Season 9 was one of those seasons that feels “Right” to me. I mean that very much in a spiritual sense. theres no real metric that can be used to measure whether something is objectively “good” or “bad” but what I mean is that to me, it feels like all the pieces fit together perfectly, it feels like each review contrasts or compliments the other. with every season I do I often feel like there’ll be at least 1 or 2 episodes out of the two(ish) dozen I make where I either dont feel I got a grip on exactly HOW I wanted to present the review, or I’ll feel like technically I was a bit off the mark.
But this season, every review I feel like I got exactly what I wanted out of it, we had some stinkers, we had some hidden gems. but, to me, it feels like the work I’ve put in to slowly reshaping the series somewhat (Work that first began waaaaay back in Season six) has finally matured into a format that, for now at least, im pretty happy with. I feel a lot more confident about this run of reviews than I have with any other previous run, and I feel a lot happier with my work load management and attitude towards how I run the process. genuinely, the last 12 months worth of writing and releases have been some of the most enjoyable I’ve done in the 4 and a bit years of working on the channel.
Personal highlights of this season for me were “Nutbag” a film that genuinely caught me off guard for just how amazingly bad it was. this is one of the few times where BBFC suggested edits have actually massively enhanced what would otherwise be a fairly drab affair, Deathrow Gameshow a film that totally surpassed my expectations, and I feel utter remorse that I didnt crack this one open much MUCH sooner as it’d been sat on my “To Watch” pile for WAY too long. My special video essay on a recent Bootleg Video Nasty haul was a definite highlight for the year and got quite a few people talking about their own experiences with Nasty’s which was nice. and the opportunity to collaborate with old friends like Raymond and new faces like G.G Graham were frankly an absolute delight.
This season for me will probably be fondly remembered as a time capsule of a 6-8 month period where things, while still rather grim beyond the walls of my house, were alright. and I hope that comes across in these reviews.
Well! a little bit later than i’d have liked, but! i’m finally getting round to updating the site in line for the launch of the new series in a little over a weeks time! to say things have been a little bit chaotic over here while tried to get everything prepped ready for a reasonable launch date would be a bit of an understatement. honestly, its amazing i’ve managed to do it. BUT! we’re here!
Over the last couple of weeks i’ve been vine swinging from writing, to recording, to editing to uploading and all the other fun stuff that goes into making the channel fly as it does! AND! as is customary (Well…I mean, this is the 2nd one we’ve ever done. but hey! traditions have gotta start somewhere!) we’re back with another summer special to help quench your thirst during the drought that is my summer break! and this time joining me to talk through the frankly astounding exploitation grindhouse classic “I Drink Your Blood” is Miss G.G Graham!
I had an absolute blast working with G.G and when it comes to exploitation cinema she really knows her onions! seriously, she totally blew my mind with just how much she knew about David Durston and the context with which this film was formed. a true professional in ever sense of the word. I really hope I get to work with her again in future as working on this was a blast!
So! grab yourself a tall beverage of your choice and enjoy this bumper edition of “The Red Triangle” we tried to be as thorough as possible and at the time of writing this is the longest single film review i’ve done to date!
If you enjoyed listening to G.G here you can find more of her work (and I highly encourage you to go check her out as she’s simply fab!) at the below links here:
I was genuinely caught off guard by just how good “Merry Christmas Mr. Lawrence” was and is. I know thats a bit of a crap opener to a review. But it’s hard for me really to put into words at just how blown away I was by my first watch of this movie. it totally caught me off guard.
It was almost a perfect storm of emotion and circumstance that led to me being totally overwhelmed by this film. I watched this for the first time in December of 2020, after almost a year of COVID-19, isolation and detatchment from my family. My partner, who’s health continues to be an up and down issue was more or less rendered totally socially isolated for 3 months which had serious effects on her health and by December of 2020 she was very much in a low period of good health.
So after 12 months of utter world changing circumstances, where so many people had needlessly died and so much stress had been put on society at large. Watching this film at around 2am one eerily quiet night, alone. was simply too much.
Im not ashamed to admit I was openly weeping by the end of this film. by the final scene of the 3rd act I had become so invested in these characters that the ending hit HARD. and I completely lost it for the rest of the night. I immediately contacted some of my closest friends and family to check in on them, had some very lengthy and quite deep chats and after picking up the soundtrack for this film (which, in itself is amazing) I went to bed a changed person.
I’ve never quite been the same since, the film moved me in ways that other films seldom ever have. so I consider this a very VERY special work. I cant guarentee you’ll feel the film in the same way I did. but I can tell you that this film will forever hold a very special place in my heart.
This movie sucks. and since getting involved in the whole “Video Nasty” scene this was one of the movies i’d wanted to see the most out of all the entries on that section 1 and 2 list. it just seemed on paper to be a fun and weird, nasty little horror movie. in my minds eye I was envisioning something super bleak but played as if it had been directed by Ken Russell. and BOY was I in for a dissapointment.
