In a season of firsts literally 1 week after we did our first Godfrey Ho movie! we’re NOW doing our first Jess Franco movie! and…this was my first ever Franco film many MANY years ago, and having seen a LOT more Franco since then, im inclined to think this is one of his better efforts. Which is a shame because its COMPLETELY out of tone with his other bodies of work.
This is one of those weird movies where Franco wasnt entirely invested in it as a director, so he just does a servicable job of making a horror movie, and it’s fine. its bordering on good even! and compared to his other 6000 movies. Well this is probably one of his best really…but that says more about my opinion on Franco movies than on my opinion of THIS movie.
This is a VERY flawed movie in all honesty. NOT one of the better nasty’s but sometimes it manages to wiggle into “So bad it’s good” terratory with laughable dialogue and kill scenes that make Antropophagus look like Cannibal Holocaust.
I’d say it was worth a watch at least once. but err…yeh, dont expect THAT many more Franco films on the channel…they’re…not my scene.
Its amazing really how the memory can cheat when it comes to things from your childhood, I mention in this review that this was one of my first exposures to pornographic material and honestly; when I think back to my memory of seeing this movie nearly 25 years ago now, I remember it being almost as strong as most of the hardcore flicks that now plague the net.
despite not really knowing/understanding what was going on at the time, the tameness of this film 25 years on actually transformed what I remembered as a pretty gritty and erotically charged picture into something laughable. I go into more detail in my actual review. But while I cant really “technically” fault the film. the fact that it sets up SO much promise and delivers on literally almost non of it is frankly insane.
I mean…with the best will in the world, most erotic softcore films at LEAST have the decency to show a little T&A. this film (if memory serves) has one or two blink and you’ll miss it shots of ass, and an sound barrier smashingly brief glimpse of some boobs. Its at this point I feel the need to remind you dear reader. that this is a film about a demon who shags people to death…
As a closing note, I recently managed to uncover the title of another softcore flick I saw a clip from back when I was younger. my entire memory of the film was a scene of a woman being screwed through a partition in a wall with the intent on getting pregnant by the mysterious sperm doner. after that image sat in my head for decades AND with a variety of film buffs being asked about the scene (which I described in vivid detail, to which they had no clue), last year I finally put it to rest. I had in fact seen a clip from the 1999 art house porn film “Romance” which…is probably not a film that a small child should have been watching. but; these are life lessons I guess…
So! We’ve hit a quite significant milestone. At the time of writing we’re now halfway through my 5th year of making content for youtube. and honestly; looking back im left with a simultanious feeling that this has just…always been the way things have been, while also thinking that no time has passed at all. it’s quite an unusual emotional response to describe honestly. I still recall back in 2018 when I was talking to Ben about plans I had for videos that “Wouldnt happen till 2020” and him looking at me as if I was absolutley potty to even BEGIN to suggest such a thing.
But the honest answer is; this channels kind of been my lifeline for the last few years. What started out of a genuine frustration at the lack of detailed information and an almost outright dismissal of bad movies and cult cinema as “Not REAL film” has, five years on, evolved into something much MUCH more than that. Sitting here now in 2022 looking back over the years, at all the absolutely astoundingly good friends i’ve made as part of this project, The film makers and people behind the scenes i’ve had the opportunity to connect with as a result of me reviewing a film they’ve worked on, and the people who’ve been reunited as a result of my simple efforts to try and prove that theres as much educational benefit in deconstructing BAD cinema as there is in deconstructing the mainstay “classics” has left me honestly quite speechless.
All I ever wanted to do was try and share my love and passion for these types of movies to a wider audience and, in turn, hopefully attempt to rebalance the discourse around film theory and studies. I wish we lived in a world where someone could, in a crounded film theory class, openly talk about the cinematography in say “Robot Ninja” or the directional choices in “Theatre of Blood” and be taken with a level of seriousness and acceptance that comes with namedropping things like “Apocalypse Now” or “Drive”.
That isnt to say that im putting those films in the same catagory as each other you understand. Rather; for years theres been a culture of snobbishness around “Cult” cinema in professional and academic settings simply because it either didnt attain mainstream success or it deals with themes that are unconventional from what elder academics would deem “acceptable” with only very few film makers (David Lynch, Jan Svankmajer, Robert Wiene to name a few) being allowed the air of dignity within an academic setting.
To me? if you only watch what academia and the mainstream culture consider to be “Good movies” you’ll ONLY make “Good” movies…and in many ways thats the problem. The history of counter culture cinema is a rich tapestry of experimental and arthouse, a sea of trial and error on various mixed media formats. it’s the story of “Fuck around and find out” to put it bluntly. and is probably responsible for greater changes in the mainstream than most professional critics and lecturers will EVER be willing to admit. And yet; it only ever seems to be “Skimmed” by the people in charge. referenced as an afterthought in the shadow of the “Tarantino’s” and “Von Trier’s”. Pilfered of its “Best bits” with 80% left to wither on the vine or end up the subject of countless articles of mixed quality that purely focus on “HOW CERRRAZY” the film is or how, while we do have to aknowledge that this weird film inspired a much MUCH better film. we also must feel embarrissment or even shame that this original film even existed at all.
Its a systemic problem that even I am guilty of from time to time, and the last 5 years have really been a lesson in reprogramming to try and shake off this “Two Tier” system that the film industry regularly imposes on it’s output. it shouldnt be a case of “There are good films…and those films” rather. There is just film. art. expression. and while we can collectively agree a sliding scale of budget, technicality and complexity I feel more attention needs to be paid to just what CAN be achieved with so little, rather than simply focussing on eyewatering budgets, pixel counts and CGI hoy polloi.
I spent a not insignificant time of Season 10 covering the world of SOV cinema. A much maligned field because of its low budget, dependency on horror, gore or titlation to get bums on seats and an overdependency on references to other movies to try and sell people on a sense of familiarity. Its equally been one of the most interesting, thought provoking and inspiring experiences i’ve ever gone through. these people were “true” film makers. visionaries. creative souls who tried their damndest to make what was, to them, the best damn movies they possibly could on budgets that wouldnt even cover a QUARTER of a modern shoots catering budget FOR A DAY. they HAD to be creative because there simply wasnt an alternative. and the results are a testimony to the craft that I feel should be better recognised by academic bodies and not simply dismissed as “Fodder for the experimental film crowd”
So I say “Make Bad/Cult film relevent” challenge the so called “Authority” explain your workings, change the discourse and help make the world of film a better and more inclusive place for people who dont just think with there wallet or ride the coat tails of passing trends. give Bad and Cult cinema a reverence BEYOND it’s disposability. Because I guarentee, the sooner that modern film makers start to look at BAD films as a friend and NOT a tool or an aesthetic. the sooner the current rut that hollywood and the film making system has found itself in will evaporate.
Season 10 was a season of growth and development for the channel. and while we’re still a rather small and plucky channel, we’ll continue to try and push the discussion as far as we can take it.
Heres to 10 seasons, 5 years, to the good times and to hopefully many years more.
Well, another year is winding up and once again we’ll be ending things on the channel with a good old fashioned spooky Christmas horror movie. Silent Night Bloody Night surprised me as being, not just a pretty decent christmas horror film, but a border proto slasher that full on predates “Black Christmas” by nearly 2 whole years!
Weirder still it was an early entry in the career of Troma founder Lloyd Kaufman who helped to co-produce the feature. and WEIRDER STILL! given the slice of fried gold that this film is. the fact someone let it slip into the public domain is frankly INSANE to me. this film should be held in WAY higher regard in my opinion…it may be far from perfect. but if it hadnt been for the fact that basically NOONE saw this film when it first came out. it could have easily kickstarted the slasher genre a full 10 years earlier than it did take off.
A great, solid little horror flick. definitely one to watch this festive season, I say go and check out Silent Night Bloody Night. a hidden gem and one of the true hidden slices of horror history!
And…with that we’ve reached the end of the 10th season. it’s been a hell of a ride (there’ll be a “Complete Season” post incoming imminently!) and i’ve loved every minute of it. thank you to everyone who’s helped make this year extra special! the 5th anniversairy celebrations continue on next year with season 11 (currently in production!) and it’s gonna be a big one!
So thank you for dropping by, have the very merriest of christmasses, the very happiest of holidays and the very brightest of new years! and we’ll see you all! in the future! which is where you and I are destined to be!
Perfection. thats all there is to it, I consider this to be one of my (if not my) favourite horror film ever made. I have nothing more to add to that other than. this halloween, go and watch “Theatre of Blood” total. underrated. CLASSIC.
Well! we’re in full motion on this whole “Month of Vincent Price” Malarkey and with only one more movie to go we arrive at the ever incorrigible “Abominable Dr. Phibes” a film that get so SO close to being my all time favourite Vincent Price film. I mean; it pretty much has everything. weird and over the top deaths, Price getting a real scenery chewing and somewhat cmapy role decent visual effects and an aesthetic thats quite literally timeless. I really REALLY like Phibes. but it’s just…not quite perfect for me.
I feel like a lot of this film gets bogged down in the policing segments, which feel a little too close to cop TV shows in the UK from the 1960’s. While it has all this weird and zany good stuff going on, I do feel in places it is missing that “Oomph” y’know? that zeal. that fire that takes a movie from just being really good to something that stands head and shoulders above it’s peers. is this film Iconic? absolutely, how do you forget a film featuring a killer frog mask, a clockwork orchestra and Anton Phibes himself!? but is it the best Vincent Price film? to me? no. it’s up there. but I think i’d prefer “The Tingler” and of course…theres our final film in this series to cover. which undoubtedly very much IS my all time favourite Vincent Price film.
As an aside, I havent seen “Phibes Rises Again” partly because, I want to save some new Price for days to come. I know right now, if I wanted to, I could freebase ALL of Vincents work over a weekend. but then; what would I have to look forward to in future? So…for now it sits on my shelf sealed and ready to be spun when I need a pick me up that only our Vincent could provide.
I’ve gotta be honest, I dont gel with the Corman/Price films as much as i’d like to. In principle, their collaborative works should have everything i’d want in a movie. Campy Macarbre, stunning direction and visuals, interesting and engaging scripts that quite often use the original source material as a launching pad rather than a dogmatically rigid “Sacred text” that must be abided to. and Vincent Price AND! for even more bang for your buck, Peter Lorre. Whats not to like!?
Well; this is the question I ask myself. I just…dunno. I kind of feel like the end result of mixing such amazing ingrediants together should be something quite mindblowing. but I just end up feeling a bit underwhelmed. Now I cant say that for EVERY Price/Corman film. I really enjoyed “The Pit and the Pendulum” and I also like “The Fall of the House of Usher” and “The Masque of the Red Death”. But I havent seen ALL of their works together and most of the ones I have seen (The Raven, Tales of Terror, The Haunted Palace) just…dont do much if anything for me.
Thats not to say they dont have decent moments, or even just scenes that are entertaining. and thats DEFINITELY not to say the quality isnt there, because it very much is. I just find myself kind of sighing and clock watching with some of these films when I should be on the edge of my seat praying the films nowhere near over. I think, to me at least, I just feel like the films dont deliver on their pitch. Which made choosing which film of the Corman/Price/Poe series quite difficult. it was a literal coin toss that decided whether to talk about this movie or “Fall of the House of Usher” and on reflection. I think I chose the right movie. I prefer “Fall” of these two. but this film I think has infinitely more to talk about and is a MUCH more visually interesting treat.
As we continue on with our look at the life and times of Vincent Price we arrive at this…MASTERPIECE. of cinema. Im not kidding when I say “The Tingler” is probably one of my favourite films thats widely classed as a “B-movie” I personally dont really consider it as such, as a “B-movie” somehow instills the sense that the quality is somehow lesser than an “A-movie” and watching “The Tingler” and contrasting it against GENUINE “B-movies” of the time it’s easy to see that this thing is FAR more advanced than a B-movie. this isnt “Robot Monster” level trash, this isnt “The Mad Monster” level Schlock. Is it campy? absolutley. but it’s directed more than amicably and the cine throughout is decent with some nice ideas that are well implemented.
