The Founder, 2016 – ★★★★

After a few days of seeing random clips from this movie floating around on my ‘For You Page’ on TikTok, I finally caved and myself and the missus sat down to watch ‘The Founder’ A…lets just say less than entirely truthful drama depicting the relationship between Dick and Mac Mcdonald and travelling salesman Ray Kroc.

In the film we see Ray trying and failing to sell milkshake mixers to ‘Drive in’ Restaurants. That is until he meets the Mcdonalds brothers, who give Kroc a tour of the restaurant and its unique ‘at the window’ delivery service.

Fascinated, Kroc tries everything in his power to join the brothers in taking Mcdonalds mainstream and cross country…Something the Mcdonald brothers are reluctant to do, but ultimately give Kroc a shot at…Leading to rising tensions between the humble country folk. who wanted their restaurant to reflect high quality food and efficiency. Vs Krocs vision for Mcdonalds to form a kind of ‘founding pillar of the community’ across the country or even..THE WORLD!?

Almost immediately after watching the film, I was left with a sense of wanting to know just how accurate the movie was vs real life events and it seems like while most of the first act is accurate, from the second act to the finish that ‘Dramatization’ label really starts taking some heavy lifting.

This reddit post is probably the most enlightening –

www.reddit.com/r/FoodHistory/comments/zef1ut/after_research_i_now_know_the_founder_2016_was/

But for folks who dont like to read too much:

*The film portrays the McDonalds brothers as semi eccentric, hard working and dedicated to their beliefs brothers, when the reality is by the time Kroc was involved in them, they’d already kind of made the money they wanted and were just happy to slip shortly into retirement with the earnings they had.

*The film depicts the brothers as being stuckfast in their ways, refusing to sign off on any changes Kroc suggests as it went against their beliefs. When the reality was the brothers were basically just really bad at communicating, and didnt want the trouble of having to review/sign anything off…So they were consistently passive to Kroc.

*The Speedee system shown in this film is showcased as some kind of revolutionary invention created by the Mcdonalds brothers. But very similar systems were already in place at ‘White Castle’ some 2 decades before this movie picks up.

*The 2nd act largely revolves around Kroc attempting to get a milkshake powder subsitute into restaurants, rather than using fresh milk and ice cream to save on production time and electrical costs, which the Mcdonald brothers are horrified by. In reality, non of that actually happened.

*In the 3rd act theres a moment where, on a handshake, Kroc agrees to pay the Mcdonald brothers 1% of all profits made in perpetuity from Mcdonalds as part of a proposed sale. Which the film then shows him never fulfilling. In reality the Mcdonald brothers only mentioned the alleged ‘deal’ YEARS after it was alleged to have even taken place, one Mcdonalds had really truely taken off and was making serious cash. Kroc and witnesses to where the alleged meeting took place all denied that agreement ever happened. and its now largely considered the case that the brothers had become quite bitter about recieving 1 million dollars (equivilent to 10 million in todays money) for the rights to their business that, by that time was earning hundreds of millions. The film also fails to note that to pay the brothers 2 million, Kroc ended up going nearly 10 million (in 1950’s money) into debt because he had to take out multiple loans and credit cards to pay them.

While I dont think these facts really change my perceptions of the film perse (Im still firmly of the belief that Ray Kroc was a petty ‘drunk on power’ and VERY nefarious buisiness man) It does somewhat concern me to see folks treating this dramatisation as the gospal on what happened. When the reality seems less like ‘Shrewd door to door salesman becomes corrupt and evil and ruins two brothers dreams sending them to an early grave’ and more like ‘Two old farts who didnt know they were onto a good thing inadvertently enable a narcissist into a position of power, are checkmated into selling their business in a VERY arseholey way, and then get kind of bitter when the thing they were never going to do anyway suddenly becomes a multi BILLION dollar empire’.

but enough about history, the film. Which I really liked! The scripts nice and punchy, the act structuring is really well balanced and at just shy of 2 hours it REALLY didnt feel it! The tone is a wonderful work of contrast balancing some sincere and gentle comedy moments with some genuinely impactful soul crushing drama. I thought the dialogue was rock solid with some real nice and genuine pieces that I felt managed to be VERY believable with just the right side of polish to it.