I remember clear as day the first chance I got to watch this via Full moons streaming service last year sometime over the summer and within about 30 minutes I realised i’d been fully cheated on the premise and that in fact this was just going to more or less be a pretty generic war movie with a few very poorly shot and directed shock moments thrown in for good measure. I didnt come away from this movie on the first watch sad, I came away angry that I’d waited literaly years to see this film, only to be bitterly dissapointed by just how underwhelming it is as a work. I jumped into a group chat with some friends to vent my frustration and got a mixture of “Oh Wow that bad eh?” and “yeh it’s awful” which didnt really soothe me much either.
As times gone by i’ve been able to be a bit more critical about all of this and i’ve kind of ended up in a place where I feel that this is a film that; if you can get it for cheap or ideally free I’d say it was worth keeping. but I certainly wouldnt say it was any good and I DEFINITELY wouldnt say it was worth any more than $5.
It’s a good job I caught this film on streaming as I was seriously planning to spend upwards of $35-$48 to import a copy of the US Severin release of this movie at one point. the official line is that the BBFC dont have a problem with this film and that if it was submitted for classification today it’d be passed uncut for release. the problem is the films SO shit that UK distributors wont go near the thing. Leading to a bizarre situation whereby the film IS available to import from international sources. but because dealers know it’s so shite they wont license it for a UK release. despite it being perfectly okay to do so. Which leaves people like me who, before seeing it on streaming couldnt find a copy anywhere else, to have to do drastic things like pay upwards of $48 in costs and shipping to find out just how unwatchable and WHAT a money pit it truely is.
Totally rubbish, worth owning for reference and maybe as a filler feature for a pretty lively party. NOT something you’d just stick on because you want to enjoy your evening. this films so bad…
I’ve wanted to cover Cronenberg for some time on my channel, but I always really got hung up on exactly where to start. on the one hand; I could dive headfirst into a classic like “Videodrome” or “The Fly” something VERY defining of his style. alternatively; I could have gone for one of his more extreme movies like “Scanners” or “Crash” hell; if I was being REALLY pedantic I could have started with his college movies that Arrow Video released not too long ago. But honestly; after really thinking about it; I feel Shivers is probably the best place to start when it comes to unpacking Cronenbergs distinctive look and feel. While the body horror element is present here it hasnt yet morphed really into it’s shapeshifting disfiguring style that would be seen in movies like “Rabid” and “The Fly”
eqaully; this movie is pretty revolutionary for it’s time. Predating “Alien” and “Dawn of the dead” by between 3 and 4 years respectively. it looks and feels like a tribute to those movies. Which makes it all the more surprising that this film came first.
All in all; I cant say more than I did in my review for this one. it’s a good SOLID feature that I Feel acts as a good intro to Cronenbergs work. Yes; he has done better. but if you start with the best, everythings going to be a dissapointment that comes after it. While his vision may not yet be fully crystalised here. it’s well on it’s way. and if you DO like this; then you’ve got a hell of a trip to come!
WAIT! STOP! IT’S NOT PORN! well…not really porn…theres some VERY brief nudity and a lot of “Girating” but honestly. for a film thats so determined to ride the “Steamy erotica” train. it’s surprisingly tame. The first time I saw Liquid Dreams, It wasnt really for me. I found it a bit too into it’s “Homages” and lacking in clear substance. and while subsiquent rewatches have definitely softened my views on this (I now think it’s actually a pretty fun, maybe even good little popcorn thriller) I still kind of feel a bit like it’s a film thats missing something. I dunno; I think sex would cheapen this film. I think that making it more of a thriller would make it more boring. it just kind of…rides the line between the erotic and thriller genres to the such a restrictive extreme that it’s ultimatley neither. and as such, while it’s good at both genres. it never really achieves either.
What we have here is a bit of an anomoly. a film that’s memorable for it’s imagery. but very little else. I still think this is prime VS fodder because it’s most definitely working with that kind of cult vibe. and I feel with a little bit more love and attention it could almost be a well respected classic in the vein of “Cherry 2000” that’s why I chose to review this film. I really REALLY hope to raise it’s profile at least a little bit, and who knows!? maybe if the right people see this it’ll finally get dug out of it’s “Out of print” hell and get the re-release that it DEFINITELY deserves.
Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.
For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.
The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.
Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.
In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.
Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.
So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.
Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)
Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.
So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.
Well! We’ve done it again! another year has reached it’s end and with it, we have the final review of the year! I hope each and every one of you had a Merry Christmas and a Happy New Year! I spent the day with the missus and my parents, we had a lovely dinner, played some board games till the evening and then had a small buffet that put us into a food coma well into Boxing day!
