the first watch sad, I came away angry that I’d waited literaly years to see this film, only to be bitterly dissapointed by just how underwhelming it is as a work. I jumped into a group chat with some friends to vent my frustration and got a mixture of “Oh Wow that bad eh?” and “yeh it’s awful” which didnt really soothe me much either.

As times gone by i’ve been able to be a bit more critical about all of this and i’ve kind of ended up in a place where I feel that this is a film that; if you can get it for cheap or ideally free I’d say it was worth keeping. but I certainly wouldnt say it was any good and I DEFINITELY wouldnt say it was worth any more than $5.

It’s a good job I caught this film on streaming as I was seriously planning to spend upwards of $35-$48 to import a copy of the US Severin release of this movie at one point. the official line is that the BBFC dont have a problem with this film and that if it was submitted for classification today it’d be passed uncut for release. the problem is the films SO shit that UK distributors wont go near the thing. Leading to a bizarre situation whereby the film IS available to import from international sources. but because dealers know it’s so shite they wont license it for a UK release. despite it being perfectly okay to do so. Which leaves people like me who, before seeing it on streaming couldnt find a copy anywhere else, to have to do drastic things like pay upwards of $48 in costs and shipping to find out just how unwatchable and WHAT a money pit it truely is.

Totally rubbish, worth owning for reference and maybe as a filler feature for a pretty lively party. NOT something you’d just stick on because you want to enjoy your evening. this films so bad…

The Poster is literally the coolest part of this movie. GOD this film was SO LAME!!!

The Nutbag (2000) Comedy Dining Experience

I…I just had to show it to Ben. I just had to. we were in between films, it was 64 minutes long. I just had to. he hates it. he’s watched it 3 times now and he hates it. i’ve seen it 5 times and I hate it too. im planning to watch it again soon.

this was recorded back in November 2020 as part of a triple feature when lockdown restrictions eased very briefly in the UK. This was the middle film between “On her Majesty’s secret service” and another commentary that hasnt yet been released. we look forward to bringing you that commentary in June. for now. Nutbag…I gotta watch this one again…

Massacre at Central High (Blackboard Massacre) (1976)

One for the “Yikes” pile, this movie even now is just…leaves me with this sense of cringing discomfort. it’s one thing to make a drama about a 35 year old teenager trying to blow up a school and killing off the students. it’s another when your sympathetic to the killer. and this film really does genuinely try to rationalise that; had our main character not gotten TOO into murdering his peers. the school probably would have been better for it.

I know theres themes around corruption present and the idea that just removing the figureheads of corruption from a system without properly planning for the transition of power, merely creates a vaccume from which even worse corruption can spring forth. I get it. but I just find it incredibly problematic that the film at no point takes the time to point out that the main character in this movie (the one doing the killing) is wrong to have even done it in the first place. instead it really just leaves the viewer with the feeling that, had David just planned better for the aftermath, the murders would have been entirely justified.

This was one of the first scripts where I actually had to cut a section of the script out in post. I had initially recorded a section in the opening of my review where I took a bit of a deep dive into school shooting statistics with the aim of trying to figure out exactly why someone in 1976 would think that this movie was in ANY way a good idea. and my initial research revealed that basically the same amount of school shootings occured between the 1920’s and mid 1970’s as occured between 1998 and 2004. I therefore came to the conclusion that the reason why this film got made was simply a case that…well; not a lot of these really happened all that often, so my guess was that the producers thought they’d be safe covering this topic in this way as (at the time) it would have been about as common as a General election and probably would have been viewed by the public as one of those “It could never really happen to me” moments.

Unfortunately; just as I was working on the edit for this episode, a school shooting happened. and I re-reviewed my data and found a TON of scope for incorrect data and missed avaneus of exploration ranging from School massacres being listed seperately from school shootings in terms of collated data. issues with classifying what actually COUNTED as a school shooting and what was classed as a School massacre or just a targeted attack. issues with what qualified as a school attack (if people get attacked en mass just outside the school grounds. does it still count as a school attack?) and even variations on the attacks themselves. such as; what if it was a teacher that committed the attack rather than a student, what if it’s an entire SCHOOL that goes to attack another school? does that count as one incident or hundreds of smaller ones? and in one bizarre case from the 1920’s if a student accidentally kills another student with a hoe on school grounds, but then kills another student to stop them covering up the first murder. is that a massacre? or just a super awful story?