The ‘characters’ while not entirely accurate to their real life counterparts, were very engaging, had a strong sense of depth and complexity to them with even side characters feeling very nicely fleshed out. Most crucially of all, all the character FEEL natural within the world the makers are building, noone feels ‘off’ or out of touch with the vibe. its just a very solid attempt at 50s recreation that works REALLY well.

If I had any criticism, I think the depiction of Krocs fall from hopeless door to door salesman to cartoonish villain is a little steep, it would have been nice to have maybe seen a more gradual slip into Kroc losing his morality while chasing the bottom line. I appreciate however that they had a lot to cram into not a whole lot of time. But I still think a more gradual shift from the off would have been a better feeling outcome, as; as it stands, Kroc seems to go from ‘George Bailey’ to ‘Frank Shirley’ in the space of about half an hour in the 2nd act.

other than that its pretty much a clean sweep for me in every other regard, the direction and cine are superb, clean crisp and striking visuals that very much capture that nice contras that occured in the mid 50s, where seedy smokey back room offices were crashing up against ‘The new generation’ and the colourful, clean and vibrant aesthetic the mid 50s to mid 60s would unleash. I feel like John Lee hancock excels in reallly getting to the heart of the story he wants to tell and the ends results are a riveting visual piece that kept me firmly in my seat from start to finish.

The soundtrack, a hybrid of swelling orchestral pieces and jukebox hits of the 50s again is period perfect for this kind of movie and really gets utilised well. Though a critique I will offer here is that, it isnt anything new or different to what any other kind of ‘based on a true story’ style drama does. and as such, while its consistent and well handled. It isnt anything new and does kind of fall into the trap of being a little bit ‘stuffy’ ultimately.

And the performances are really the main reason to check this film out honestly, Michael Keaton is a tour de force here as Ray Kroc breathing life to the character that I feel would have been significantly lesser in the hands of any other actor. Keatons ruthless, relentless and at times genuinely unlikeable as ‘The Founder’ of the Mcdonalds corporation. But its a great dual role, because not only does he get to play the ‘ruthless businessman’ but it also shows the determination Kroc as a character had on the ‘up’ when he would essentially LIVE at the Mcdonalds restaurant he was trying to establish, emptying trash bins and flipping burgers with the employees. Keaton plays it wonderfully giving an all round performance that really gives him some meaty work and versitility to work with.

Not to leave out Nick Offerman or John Carol Lynch as the Mcdonald brothers, who are essentially character pieces (and not much of a stretch for Offerman), but thats not to do them a disservice, because they play the parts really well, match Keatons energy blow for blow and deliver not only some of the more lighthearted and entertaining moments in the film, but also some of the more tragic and depressing moments. they’re both superb and I could have easily just watched a movie with these two trying to found the first restraurant.

That ALSO isnt to downplay the supporting cast, with AMAZING turns from Laura Dern, B.J Novak, Linda Cardellini Griff Furst and Andrew Benator. This is as tight a casting as they come and I honestly dont think there was a bad performance in the lot.

‘The Founder’ is a great work of drama that had me enthralled from start to finish. I hadnt intended to watch it all the way through as I had other work to do that night, but it was just such an entertaining and engaging work that, while I said id ‘just sit and catch 10 minutes…’, when the credits rolled I was genuinely surprised to find myself still in my seat. While I dont think i’d say it was an ‘essential’ watch, I would recommend it. if you have an interest in docu-dramas or ‘rags to ritchs’ style stories, I think you’ll really like this one.

source https://letterboxd.com/tytdreviews/film/the-founder/

The Lost & Found Video Night Mixtape, 2022 – ★★★★½

The final tape on AGFAs mixtape set, ‘The lost and found Video Night Mixtape’ is another absolute A grade smasher from the AGFA team, compiling, enhancing and remixing a dozen or so compilations under the ‘lost and found video’ series (essentially youtube poop before youtube poop) into one mega mix containing TV outtakes, short films, public access clips and music videos.