While I wish i’d had the time to relax and savour my time off (I had 19 days leave from work this year and it REALLY flew by) I’ve spent a lot of time working on next years season over Christmas and as of today (Jan 2nd) we’ll officially start cutting for the new series! Im hoping to have at least one rest day before I go back to work. but for now. im super grateful i’ve been able to get so far ahead! so do keep an eye out for the new season when it lands in February (At least…im hoping it’ll land in February)
I watched this movie for the first time this year, for the purpose of this review. I wrote the script some tim in late July/Early August and I was fortunate enough to pick up the lovely limited edition box set of this movie and it’s sequel from 101 films almost as soon as it was announced. they’ve done a genuinely lovely job in cleaning this movie up and it was a blast to actually watch it around christmas time, in the vibe, in the festive atmosphere. I think it’s probably one of the better christmas horror movies i’ve seen. While I’d probably hesitate to say it OG “Black Christmas” good. it’s definitely up there! and I hope you consider giving it a go some time!
Anyway! Im going to be hard at work editing Season 9 now for at least the rest of this month, there’ll be a few commentaries uploaded in the mean time while im away. and, as always, i’ll be in the comments on every review i’ve done to date. So if your new to the site. please feel free to reach out and say “Hi!”
I wish you all a very happy, healthy and fruitful 2021 and lets all just…HOPE. that it is only a shadow of the year we’ve come from!
There really isnt a massive amount to say about this one post release honestly. My thoughts on this one have rigidly remained in line with whats said in the review. This is a very VERY strange and uncomfortable movie to sit through. But then. thats kind of the point. is it disturbing in the same way “A Serbian film” or “Cannibal Holocaust” is? No. Its just a general feeling of unease and a constant vibe of “Should I be watching this?”
Thats the joy of the “2am movie” though. your brain and body are tired. if you’ve been drinking the alcohol has no doubt at this point in the night started to really kick in. and the air is thick, heavy and the darkness wraps around you like a thick and heady blanket. I find a lot of itallian Giallo, Zombie movies and…well stuff like this REALLY suit that specific time frame. they’re not so complex that you have to really solidly keep track of everything, theres enough gore and other good stuff to keep your monkey brain on side and theres usually a pretty killer soundtrack to help smooth everything over. You never truely LOVE a 2am movie. but when you need them they’re most definitely the only thing that’ll scratch that itch.
I usually try to post some helpful information here on updates, where you can find the film or if anythings shifted on this one’s release history front. but no…it’s still never had a UK release. it’s never been released on Bluray and a trimmed copy from Europe/the US thats out of print on DVD is about as good as it gets. And while I didnt absolutely love this one. I still think if you can find it. watch it.
This ones been a LONG time coming. nearly 3 years in the making (I’ve wanted to do this since Season 3!) Collaboration is something I enjoy, while it’s nice to have the goals and dealines flexiable and fluid while working alone, theres something of a thrill of getting together with a person or two and hammering out something that feels like a more well rounded criticism. in the past I’ve worked with 1 or 2 people who have all been absolutely delightful. but I often wondered how far I could take working with groups of people. and Creepshow being a port mantau seemed like the perfect opportunity to try and set the high bar.
So I scoured the internet for a year or so and found 6 critics who I felt could really genuinely do this film justice. and they’ve all been absolute SAINTS in helping me pull this together, each and every one of them bought something new and interesting to the table and each and every one of them im very proud to have had the honour of working with them. while my own contributions pale in comparison to theirs, I thought it best to step back a bit to let the review really breath.
I initially wanted to make this review feel a bit like a “Special edition” comic book with different contributors all having different styles and bringing their own flavour to the party. I took their contributions and ran it through my usual editing structure and with some heavy inspirations from pop art and the 90’s CITV series “ZZZAP!” it all slowly came together.
Im not going to lie, while my written contributions were a little shorter than normal on this one. the amount of editing this took to bring to the screen was quite intense to say the least. in total the whole project took 4 and a half months to complete from initially pitching to the first contributor (The Crypt keeper) to final export and upload. This was one of the longest single edits I’ve ever had to work on with TONS of motion tracking to animate the Keeper alongside digital moves and other tricks of the trade to help animate some of the more static transitional scenes. it’s easily the edit that’s given me the most sleepless nights and it’s easily the longest single movie film review I’ve released to date!
So I’d once again just like to take the time to thank each and every one of the people who contributed to this special. I really REALLY hope you dig it:
And if you wanna know how my Halloween went? Well; I was still in lockdown, I inadvertantly ended up with severe dehydration, I ate a sausage roll. drank 2 liters of water and 2 beers and spent the day working up the volition to eat ANY of the £15 worth of sweets I bought in prep for a massive marathon and I ended up eating non of it. The missus wasnt very well in the afternoon and bailed on the evening by 8pm and My playlist was as follows: