I did it! One year on Youtube and it’s a double celebration because with this article the entire site is now backdated which in turn means I can finally make this site public to the public! So Hello if you’ve seen my nightmare fueled advert and welcome! you’ll find plenty around here to keep you busy so please feel free to leave a comment or say hi!
Public information films have been something that i’ve been interested in for a number of years, as a kid I mainly remember the “Think” campaign but there were many others that happened around this time that really stuck in my mind.
It wasnt really until I met my very good friend Ben that I discovered there was an active following for public information films, and that further more he’d been collecting them for years. we’d swap stories of P.I.F’s from around the world regularly and he’d happily point me to some form of carnage as and when he found it. Ben produced a documentary called “Out of your tiny minds” or something similar (Titled from the pif that shares the same name) So when it came to tackling these films I really couldnt think of anyone better to help me. I really cant thank him enough for giving up his time to help me make this and to do it right.
It was very difficult to decide which public information films would make it into this special and which wouldnt, but after the positive response i’ve recieved from this video i’ll almost certainly do a follow up in future. Though quite when that’ll be I couldnt honestly say.
For now though, im happy. A year might not seem like a long time to be doing youtube but it’s been an eye opening experience and I really hope Im here this time next year telling you just how excited I am to have been here now for 2 years!
Thank you to everyone who’s regularly tuned in and followed me on this Journey it really means a lot and thank you in particular to everyone who’s reached out and offered either video recommendations or collaboration opportunities. you’ve really made me feel very welcome and I hope there are many further good times ahead.
(Warning! the rabies P.I.F is in this episode…you know the one…well you’ve been warned now it’s out of my hands…)
When it came to choosing a “Red Triangle” that would see off “Alternate Doctor who month” it was really no question in my mind at least that porn would be the end result. I mean, I maybe could have gone with Torchwood or Class…something a bit more adult but still in universe, but I thought it was too mainstream, too well connected to the series to fly to be honest.
Next my thoughts went to BBV and there were some very serious considerations for “The Airzone Solution” or the “Auton” series. But again while I think they may work well as a TYTD episode in the future it just wasnt right here. Porn. Porn was what was needed and by gum porn was what I settled for!
Of course the options were bountiful (No pun intended) “Doctor who and the Phaleks” was my go to option for the longest time before briefly swapping to the “Woodrocket” sequences, there was even a brief dabble with “Abducted by the daleks” but in the end “Doctor Screw” was one of those porn films that had both not been widely covered and one that I distinctly remember doing the rounds in the early days of the David Tennant era with a dirty smirk and a cheeky chuckle from the Doctor who fandom back in the day. so I was happy to pick that one purely due to its lack of coverage.
It’s quite frankly appauling as pornography. But in terms of being a piece of alternative cultural history it really is a piece of its time. I pretty much say everything I can possibly say about this series in my review itself but even for its impotence I’d recommend fans of the new series check this one out. it’s really weird due to just how early it came out in the new series’ run and as a result it kind of fudges its way through the best it can. It’s also interesting from a historical standpoint as it marks the transition between porn parodies being a cheap and cheerful rubbish affair to being a highly polished and nightmare inducing rubbish affair (Im looking at you Strokemon).
Either way this is a very bizarre notch in Doctor who history and I really couldnt think of a better way to see this season off.
(I really love that boxart for the complete set…I own the solo releases and they’re rubbish by comparison…)
I really wasnt expecting much from “The Bogey man” when I first put it on. The Video Nasties craze of the 1980s was a very sporadic period in the UK with dozens of titles being caught up in the frothing fever of trying to “ban the filth” and this meant that a few titles that really shouldnt have been listed as “Nasties” somehow got sweapt up in the hoopla.
I dont subscribe to the belief that the 1984 video recordings act was in anyway a good thing, I think it heavily censored creativity and drove the interest in these movies into the hands of the underground market where prices ran rampant and quality control was non existent. even if I did accept the act in some capacity (Which I most definitely do not) the consistency was all over the place, with films like “Cannibal Holocaust” and “Maniac Cop” being perfect examples of movies that quite reasonably could justify this act to a degree (They’re both very hard watches that are purposefully designed to be uncomfortable and shocking) through to movies like “The Evil Dead” and “Zombie Flesh Eaters” which while pushing the envelope a bit, were hardly going to “Corrupt the youth”. Conservative drive and a Newspaper driven campaign, only spurred on by the Mary whitehouse brigade only led to further confusion and unwarrented restrictions.