In essence. what I wanted to say was “Because of how few attacks happened between 1925 and 1975 the producers probably felt comfortable presenting the film this way” but honestly? after seeing all the variables I missed out. the datas a hot mess and I honestly dont know anymore. all I do know is they definitely could have handled this film more tactfully…that being said; I guess your more likely to get butts on seats with controversy and shock than you are with just being a clean cut drama.

Anyway; this movie hasnt aged well, but there are a couple of okay points with it. so maybe check out my review and decide for yourself 🙂

This cover is SUPER misleading. however; it’s the best cover this film has.

Shivers (They Came from Within) (1975)

I’ve wanted to cover Cronenberg for some time on my channel, but I always really got hung up on exactly where to start. on the one hand; I could dive headfirst into a classic like “Videodrome” or “The Fly” something VERY defining of his style. alternatively; I could have gone for one of his more extreme movies like “Scanners” or “Crash” hell; if I was being REALLY pedantic I could have started with his college movies that Arrow Video released not too long ago. But honestly; after really thinking about it; I feel Shivers is probably the best place to start when it comes to unpacking Cronenbergs distinctive look and feel. While the body horror element is present here it hasnt yet morphed really into it’s shapeshifting disfiguring style that would be seen in movies like “Rabid” and “The Fly”

eqaully; this movie is pretty revolutionary for it’s time. Predating “Alien” and “Dawn of the dead” by between 3 and 4 years respectively. it looks and feels like a tribute to those movies. Which makes it all the more surprising that this film came first.

All in all; I cant say more than I did in my review for this one. it’s a good SOLID feature that I Feel acts as a good intro to Cronenbergs work. Yes; he has done better. but if you start with the best, everythings going to be a dissapointment that comes after it. While his vision may not yet be fully crystalised here. it’s well on it’s way. and if you DO like this; then you’ve got a hell of a trip to come!

I’ll be completley honest; I didnt much care for the original posters for this film. Thats why I settled for this lovely artwork from the Arrow Video Bluray release.

The “Jaws” (1975) Comedy Dining Experience

Belated! but not to be forgotten! this year we did a 2nd valentines special after the success of our “Pink Flamingos” comedy dining experience! Laura’s always a little shakey with flying solo on commentaries. but when I suggested Jaws as our Valentines watch…well…she was still apprehensive. But significantly less so!

So! grab your husband, wife, fiance, partner or body pillow. pour youself a nice tipple and settle in to over 2 hours of a couple of chum knuckles gabbing on about one of the greatest shark movies ever made!

Horror Hospital (1973)

I took a bit of a gamble with this film, and honestly? im still not entirely convinced that i’m won over by it. I mean; it isnt bad. but it suffers terribly from the rot that can only originate from a film trying to ‘Alf inch another studios style. this is painfully trying to replicate ‘Hammer’ and ‘Amacus’ aesthetic and…well British horror from this era, when it’s trying to rigidly copy the greats. seems to miss the point of those studios greatness. the reason people fondly remember Hammer and Amacus is because they were envelope pushers. they bought blood, gore and mayhem to a much more mainstream audience than the grindhouses and exploitation film makers ever could.

I mean; you’ve got to imagine. Hammers versions of Frankenstein and Dracula were CONSIDERABLY more graphic than their Universal counterparts and had the fortune of lush and delightful sets to help sell the productions legitimacy. they were also both made in the 1950’s so I really fail to see what a film in 1973 is trying to achieve by copying the style but edging up the gore slightly of a style of film making made almost 15 years previously.

I mean; you’ve got to imagine, this film came out the same year as “The Wicker Man”, “Dont Look Now” and “Theatre of Blood”. films that genuinely pushed the genre through either fantastic scripts, creative reworkings of existing narrative devices or even next level performances. 2 years after this film was made “Shivers” was released and 5 years later “Dawn of the dead” and yet here we find what is ultimately; a drab affair. not unwatchable. but the stale and creaking belchings of an era of film making that really should have been canned about 3 years previously.