It’s all killer, no filler. These mixtapes have been a longstanding favourite of mine, and this one is no different. Absolutely loved it, its weird and wonderful in equal measure and absolutely worth checking out.

source https://letterboxd.com/tytdreviews/film/the-lost-found-video-night-mixtape/

The Stairway to Stardom Mixtape, 2022 – ★★★½

The second entry in the ‘AGFA Mixtape Vault’ and one I hadn’t seen before. This mixtape is a compilation of footage from the mid 80s New York public access show ‘Stairway to Stardom’ (think ‘Americas got talent’, but if it was shot in some skeezy laundrette owners basement one budget of $15 and a handshake)

Seemingly the vetting process consisted of ‘Can you make it to where we film in the next half hour? Okay, your gonna be on the show’ as the majority of the acts range from the utterly dreadful and tone deaf, to the genuinely bewildering and accidentally hilarious.

I found this compilation to be a little slow going in places, mainly just because, while there is a good range of acts in this cut, which DOES make it very versatile for the audience (there’s going to be something for everybody) I found it quite hit and miss with some acts leaving my jaw on the floor, and others just making me feel a bit bored while I waited for the next slice of weirdness to roll up.

Nonetheless! The editing is razor here and overall its a solid entry into the ‘mixtape’ series. Probably not as essential as some of the other mixtapes, but certainly a lot of fun to be had!

source https://letterboxd.com/tytdreviews/film/the-stairway-to-stardom-mixtape/

AGFA’s Special Christmas Special, 2020 – ★★★★½

So I wrote a review for this one yesterday on the ‘Agfa mystery mixtape vault’ page complaining that despite moaning to the movie database multiple times that all the mixtapes were incorrectly listed and wouldn’t show on letterboxd, they still hadn’t corrected it…well, now it appears they have! So I get to log probably my favourite mixtape of the entire boxset

‘The AGFA Special Christmas Special’ is a deliriously delightful mind melt of an hour or so. Featuring everything from public access clips and commercials to BBC Christmas tapes and MTV interstitials.

It’s manic, rampant and relentless and has been the centerpiece of my Christmas viewing for a number of years now. One that really has to be seen to be believed/appreciated. If you’ve never seen this one before and have a love for alternative comedy, youtube poops or a love for cheesy 80s nostalgia. You need to check this one out at soon as possible!

source https://letterboxd.com/tytdreviews/film/agfas-special-christmas-special/

The AGFA Mystery Mixtape Vault, 2025 – ★★★★½ (contains spoilers)

This review may contain spoilers.

Oh…this…this is gonna absolutely ruin my analytics…

So…for some reason (despite contacting the movie database people repeatedly). The team have refused to correct an issue with all the individual ‘AGFA mixtape’ listings, where they’ve been logged as ‘TV Specials’ rather than ‘Films’ and as such, have been filtered out of being featured on letterboxd. I don’t know WHY they won’t fix this clear issue. But as a result it means I’m going to have to log this (fantastic btw) release 8 times and review each mixtape separately under this one item…which sucks…a LOT…but eh…what can y’do?

So! Kicking things off, this is probably going to be my release of the year honestly, I’ve had SUCH a softspot for the AGFA mixtapes for years, so them finally getting an actual physical release is honestly a game changer…I don’t honestly know how they’ve managed to license so much televised footage. But basically this is ‘What if youtube poop was highly curated, about an hour long a piece and edited by professionals’ and I am HERE for that.

The first release on this set ‘The AGFA Special Christmas Special’ is probably the strongest one on the set, and is also the first up on disc one. A delirious compilation of UK, US and EU retro Christmas clips that’s equal parts hilarious, nostalgic and technically excellent. I’ve watched it every Christmas since it was first released. And find its perfect either as a mood setter OR as pleasant background fodder.

If you are a fan of alternative comedy, or just weird cookie public access stuff. This will absolutely be a must see.

4.5 out of 5.

source https://letterboxd.com/tytdreviews/film/the-agfa-mystery-mixtape-vault/

Pokémon: Jirachi – Wish Maker, 2003 – ★★★★

‘Jirachi’ the wishmaker’ is the 2nd of the ‘Hoen’ era Pokemon films and this one really feels like its well and truely bedded in to the era after ‘Pokemon Heroes’ kind of half’n’half’d its way out of Johto.

The plot see’s Ash, Brock, May and Max pausing their adventures in Hoen to take in a once in a millenium astrological event. A mysterious Comet which can be seen passing by earth for 7 days every 1000 years is imminantly due, and the gang have decided they want to catch it.

Conveniently at the same time, a circus has pulled into town, and while taking in the sights and sounds, they end up in the company of Butler and Dianne. A travelling Magician and Assistant with a strange new addition to their team. a mysterious meterorite with otherworldly powers, that seemingly has a STRONG interest in Max.

After the show, the gang catch up with the magicians and its revealed that Meteor isnt in fact just a lump of rock. But is in fact a legendary Pokemon from outer space called ‘Jirachi’. Jirachi is rumoured to only appear when the comet thats planned to pass by earth appears. and for the 7 days the comet is around, Jirachi will befriend someone and grant their every hearts desire.

Naturally, on the first night of the Comet, Jirachi appears and befriends Max, and after many shenanigans, they form a very strong bond. However, everything isnt quite as it seems and Butler may indeed have had alterior motives for the Star shaped pokemon…Alterior Motives that could lead to the ressurection of the ancient guardian of fire ‘Groudon!’

This one? I really actually quite enjoyed. I’ve been saying since the start of my journey through all of these Pokemon movies that the main thing I want to see when I watch a Pokemon film is an idea that was too grand for the TV show, being realised with a modest budget and given the time it needs to tell the story well. And I think this one actually achieves that brief pretty nicely.

The plot zips by at around 81 minutes long, the pacings pretty solid with just a couple of instances of padding that I noticed in the second act, the act structuring itself is decently paced out, with acts 1 and 3 being near perfectly balanced, with an ever so slightly extended middle act tying this all together.

The characters all seem to work quite well with each other and theres a decent contrast between our regular players, and the villains of the piece, with Team Rocket here getting their first meaty involvement in one of these films for the first time since ‘Pokemon 4ever’ Butler is incredibly campy, but I kind of live for the melodrama with his performance and felt like he had a really solid arc in this. and our main gang of Ash, Brock, May and Max are all largely likeable, and its nice to see the entire gang ACTUALLY get pretty decent utilization after so many of these films have just picked one or two of the gang to be main players and relegated the rest of the team to just cheering from the sidelines.

This script felt like a coherent and functioning production that ACTUALLY bothered to use its cast to as full a potential it could muster, the pacing was solid, the tone was nicely hammy with some genuinely compelling moments. In fact, there were only 3 things I didnt like in this:

1 – May repeatedly sings a lullaby in this, and Its awful. It seems WAY out of character, it sounds bad to me and it just felt a bit awkward and clunky…I wasnt a fan.

2 – Jirachi itself is just…a bit weird, it sounds like a baby and at times borders on SUPER annoying…I dunno, In the games and pokedex entries it seems a bit cooler…in this film, its a bit lame, even if it does enable some of the better aspects of this films plot.

and 3 – a GLARING plothole in the 3rd act (spoilers here so skip this paragraph to avoid) But IN the 3rd act, Butler successfully manages to ressurect Groudon, only to find that its some kind of Groudon/Kyogre/Deoxys/Space…hybrid thingie and it goes on the rampage. Jirachi is a pokemon that can grant ANY wish. Why didnt ANY of the gang there, just…wish that this abomination pokemon dissapear…or wish it to be teleported into space? Jirachi is shown that it can teleport basically anything pretty easily…After a while I thought that maybe there was limitations on Jirachis ability to teleport large objects…But the final scene LITERALLY has Jirachi LAUNCH this giant lizard pokemon into space to hit the comet. Which just left me wondering why on earth it let this thing destroy a TON of the landscape, absorb several pokemons energy and nearly kill all of its friends…I know its just a show and I should really just relax. But its plotholes like that that keep me awake at night.

On the art direction and cine front, its a bit of a trade off honestly…on the one hand, I dont think this films as pretty as ‘Pokemon Heroes’, the detailed pseudo ‘Ghibli’ level of details is massively rowed back on here to the point that, for the post part it just feels a bit like a widescreen version of the TV series at the time. BUT! in exchange for that intense lack of detail, we instead get some of the best intigration of CG that the series has had to date. its been toned down massively and blended much more seamlessly into the existing art style, which results in a really visually impressive film for this series so far, and a very pretty one at that! (seriously, the fairground sequences are quite lovely!)

Performance wise, I had no issues here The longtime players are still going strong here and the recent additions of Veronica Taylors ‘May’ and Amy Birnbaums ‘Max’ are welcome and a nice change of pace from the norm. But EASILY stealing the show is Wayne Grayson as ‘Butler’ he’s hammy, melodramatic, campy…All the good things a magician could want! I loved him in this and I had to chuckle every time he delivered an epic ‘DIANNNE!’ line.

And the score…well, its kinda sorta okay. the strange hybrid of more orchestral driven scoring thats in line with the TV anime, and the now INCREASINGLY dated late 90s/early 2000s J-pop dubbed into english is really starting to creak a bit at this point. they’ve been doing this since 1998 and this thing released in the UK in 2006, 3 YEARS after it came out in Japan…It does the job I guess, and I didnt expressly hate any of it. But, at this point it feels about 3 years past its prime, and im hoping they’ll begin to branch out into other sounds and styles in the next couple of movies.

On the whole? This is probably the best Pokemon movie i’ve seen so far on my journey through all of them. While i’d stop short of saying its ‘brilliant’ it did pretty much everything I want a pokemon movie to do and even threw a few things in I didnt consider. That being said, it does still have some drawbacks. but I think i’d put it about on Par with ‘Pokemon 3: The Movie’ as being one of the more consistently and coherently produced Pokemon films. If your looking to cherrypick the best, this one would almost certainly be on my list.

source https://letterboxd.com/tytdreviews/film/pokemon-jirachi-wish-maker/

Pokémon: Gotta Dance!, 2003 – ★★★★

A surprisingly charming entry in the ‘Pikachu Shorts’ series this time around, ‘Gotta Dance’ is a fairly simple premise, but I personally really enjoyed its execution.

So! the plot? Meowth and the Rocket pokemon FINALLY get an actual direct POINT in this one! and its a big one! Jessie and James have plumed a LOT of money and effort into a groundbreaking project for team rocket! an official ‘hideout’ from where they can hatch their elaborate Pikachu stealing schemes! and this could be make or break for the gang as non other than Giovanni himself is visiting the site to give it the official seal of approval!

Meowth (having a background in dance and dramatics) is given the task of coming up with the entertainment for the grand opening, and has settled on an extensive musical dance routine. Jessie and James have provided Meowth with three ‘Whismer’ and a ‘Pokebaton’ a mysterious baton that seems to be an offshoot of the ‘Pokeflute’ once opened it plays a variety of musical numbers that drive pokemon into a crazy dancing frenzy!

And wouldnt you know it! at the exact same time, Pikachu and the gang just happen to stumble on the new Rocket Lair RIGHT as they’re putting the finishing touches to the party! After accidentally crashing the dance rehersals, the Pokebaton ends up in several different pokemons hands and carnage commences as Pikachu and the gang, Meowth and HIS gang AND an army of wild pokemon tango, salsa and whattusie their way through the rocket hangout leaving destruction and devestation in their wake!

I really enjoyed this one, the script is simple, the fact the overnarration thats plagued the last few entries is missing, I thought was a really nice touch. Theres some genuinely funny dialogue here and some interesting scenarios, the use of CG is nicely handled and blends in quite well with the digital animation. and the dance numbers themselves are intricate and interesting.

Putting nostalgia aside for a moment, I actually think this is probably my favourite short so far. Its the first time i’ve felt like they’ve given all the characters a decent meaty role in the antics, that the plot hasnt felt overly reliant on people suspending their disbelief. the set pieces have just worked, the scoring was superb and it all ties together nicely into a little self contained short that doesnt feel too hand holdy.

It’s cute, creative and entertaining. and I think i’d happily watch this one again.

source https://letterboxd.com/tytdreviews/film/pokemon-gotta-dance/