Arguably the most famous being a recurring issue in which police officers would repeatedly seize copies of “The Littlest Whorehouse in Texas” which is a PG comedy movie and copies of “Apocalypse now” which were passed by the BBFC being seized because it sounded too much like a Cannibal movie…only spurring things on and causing a rise in panic, incidents like “The Hungerford massacre” or the “James Bulger” case were sensationalised in the tabloids as being indisputable proof that violent films were corrupting people. In these incidents Hungerfords massacre happened because the killer watched “Rambo 3” (There was no proof of this…The only evidence given was that he’d worn a bandana when he committed the killings), and in the latter “Childs Play 3” was put to blame (Despite the fact that again there was no proof of this and the only evidence was that the killers father had rented the movie, not watched it, and returned it 2 days later) it was this incident that led to one of the “Last hurrah” moments of the Video nasty movement when the Sun ran with the sensationalist front page title “For the sake of ALL our kids Burn your video nasties”
Today barring a few seconds of animal cruelty here and there almost all of the original banned video nasties have not only been released but have been released officially multiple times both in standard and High definition. Theres only one video nasty that remains thats still been denied a classification, that’s “Love Camp 7” but a majority have now been released uncut. And being able to see these films for what they are and realise that a majority of them were purely on the list because of histeria is both eye opening and distressing to me.
The Boogey man is the perfect example of this. This movie has 2 graphic moments in it pretty much, and quite honestly theres much much worse out there. This shouldnt have been on the video nasties list and yet both this and the movies sequel (Which im told is a total and utter raging toxic sludge of a movie) were on the banned list with litte to no justification.
And its a pretty okay movie to boot!, its no masterpiece but I was really genuinely surprised by just how high quality it was when compared with some of the shinola on the banned list. it made it to my “Shelf of interest” as a quirky and slightly unusual oddity. One I’d reccommend you look out for.
(The Posters misleading as well…there are windows, women and shadowy figures in the movie…but not necessarily all at once)
This ones going to be a short one sadly, just simply because I dont have a whole lot to say about this one. it’s a bad movie. It’s not terrible., it’s competent. but it’s trying harder than it needs to to impress the audience with a “Look how clever I am” attitude. And it completely fails to capitalise on exactly why Giallo cinema is as enjoyable as it can be when in the right hands.
Giallo is all about suspense, all about tension. its about creating the illusion of peril on an almost constant basis. Movies like “Deep Red” or “Tenebre” thrive on being able to create an almost “Slow cooker” esq build of terror and thrills (And it looks damn fine while doing it) that reward the audience in spades. I dont often get surprised by the reveal in Giallo movies. But I appreciate the journey all the same.
Francesca by contrast isnt a slow building, bubbling pot of intreague. it’s a fairly tepid affair that im sure comes from a place of love to the genre but just comes across as a poor photocopy.
It’s a type of film that I catagorize as “Nice video, Shame about the song” (Made famous by the cast of “Not the nine oclock news”) its the idea that the film looks pretty (Which this one sort of does) but that it says nothing, has a poor script or is just flat out badly written. Francesca may have some fantastic advertising designs and some nice cine but its not worth a damn if the plots rubbish to begin with.
I also feel the need to somewhat apologise for this review as theres a glaring error towards the end where I forgot to drop the backing track at a couple of places and I also forgot to add in the “Where to skip to” point in order to avoid spoilers. I only noticed this well after the fact and short of re-uploading and losing all the views and comments associated with the video there wasnt a lot that could have been done. So my sincerest apologies and I hope it doesnt detrimentally effect your viewing experience.
(The “Twist” at the end of this film had me reaching for the Tylonol…bloody rubbish!)
Now I may not be 100% accurate on this one but I believe this was my first ever “Requested” review. And Joel (The absolute diamond who suggested this film to me) chose an absolute stomper of a film right here. Its absolutely astounding and the mental images that this film paints have stayed with me as clear and vividly many months after I watched this film as they did the first time I saw it.
This was the only film that Chris Shaw ever made and he was pretty involved in it as far as I can tell acting as 3 of the critical roles that a film needs to get made (Writer, Director and editor) but thats really just scratching the surface. Chris is this film to much of an extent there are very few elements outside of the other casts performances that dont have his fingerprints on them to some degree.
But thats a good thing here! This is a very clear and strong vision of how arthouse and experimental cinema can challenge audience expectations and be cerebral at the same time. This is a challenging watch, but in a good way. I came away from this film really wishing Shaw and his crew had made more movies as I’d love to see them develop and further expand there ideas using this film as a launching pad…even if it were a multi media endeavour.
Not much has changed for me in terms of my feelings towards split. The review took a very long time to put together because I wanted to ensure that the wording for it was just right. this is one of the only reviews I’ve written thats exceeded 3 drafts, purely because trying to explain my interpretation of Split vocally was a surprisingly challenging thing to do.
I would heavily suggest you watch this film with as little forewarning as possible because if you go into this film with pre-set expectations your judgement may get a little clouded by just how strange this film can be at times. So please. This is one of the few times I’ll actively tell you not to watch this video if you havent seen the movie first.
Also; I really feel the need to say that Chris Shaw is simply a very lovely man, and my experience of talking to him (While limited) was a real treat. Both him and his brother are wonderful conversationalists and it was a pleasure to have the opportunity to ask them about split. This review has definately been a highlight for me of producing these videos. and had I not recieved the suggestion i’d probably have never found it.
(…I usually write a comment here about the film but what do you say about this thing…”Undescribable” is all I have really…)
Split was due out on Bluray in March of this year but due to some delays it has now been pushed back to an undisclosed time. However it will be released eventually by Verboden Video and I for one will have my preorder well in place because it looks to be astoundingly good!
If you are interested in owning “Split” please show Verboden some support by following them at the link below and possibly considering picking up some of there titles as they seem like a great bunch of lads too!:
Thus brings to a close the second season of this show that I worked on. and quite honestly?; I think i’d consider this one my most progressive season that I’ve done to date. Not only did this season really let me hone my pacing skills a bit better (Something I really struggled with in the first season) but it let me experiment a bit more in being more creatively minded with my editing techniques and it was a real crash course in sound mixing.
While I can only apologise for some of the sound balances through this season (In particular my “Dawn” and “Day” reviews are pretty inaudible in places due to peaks in the music track I used that I didnt spot until the video had already gone live) By the time of the seasons close I feel I’d more or less got the balances right and at some point in the future I may well revisit a few of these season 2 episodes and address some of the issues I’ve spotted going through them.
But im very proud of this season because for the first time I felt like I had something tangible in the making that I could share with friends, or show to strangers without being worried of being attacked for the quality of the material. I mean, Im always learning (Even today I learnt something very interesting about VHS transcoding which will come in very handy when I finally get onto Season 5) but this season was largely guided as well by the advice and suggestions of you, the audience reading this.
It was during this seasons run that I started to set in motion some radical changes that would appear in season 3, and between the movie suggestions from some of my long time viewers (A serious thanks to you guys. you’ve really helped me keep going through the highs and lows) and the help of fellow youtuber and expert on all things SEO “Alan Spicer” I really feel like I’ve been able to put my reviews out there confidently.
This season built on the last one and set the frame work for what was to come. my first livestreams happened in this season, as did my first use of “Holiday branding” and my first forray into message boards and reddit (Something I’d never dared to do before) it really helped build up my confidence and I think this was a valuable learning season.
(Personal favourites included my halloween specials, my puppet master review and “Christmas Evil”)
This episode was uploaded “Christmas week” meaning it landed literally days before Christmas day itself. Its quite normal at this time that youtube enters a period of low traffic. Logically you’d think the opposite would be the case as everyone is cooked up at home for the holidays (Which havent even begun at this point) you’d think everyone would be clambouring for distraction on sites like youtube. But you’d be wrong.
Rather surprisingly (And it was a bit of a shock to me) the week christmas happens on and the subsiquent 2 weeks after it are some of youtubes quietest times of the year. I have to assume this is because people are out at parties, enjoying time with the family or just plain too busy to watch stuff. But it kind of caught me off guard and was a bit of a learning experience.
“Christmas evil” would mark the end of my 2nd season. And I really wanted to send the year off with a bang. I’d ummed and ahhd about what movie would be the best one to act as a send off to 2017 and to round my 2nd season off, and I settled with “Christmas Evil” because quite by chance I stumbled on it at random and it actually seriously impressed me at how deep and unusual it was for what is effectively a christmas themed slasher film at it’s heart.
Having thoroughly enjoyed the film writing the script for it was an absolute joy. and at the time I thought it was one of my best pieces (As I work to a schedule i’d planned and edited this episode in late october/early november time ready for it to go live on the 22nd of December) I scheduled an upload for it as I was going to be away from my house from the 22nd to the 24th and went out to spend the run up to christmas with my partners inlaws.
And then…Nothing. And I mean absolutely nothing. The video went live on the 22nd of December and it wasnt until the 26th that it gained it’s first “view” and that was me just checking the video to make sure there wasnt some glaring issue that was preventing it being played…It currently stands as my least watched video review on my channel as of May 2018 it has a grand total of 9 view (3 of which were me as a result of adding end screens and info cards and again a few months later to add translations)
I genuinely dont know why this video just failed immaculately out of the gate but there could be any number of reasons why it failed to pick up. I’ve read in some places that if your video doesnt make 20% of the number of subscribers you have in views within the first 24 hours that it can be dumped by youtubes SEO Algorithm. I’ve also read that youtubes SEO is less favourable to content with trigger words in the titles and descriptions (Words like “Evil” are trigger words) equally it could have been just left too late. uploading a christmas video on the 22nd of December is leaving things a bit to the last minute and it could legitimately be the case that people were just fed up of anything christmassy by that pont.
In either case i’ve thrown everything I can at this video and nothings seemed to have done the trick. I’ve changed the tags, I’ve edited the description, I’ve shared it and shared it and shared it, I’ve tweaked the titles (And tried them in all caps and without caps) I’ve changed the thumbnail…literally short of re-uploading it I’ve done everything I possibly can with it and nothing has changed its status.
It’s “Delisted” it didnt meet its expected targets and because it’s been shown to be an underperformer youtube have effectively taken it out of there search engine. go and try to find it in a youtube search. you wont be able to. it’s only with overly specific search terms like “Christmas evil TYTD Reviews” or “Christmas evil Red triangle reviews tytd” that anything will pop up…even “Christmas evil TYTD” brings nothing up.
Im not angry about this mind; im just a bit sad about it more than anything (as I imagine many people would be if they put a week of evenings into assembling an edit only for automation to decide its not relevent within 24 hours) Im more upset that the film itself is as underrated and relatively unknown as it is rather than the fact people cant hear me tell them why they should go and see it.
At some point in the future I’ll probably cut my losses and re-upload this one wholesale just to see if it helps it get re-listed. but in the mean time here it is the last TYTD Reviews/Red Triangle episode of 2017…and things only seemed to pick up from here on in.
(I’ll let the review do the talking about this underrated classic. but I seriously cant wait for a good UK Bluray of this one)
I don’t really know what went on in my mind when I considered picking this one up. I was hesitant, I remember that much. But with “Arrow Video” being synonymous with quality to me I felt assured that however “Nekromantik” panned out, there would at least be some assurance that what I was buying would have some level of cult or artistic merit
What I wasn’t expecting was just how near the knuckle “Nekromantik” is at times. Since watching this film I’ve since seen the likes of movies like “Cannibal Holocaust” and this movies sequel “Nekromantik 2” so my expectations are a little better managed. Though this film is still pretty high up there.
Since this video was uploaded one of the things that’s really stuck in my mind when reading other reviews of this movie (as I try to avoid reading other people’s reviews until mines been done as I don’t want to feel like I’m subcociously “lifting” other people’s thoughts) is just how few people pick up on the John waters influences in this film. Seriously when you realise that the director of this film was heavily inspired by the likes of movies like “Pink flamingos” and “Female trouble” then the campy undertones of this production really come out in a wonderful flourish.
Is this an extreme movie? Well; Arrow saw it fit to release this film both as a fully restored and a “nasty” era inspired grindhouse cut…So Id say there are excessive elements to this film. But “Nekromantik” to me is one of those special types of films that has somehow managed to perfectly straddle the lines between “cult shock value horror” “extreme border pornographic content” and “art house sensibilities” and I love this movie for that…
As mentioned, I’ve since watched the sequel to this and it’s alright…in some ways it’s a bit harsher than this film in others it’s a bit sillier but I’ll give my full thoughts on this one another time. Though what I will say is I still prefer the original and if your looking for a new challenging watch; I highly recommend checking this one out.
(The main theme to this film was my ringtone for a while…I thought that anyone who recognised it wasn’t in a position to judge)
And so with this, My first set of Halloween specials came to a close. I really enjoyed making these episodes (So much so that I fully intend to do another season of themed episodes this October!) but I was always a bit concerned about what to do with this 5th slot. I was stuck as to whether I should Review this, “Zombie flesh eaters 2 (Zombi 3)”, “Land of the dead”, “Return of the living dead”, the 2004 remake of “Dawn of the dead” or that weird version of “Night of the living dead” that came out in the early/mid 90’s that was literally just the 60’s version of the film with additional 90’s shot on video scenes added into the mix.
In the end I settled on “Shaun” for a few reasons. I thought that it ended the series on a high note, I thought “Shaun” was a good reflection of the zombie movie genre in the modern day and it feels a bit like a continuation of the natural progression of these kinds of films within this series. We started with 2 different versions of “Night of the Living dead” and ended with a 21st century affectionate tribute to those zombie movies.
I also like to think that this is a good “Bookmark” point to end on. While it may not be for a couple of years I fully intend to revisit The Zombie Genre again at some point. And ending it here gives me a nice place to pick up from whenever I decide to reopen this series.
This period of time would also see me launch the first ever “TYTD Horrorthon” a 6 hour live stream of public domain horror films that amassed a grand total of 3 viewers for a few seconds at one point…and then 1 viewer pretty much for the remaining 4 hours and 55 minutes. Though doing this livestream was one of the first times I ever got positive feedback from someone for what I produced. A mother got in touch with me the day after the stream to thank me for giving her children something to watch before they went out trick or treating. and it really made my week. It only reinforced my personal belief that as long as one person comes away from it happy it makes it all worth it. I’ll be doing the stream again this year (Though as of yet I still havent decided what films will make the cut) and if your around and free at that time I’d love to have you on board! but I digress…
In and of itself “Shaun of the dead” is my favourite of the cornetto trilogy and further still is one of my favourite comedy movies of all time. The balance between the comedy and horror here is really quite fantastic and as I mention in my video its a veritable Who’s who of mid 2000’s UK comedians. If you’ve never seen it, even if you dont like horror movies, I highly recommend checking this one out.
Whenever I think about “Zombie Flesh eaters” My mind kind of unfurls a bit. This is because on face value and to any unsuspecting stumble-uponers; “Zombie Flesh Eaters” is just a run of the mill (If not somewhat extreme) zombie movie from the 70’s.
But as soon as I remember that this film is legally (In Italy at least) connected to Romeros original “Of the Dead” movies it feels like the needles jumped on the record that is my brain. Further still when I remember that “Zombie Flesh eaters” is in fact not only legally connected to the “Of the dead” films but it actually sets itself up as the Prequel to “Dawn of the Dead” my mind goes into a bit of a funny shake for a few minutes.
The Balls of the studio that commissioned this movie into existence. The sheer balls of the people who sat down and thought “Hey we have a half finished horror film in pre-production…how can we make this more “Dawn of the dead-eier” It astounds me it really does…
What astounds me even more is that in some regards this film actually surpasses Dawn from a technical standpoint. It may not have Goblin or Romero behind the camera. It may be lacking Tom Savini’s personal touch. But Fulci and his team really put there heart and soul into this movie and it looks great for it. I’d also argue that for a majority of this movie. that the special effects are better than some of the ones seen in Dawn. Purely (As I mention in my video review below) because the effects of the zombies look so much more gnarled and realistic here compared to “Dawns” Pasty Blue/Grey zombies…I can honestly say that in hindsight while I may not be this films biggest fan. I have to give it credit that it surpassed my expectations in terms of what I was expecting.
(Also; that Shark VS Zombie underwater sequence has to be one of the best sequences Fulci ever directed. Astounding work!)
TYTD Reviews 