Bloody Moon (1981)

In a season of firsts literally 1 week after we did our first Godfrey Ho movie! we’re NOW doing our first Jess Franco movie! and…this was my first ever Franco film many MANY years ago, and having seen a LOT more Franco since then, im inclined to think this is one of his better efforts. Which is a shame because its COMPLETELY out of tone with his other bodies of work.

This is one of those weird movies where Franco wasnt entirely invested in it as a director, so he just does a servicable job of making a horror movie, and it’s fine. its bordering on good even! and compared to his other 6000 movies. Well this is probably one of his best really…but that says more about my opinion on Franco movies than on my opinion of THIS movie.

This is a VERY flawed movie in all honesty. NOT one of the better nasty’s but sometimes it manages to wiggle into “So bad it’s good” terratory with laughable dialogue and kill scenes that make Antropophagus look like Cannibal Holocaust.

I’d say it was worth a watch at least once. but err…yeh, dont expect THAT many more Franco films on the channel…they’re…not my scene.

ICONIC.

Serpents Lair (1995)

Its amazing really how the memory can cheat when it comes to things from your childhood, I mention in this review that this was one of my first exposures to pornographic material and honestly; when I think back to my memory of seeing this movie nearly 25 years ago now, I remember it being almost as strong as most of the hardcore flicks that now plague the net.

despite not really knowing/understanding what was going on at the time, the tameness of this film 25 years on actually transformed what I remembered as a pretty gritty and erotically charged picture into something laughable. I go into more detail in my actual review. But while I cant really “technically” fault the film. the fact that it sets up SO much promise and delivers on literally almost non of it is frankly insane.

I mean…with the best will in the world, most erotic softcore films at LEAST have the decency to show a little T&A. this film (if memory serves) has one or two blink and you’ll miss it shots of ass, and an sound barrier smashingly brief glimpse of some boobs. Its at this point I feel the need to remind you dear reader. that this is a film about a demon who shags people to death…

As a closing note, I recently managed to uncover the title of another softcore flick I saw a clip from back when I was younger. my entire memory of the film was a scene of a woman being screwed through a partition in a wall with the intent on getting pregnant by the mysterious sperm doner. after that image sat in my head for decades AND with a variety of film buffs being asked about the scene (which I described in vivid detail, to which they had no clue), last year I finally put it to rest. I had in fact seen a clip from the 1999 art house porn film “Romance” which…is probably not a film that a small child should have been watching. but; these are life lessons I guess…

The poster for this movie is in no way reflective of the movie itself.

Finishing the Complete Tenth Season (2021)

So! We’ve hit a quite significant milestone. At the time of writing we’re now halfway through my 5th year of making content for youtube. and honestly; looking back im left with a simultanious feeling that this has just…always been the way things have been, while also thinking that no time has passed at all. it’s quite an unusual emotional response to describe honestly. I still recall back in 2018 when I was talking to Ben about plans I had for videos that “Wouldnt happen till 2020” and him looking at me as if I was absolutley potty to even BEGIN to suggest such a thing.

But the honest answer is; this channels kind of been my lifeline for the last few years. What started out of a genuine frustration at the lack of detailed information and an almost outright dismissal of bad movies and cult cinema as “Not REAL film” has, five years on, evolved into something much MUCH more than that. Sitting here now in 2022 looking back over the years, at all the absolutely astoundingly good friends i’ve made as part of this project, The film makers and people behind the scenes i’ve had the opportunity to connect with as a result of me reviewing a film they’ve worked on, and the people who’ve been reunited as a result of my simple efforts to try and prove that theres as much educational benefit in deconstructing BAD cinema as there is in deconstructing the mainstay “classics” has left me honestly quite speechless.

All I ever wanted to do was try and share my love and passion for these types of movies to a wider audience and, in turn, hopefully attempt to rebalance the discourse around film theory and studies. I wish we lived in a world where someone could, in a crounded film theory class, openly talk about the cinematography in say “Robot Ninja” or the directional choices in “Theatre of Blood” and be taken with a level of seriousness and acceptance that comes with namedropping things like “Apocalypse Now” or “Drive”.

That isnt to say that im putting those films in the same catagory as each other you understand. Rather; for years theres been a culture of snobbishness around “Cult” cinema in professional and academic settings simply because it either didnt attain mainstream success or it deals with themes that are unconventional from what elder academics would deem “acceptable” with only very few film makers (David Lynch, Jan Svankmajer, Robert Wiene to name a few) being allowed the air of dignity within an academic setting.

To me? if you only watch what academia and the mainstream culture consider to be “Good movies” you’ll ONLY make “Good” movies…and in many ways thats the problem. The history of counter culture cinema is a rich tapestry of experimental and arthouse, a sea of trial and error on various mixed media formats. it’s the story of “Fuck around and find out” to put it bluntly. and is probably responsible for greater changes in the mainstream than most professional critics and lecturers will EVER be willing to admit. And yet; it only ever seems to be “Skimmed” by the people in charge. referenced as an afterthought in the shadow of the “Tarantino’s” and “Von Trier’s”. Pilfered of its “Best bits” with 80% left to wither on the vine or end up the subject of countless articles of mixed quality that purely focus on “HOW CERRRAZY” the film is or how, while we do have to aknowledge that this weird film inspired a much MUCH better film. we also must feel embarrissment or even shame that this original film even existed at all.

Its a systemic problem that even I am guilty of from time to time, and the last 5 years have really been a lesson in reprogramming to try and shake off this “Two Tier” system that the film industry regularly imposes on it’s output. it shouldnt be a case of “There are good films…and those films” rather. There is just film. art. expression. and while we can collectively agree a sliding scale of budget, technicality and complexity I feel more attention needs to be paid to just what CAN be achieved with so little, rather than simply focussing on eyewatering budgets, pixel counts and CGI hoy polloi.

I spent a not insignificant time of Season 10 covering the world of SOV cinema. A much maligned field because of its low budget, dependency on horror, gore or titlation to get bums on seats and an overdependency on references to other movies to try and sell people on a sense of familiarity. Its equally been one of the most interesting, thought provoking and inspiring experiences i’ve ever gone through. these people were “true” film makers. visionaries. creative souls who tried their damndest to make what was, to them, the best damn movies they possibly could on budgets that wouldnt even cover a QUARTER of a modern shoots catering budget FOR A DAY. they HAD to be creative because there simply wasnt an alternative. and the results are a testimony to the craft that I feel should be better recognised by academic bodies and not simply dismissed as “Fodder for the experimental film crowd”

So I say “Make Bad/Cult film relevent” challenge the so called “Authority” explain your workings, change the discourse and help make the world of film a better and more inclusive place for people who dont just think with there wallet or ride the coat tails of passing trends. give Bad and Cult cinema a reverence BEYOND it’s disposability. Because I guarentee, the sooner that modern film makers start to look at BAD films as a friend and NOT a tool or an aesthetic. the sooner the current rut that hollywood and the film making system has found itself in will evaporate.

Season 10 was a season of growth and development for the channel. and while we’re still a rather small and plucky channel, we’ll continue to try and push the discussion as far as we can take it.

Heres to 10 seasons, 5 years, to the good times and to hopefully many years more.

Dan.

The “Things” (1989) Comedy Dining Experience

Basically; I subjected Ben and Laura Blind to “Things” because im a sadist who enjoys dumping people into ice baths and watching them wail (in a filmic sense)

After the screening Laura vowed to never do a blind commentary again and Ben wouldnt make eye contact with me. Im not allowed to blind screen again for a while and collabs with Laura have to be to a certain standard going forth.

Personally; I think they should both thank me, given that they’ll now almost certainly never see a film worse than this…unless I find it.

Silent Night Bloody Night (1972)

Well, another year is winding up and once again we’ll be ending things on the channel with a good old fashioned spooky Christmas horror movie. Silent Night Bloody Night surprised me as being, not just a pretty decent christmas horror film, but a border proto slasher that full on predates “Black Christmas” by nearly 2 whole years!

Weirder still it was an early entry in the career of Troma founder Lloyd Kaufman who helped to co-produce the feature. and WEIRDER STILL! given the slice of fried gold that this film is. the fact someone let it slip into the public domain is frankly INSANE to me. this film should be held in WAY higher regard in my opinion…it may be far from perfect. but if it hadnt been for the fact that basically NOONE saw this film when it first came out. it could have easily kickstarted the slasher genre a full 10 years earlier than it did take off.

A great, solid little horror flick. definitely one to watch this festive season, I say go and check out Silent Night Bloody Night. a hidden gem and one of the true hidden slices of horror history!

And…with that we’ve reached the end of the 10th season. it’s been a hell of a ride (there’ll be a “Complete Season” post incoming imminently!) and i’ve loved every minute of it. thank you to everyone who’s helped make this year extra special! the 5th anniversairy celebrations continue on next year with season 11 (currently in production!) and it’s gonna be a big one!

So thank you for dropping by, have the very merriest of christmasses, the very happiest of holidays and the very brightest of new years! and we’ll see you all! in the future! which is where you and I are destined to be!

Stay safe x

This poster says nothing. Im so confused. I love the colour palette though…

The Driller Killer (1979)

Of all the film I covered this season, probably the film that surprised me the most was “Driller Killer”. Generally when I go into a film with established expectations I usually come away either dissapointed or bitterly angry that a films been missold to me. But “Driller Killer” actually had the opposite effect on me.

After being told by at LEAST half a dozen people that this film was a “Slog”, was “Unremarkable”, was “A one watch film” my expectations were VERY low for this thing. I was expecting 80-90 minutes of unrelenting gore, little to no plot, sub part direction. just a gory trash film designed to shock for the sake of shock.

But what I actually found was quite a nuanced film that, while not shying away from gore, manages it in a very effective way. Using it sparingly and instead preferring to focus on psychodrama and the relationship structure between our core characters. this was actually a pretty decent little drama/thriller and had it had literally ANYTHING ELSE as a VHS cover in 1984, it’d probably have flown completely under the radar and gone unnoticed.