Theatre of Blood is actually a pretty nice comparison piece for my thoughts on this. that films brimming with a subversive originality. it looked at the amacus formula and purposfully decides what to lean into and what to subvert in almost every aspect. performances. scoring, scripting, gore. it plays AGAINST the audience of the day on multiple levels. and is rewarding because of it (not to mention that Vincent Price is just generally ace).

But then there’s this film. just sort of…lazily giving the audience what it thinks they want. not even in a particularly subversive of creative way. this film could have come out at any point between 1967 and 1975 and noone would have known or cared any differently. and that apathy that I feel towards it is ultimately what holds it back from actually being able to either out and out love it or hate it. it’s just…a film that exists. and thats a real shame as I think with just a couple more redrafts. there may have been a bit of life behind the eyes in this one.

The original posters rubbish for this. I mocked this one up as there wasnt one in “Poster formatting”. I dont much care for this one either…but it’s better than the original theatrical one.

Nutbag (2000)

Well! We’re back at it again! and oh BOY! this weeks episode made me a happy boy last year! lets be honest; 2020 was a bit rubbish, I mean, I enjoyed lockdown because im an introvert masochist who enjoys quiet rooms, comfy chairs and the occasional appearence of matron with the tea and busicuits. but for a TON of people lockdown was essentially a “Forgotten year” a time that most people will deeply miss and some people will never retake.

even I admit that there were times (particularly around summer) where I got a bit longful for ocean breezes, cheap ice cream and driving through the hills and valleys with a pleasent summer heat in the air, my sunglasses stuck firmly to my face and nothing to do and nowhere in particular to go except cruising to my hearts content.

Thrifting is something I’ve missed particularly, I used to have 3-4 shops I would visit monthly if not fortnightly to see what new stuff had come in. but the only thing worse than having to go to the shop in a pandemic is going to a 2nd hand shop in a pandemic. you dont know WHAT the previous owner of that copy of “Swamp Shark” did with it! could have coughed on it and rubbed it up his bum for all you know! So unfortunately it’s been over a year since I last went out and dug through bargain bins, ruffled through rummage sales or cherry picked from charity shops.

I have however found partial relief in stores like Music Magpie or CEX who’ve been sort of satiating my flea market cravings with their online services. they sell all manner of cheap and nasty movies for as little as 50p a film. and before all this business kicked off I used to go to my local CEX fairly regularly to try and score cheap films with big thrills like “Cyborg Cop” or “Darkbreed” now I can cherry pick exactly what tat I want for the same low low prices and get them delivered straight to my door! result!

I mean; it’s not the same as finding some genuine tat out in the wild. But it’s better than nothing. and thats how I ended up with todays film. “Nutbag” was one of 6 movies I picked up from Music Magpie in early autumn last year. and within minutes of putting it on it very quickly became apparent that something was very VERY wrong with it.

I go into detail in the review itself about how the dramatic cuts in the UK release have effected this movies viability. but there was one thing I feel I missed out mentioning in the review that I would like to clarify. I dont think anyone will call me out on this, but im putting this here as a rebuttle just on the off chance that this ever does comes up. Inevitably I feel someones going to ask me “Why did you review and trash this incomplete version of the movie!?” or “It isnt fair to review this cut version, you should review the work as the director intended.” but; the reality is. the BBFC are an advisory board. they cant force anyone to make any cuts to their work that they dont want to make. they can only suggest cuts in order to make it more likely that your film will be released over here in Britain. Director Nick Polumbo agreed to the cuts suggested to this movie, either he did or the distributors did. either or both of them thought that what the BBFC suggested were fine enough recommendations to still leave a presentable end product.

So; from my perspective. This version is approved by the director. I can find absolutely ZERO evidence to the contrary. and he’s made a profit off the sale of this cut version over here, so while the US version is probably the “Defacto” cut of Nutbag. the UK version is just as valid an offering in terms of legitimacy. and as a critic I can only judge what is presented to me. and what was presented to me here was a hilarious farce of a movie. I highly HIGHLY recommend if you can find the UK cut of this film, you do so at the next convenience. its created a gutteral reaction from almost everyone i’ve shown this to. it barely breaks an hour and what it does in that hour is SO hilariously rubbish and naff I honestly think this should be seen as a B-movie on the level with the likes of “The Room” or “Birdemic” for just…how bizarre it actually is.

And the best part of all this? I got this film for 50p. and there are TONS of copies available. so this year. if you need cheering up or a laugh. go buy the UK cut of Nutbag. genuinely; one of the funniest best worst movies i’ve seen in at least the last 10 years.

The poster for this ones a bit…”Meh…” but trust me. it comes up with the goods!

Finishing the Complete Eighth Season (2020)

Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.

For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.

The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.

Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.

In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.

Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.

So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.

Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)

Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.

So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.

Silent Night Deadly Night (1984)

Well! We’ve done it again! another year has reached it’s end and with it, we have the final review of the year! I hope each and every one of you had a Merry Christmas and a Happy New Year! I spent the day with the missus and my parents, we had a lovely dinner, played some board games till the evening and then had a small buffet that put us into a food coma well into Boxing day!

While I wish i’d had the time to relax and savour my time off (I had 19 days leave from work this year and it REALLY flew by) I’ve spent a lot of time working on next years season over Christmas and as of today (Jan 2nd) we’ll officially start cutting for the new series! Im hoping to have at least one rest day before I go back to work. but for now. im super grateful i’ve been able to get so far ahead! so do keep an eye out for the new season when it lands in February (At least…im hoping it’ll land in February)

I watched this movie for the first time this year, for the purpose of this review. I wrote the script some tim in late July/Early August and I was fortunate enough to pick up the lovely limited edition box set of this movie and it’s sequel from 101 films almost as soon as it was announced. they’ve done a genuinely lovely job in cleaning this movie up and it was a blast to actually watch it around christmas time, in the vibe, in the festive atmosphere. I think it’s probably one of the better christmas horror movies i’ve seen. While I’d probably hesitate to say it OG “Black Christmas” good. it’s definitely up there! and I hope you consider giving it a go some time!

Anyway! Im going to be hard at work editing Season 9 now for at least the rest of this month, there’ll be a few commentaries uploaded in the mean time while im away. and, as always, i’ll be in the comments on every review i’ve done to date. So if your new to the site. please feel free to reach out and say “Hi!”

I wish you all a very happy, healthy and fruitful 2021 and lets all just…HOPE. that it is only a shadow of the year we’ve come from!

LOVE this poster. Controversial? Absolutely…But it bloody works!

The Night Child (What the Peeper Saw) (1972)

There really isnt a massive amount to say about this one post release honestly. My thoughts on this one have rigidly remained in line with whats said in the review. This is a very VERY strange and uncomfortable movie to sit through. But then. thats kind of the point. is it disturbing in the same way “A Serbian film” or “Cannibal Holocaust” is? No. Its just a general feeling of unease and a constant vibe of “Should I be watching this?”

Thats the joy of the “2am movie” though. your brain and body are tired. if you’ve been drinking the alcohol has no doubt at this point in the night started to really kick in. and the air is thick, heavy and the darkness wraps around you like a thick and heady blanket. I find a lot of itallian Giallo, Zombie movies and…well stuff like this REALLY suit that specific time frame. they’re not so complex that you have to really solidly keep track of everything, theres enough gore and other good stuff to keep your monkey brain on side and theres usually a pretty killer soundtrack to help smooth everything over. You never truely LOVE a 2am movie. but when you need them they’re most definitely the only thing that’ll scratch that itch.

I usually try to post some helpful information here on updates, where you can find the film or if anythings shifted on this one’s release history front. but no…it’s still never had a UK release. it’s never been released on Bluray and a trimmed copy from Europe/the US thats out of print on DVD is about as good as it gets. And while I didnt absolutely love this one. I still think if you can find it. watch it.

The Posters a bloody mess…but then in fairness all the other posters for this movie really dont capture the vibe that this film has. this posters the closest. and it’s rubbish.