And while some of the practical effects ultimately do let this one down a little bit, its not bad enough that I could penalise this picture. it’s just a damn fun, slightly silly, quite well made Columbia picture that I feel gets lumped in with a bad crowd. So what I’ll say here is, if you’ve never seen “The Tingler”, go and watch “The Tingler”. I think it’s arguably William Castles best movie, and probably my 2nd ever favourite Vincent Price role.
I really wish that this thing would get a re-release in cinemas with percepto in tact. what I wouldnt give for a night of Castle films with the gimmicks put back in…but still, one day my dream may come true. for now though, “The Tingler!” a film that, not too long ago got a VERY nice bluray restoration and is currently available on Google TV and Amazon Prime. if your looking for a halloween movie to rock your world this year. you my friends have found it.
So this halloween marks my 5th anniversairy of doing halloween specials and literally ever since my 2nd set of reviews i’ve REALLY wanted to cover the films of Vincent Price. BUT! I decided it was probably best to save such a series to films to cover until a milestone, something to help really push the boat out and celebrate with. and so! we’re here! and kicking things off we have 1953’s “House of Wax” which is a more than exemplary watch that more and more people seem to be finding each year.
I really enjoyed this one and equally I do have a bit of a soft spot for the remake which, while not having the “class” and attention to detail that this movie has, is enjoyable in a grindhouse and exploitationey way. they’re very different films, but I enjoy them both in spite of their diversity.
Of course, with it being such a big special occasion I realised I couldnt do this one alone! and so I drafted in help from my good buddy Chris over at Channel 83 to help me really give this film the love it deserves! and I highly recommend checking Chris’s work out! you can get to his site here and im sure you’ll find plenty to love 🙂
Anyway! pop a black cat on your shoulder, eat a pumpkin and strap yourself in for the start of our month on Vincent Price!
Season 9 was one of those seasons that feels “Right” to me. I mean that very much in a spiritual sense. theres no real metric that can be used to measure whether something is objectively “good” or “bad” but what I mean is that to me, it feels like all the pieces fit together perfectly, it feels like each review contrasts or compliments the other. with every season I do I often feel like there’ll be at least 1 or 2 episodes out of the two(ish) dozen I make where I either dont feel I got a grip on exactly HOW I wanted to present the review, or I’ll feel like technically I was a bit off the mark.
But this season, every review I feel like I got exactly what I wanted out of it, we had some stinkers, we had some hidden gems. but, to me, it feels like the work I’ve put in to slowly reshaping the series somewhat (Work that first began waaaaay back in Season six) has finally matured into a format that, for now at least, im pretty happy with. I feel a lot more confident about this run of reviews than I have with any other previous run, and I feel a lot happier with my work load management and attitude towards how I run the process. genuinely, the last 12 months worth of writing and releases have been some of the most enjoyable I’ve done in the 4 and a bit years of working on the channel.
Personal highlights of this season for me were “Nutbag” a film that genuinely caught me off guard for just how amazingly bad it was. this is one of the few times where BBFC suggested edits have actually massively enhanced what would otherwise be a fairly drab affair, Deathrow Gameshow a film that totally surpassed my expectations, and I feel utter remorse that I didnt crack this one open much MUCH sooner as it’d been sat on my “To Watch” pile for WAY too long. My special video essay on a recent Bootleg Video Nasty haul was a definite highlight for the year and got quite a few people talking about their own experiences with Nasty’s which was nice. and the opportunity to collaborate with old friends like Raymond and new faces like G.G Graham were frankly an absolute delight.
This season for me will probably be fondly remembered as a time capsule of a 6-8 month period where things, while still rather grim beyond the walls of my house, were alright. and I hope that comes across in these reviews.