A raw and quite powerful watch. while I think the theatrical cut is about as much of this film as I can stomach. having an extrended cut on the Arrow Bluray is a very nice touch. If your coming to this film for horror, you’ll probably be dissapointed. but if your looking for a drama with bloodier elements I’d say this is actually a pretty solid watch.

I had to use Arrows newly commissioned artwork for the thumbnail on this review. Personally I vastly prefer the original artwork. But youtube frown on thumbnails that feature a guy literally getting drilled through the head.

Robot Ninja (1989)

Continuing our journey through the life and times of J.R Bookwalter, we’re following up 1989’s “The Dead Next Door” with “Robot Ninja”, quite possibly my all time favourite Bookwalter film. I just, REALLY enjoyed this one. it feels big, daft and aggressive and it just gives off this tone that I find quite honestly wonderful to sit through.

And, as I mention in the below review, I am just…Captivated by the restoration work done on this thing. having jumped from a VHS transfer to the new widescreen fully remastered version, it’s crazy to me at just HOW much attention to detail and love has gone into bringing this “Direct to video” campy action horror film into the realm of full HD. Theres an extra feature on the Bluray release of this that goes into detail around the work involved in restoring this and Its astounding honestly. J.R often says this is a film he wishes he never made (I mean…he says that about almost all of his films…) but honestly? I think the world is a better place WITH Robot Ninja in it

You can find copies of Robot Ninja here, but hurry! supplies are limited and I guarentee you wont want to miss this!

This poster/bluray artwork is newly commissioned and I love it so very much!

I Drink Your Blood (1970)

Well! a little bit later than i’d have liked, but! i’m finally getting round to updating the site in line for the launch of the new series in a little over a weeks time! to say things have been a little bit chaotic over here while tried to get everything prepped ready for a reasonable launch date would be a bit of an understatement. honestly, its amazing i’ve managed to do it. BUT! we’re here!

Over the last couple of weeks i’ve been vine swinging from writing, to recording, to editing to uploading and all the other fun stuff that goes into making the channel fly as it does! AND! as is customary (Well…I mean, this is the 2nd one we’ve ever done. but hey! traditions have gotta start somewhere!) we’re back with another summer special to help quench your thirst during the drought that is my summer break! and this time joining me to talk through the frankly astounding exploitation grindhouse classic “I Drink Your Blood” is Miss G.G Graham!

I had an absolute blast working with G.G and when it comes to exploitation cinema she really knows her onions! seriously, she totally blew my mind with just how much she knew about David Durston and the context with which this film was formed. a true professional in ever sense of the word. I really hope I get to work with her again in future as working on this was a blast!

So! grab yourself a tall beverage of your choice and enjoy this bumper edition of “The Red Triangle” we tried to be as thorough as possible and at the time of writing this is the longest single film review i’ve done to date!

If you enjoyed listening to G.G here you can find more of her work (and I highly encourage you to go check her out as she’s simply fab!) at the below links here:

https://midnightmoviemonster.com/
https://twitter.com/msmidnightmovie
http://driveinasylum.com/
https://cultsploitation.com/all-reviews/

And we’ll see you guys VERY shortly for the launch of the new season on August 31st at 4pm BST (11am EST)

The poster may not be all that relevent to the film. but MY GOD it sells it!

The Nutbag (2000) Comedy Dining Experience

I…I just had to show it to Ben. I just had to. we were in between films, it was 64 minutes long. I just had to. he hates it. he’s watched it 3 times now and he hates it. i’ve seen it 5 times and I hate it too. im planning to watch it again soon.

this was recorded back in November 2020 as part of a triple feature when lockdown restrictions eased very briefly in the UK. This was the middle film between “On her Majesty’s secret service” and another commentary that hasnt yet been released. we look forward to bringing you that commentary in June. for now. Nutbag…I gotta watch this one again…

Shivers (They Came from Within) (1975)

I’ve wanted to cover Cronenberg for some time on my channel, but I always really got hung up on exactly where to start. on the one hand; I could dive headfirst into a classic like “Videodrome” or “The Fly” something VERY defining of his style. alternatively; I could have gone for one of his more extreme movies like “Scanners” or “Crash” hell; if I was being REALLY pedantic I could have started with his college movies that Arrow Video released not too long ago. But honestly; after really thinking about it; I feel Shivers is probably the best place to start when it comes to unpacking Cronenbergs distinctive look and feel. While the body horror element is present here it hasnt yet morphed really into it’s shapeshifting disfiguring style that would be seen in movies like “Rabid” and “The Fly”

eqaully; this movie is pretty revolutionary for it’s time. Predating “Alien” and “Dawn of the dead” by between 3 and 4 years respectively. it looks and feels like a tribute to those movies. Which makes it all the more surprising that this film came first.

All in all; I cant say more than I did in my review for this one. it’s a good SOLID feature that I Feel acts as a good intro to Cronenbergs work. Yes; he has done better. but if you start with the best, everythings going to be a dissapointment that comes after it. While his vision may not yet be fully crystalised here. it’s well on it’s way. and if you DO like this; then you’ve got a hell of a trip to come!

I’ll be completley honest; I didnt much care for the original posters for this film. Thats why I settled for this lovely artwork from the Arrow Video Bluray release.