Now this. This charts the point where I feel that J.R and what was left of the cast and crew realised the SOV six pack project was well and truely on a hiding to nothing. Not only did the budget get DRASTICALLY cut to a little under $1250 PER PROJECT. but it was still the middle of a freezing Ohio winter and deadlines for these projects were rolling closer and closer.
Its understandable after the work on Chick Boxer and Maximum Impact pretty much lost J.R most of his crew, a chunk of his cast and at least a writer or two that the cart was now pulling the horse and not the other way around. I dont doubt J.R’s proficiency as a director one bit. These films would have never seen the light of day if he wasnt short of legendary in the directors seat. But it’s clear to see at this point that the project was running away with itself and things were starting to reach a head.
I mention in my review that I had a similar experience to J.R when it comes to this movie as I to made the stupid STUPID mistake to go and make a movie outdoors with a skeleton crew in the middle of a freezing winter for about a week with minimal to no supplies, and honestly the stress and the weather damn near drove us all away from ever doing anything film releated ever again. So I can only IMAGINE what J.R was dealing with when not only was he dealing with that level of craptitude but that he also had Home Cinema Video breathing down his neck to deliver a finished product. I mean, I can only compare his experience to mine, and I at least had the relief of not having to work to deadlines.
Anyway; Galaxy of the Dinosaurs is a cheap but cheerful affair. it really did give me “Red Dwarf” vibes based on the script, and I think this movie may actually be my favourite script purely from a tone and dialogue standpoint out of any of the movies featured in the six pack.
I had a rather pleasent surprise while these reviews were going live. JR Bookwalter the man himself was doing a live stream Q&A for a new release for makeflix and I dropped in to ask a question about whether he’d ever consider getting back into directing (his answer was “never say never!” so here’s hoping for the SOV 12 pack in 2024!) but while watching he mentioned in passing that he’d actually been checking out a couple of these reviews as they dropped! which…well I was honestly quite beside myself as, while I have had the odd director, DOP, Cam Op or in one specific case producer drop by to tell me about how their movie sucked, or that they were grateful for my honesty. i’ve never had someone say that live, on video. TO ME.
Anyway; I mention that because this was the review he referenced specifically when he said he’d seen a couple of the reviews I’d done. and…if you’ve seen my review of this in advance of reading this post. you’ll know that I was not a fan of this movie…didnt care for it at all…hates a strong word but I do believe I said this movie was “The kind of film you take to a bad movie night when you dont like anyone in attendence.” which was then quoted in a tweet by J.R Bookwalter himself. POSITIVELY I might add!…but still. he hates this movie. I…didnt care for this movie. most people i’ve shown this film to (Because im an evil fuck) hated this movie. this is not a good movie. the poster and title is about as good as it gets.
In my minds eye I imagined Chick boxer to be a kind of gritty “Rocky” type flick. y’know, a young girl is bullied or harrassed or…I dunno SOMETHING happens. and she decides to “Get tough” cue several training montages and eventually said weedy girl is now a martial artist taking on the scum of the streets vigilante style, with the papers and police not really knowing what to make of her. almost like what was done in “Robot Ninja” but without the super hero costume and the scene where a guy removes and inserts weird tubes into his arm.
Instead we got…well I’ll let the review do the rest of the work.
Season 9 was one of those seasons that feels “Right” to me. I mean that very much in a spiritual sense. theres no real metric that can be used to measure whether something is objectively “good” or “bad” but what I mean is that to me, it feels like all the pieces fit together perfectly, it feels like each review contrasts or compliments the other. with every season I do I often feel like there’ll be at least 1 or 2 episodes out of the two(ish) dozen I make where I either dont feel I got a grip on exactly HOW I wanted to present the review, or I’ll feel like technically I was a bit off the mark.
But this season, every review I feel like I got exactly what I wanted out of it, we had some stinkers, we had some hidden gems. but, to me, it feels like the work I’ve put in to slowly reshaping the series somewhat (Work that first began waaaaay back in Season six) has finally matured into a format that, for now at least, im pretty happy with. I feel a lot more confident about this run of reviews than I have with any other previous run, and I feel a lot happier with my work load management and attitude towards how I run the process. genuinely, the last 12 months worth of writing and releases have been some of the most enjoyable I’ve done in the 4 and a bit years of working on the channel.
Personal highlights of this season for me were “Nutbag” a film that genuinely caught me off guard for just how amazingly bad it was. this is one of the few times where BBFC suggested edits have actually massively enhanced what would otherwise be a fairly drab affair, Deathrow Gameshow a film that totally surpassed my expectations, and I feel utter remorse that I didnt crack this one open much MUCH sooner as it’d been sat on my “To Watch” pile for WAY too long. My special video essay on a recent Bootleg Video Nasty haul was a definite highlight for the year and got quite a few people talking about their own experiences with Nasty’s which was nice. and the opportunity to collaborate with old friends like Raymond and new faces like G.G Graham were frankly an absolute delight.
This season for me will probably be fondly remembered as a time capsule of a 6-8 month period where things, while still rather grim beyond the walls of my house, were alright. and I hope that comes across in these reviews.
Well! we’re well underway now on the Moore era of Bond films and as ever Dan and Ben have gathered their resources. put a brave face on things and decided to run into Christopher lees wacky world waving their arms wildly and screaming incomprehensively as we take a look at “The Man With The Golden Gun” a film that…honestly? to me? is a film thats nowhere near as good as it should be…I mean, dont get me wrong it definitely has its moments but a film that brings Moore, Lee and Eckland together while also having JW Pepper should have literally made my cock fall off…and it just…didnt. Either way! we still had a lot of fun with this one! so give it a spin and see what you think!
This ones going to be short and sweet. and it’s going to be another soapbox post unfortunatley; in part because I feel like I said everything I needed to say about this movie within the review itself and in part because the circumstances around this reviews publication once again fell fowl of youtubes copyright notice systems and Im going to treat this post as a kind of mini vent. So if you just want to know about the movie itself you’re probably best skipping the text on this one and just jumping straight into the video below.
This is now the 3rd film review that i’ve had unfairly worldwide blocked by Studio Canal/Lionsgate. I appreciate that the rules on fair use are kind of sketchy and could go either way. but if push came to shove, in a court of law I fully believe that my review of this film would constitute fair usage under critique and criticism. Given that I use less than a 5th of the films total footage throughout the entirity of this films review, AND that i’ve transformed the footage in such a way as to effectively create a new work from it. I feel it totally unecissary that SC/L had the video worldwide blocked. In fact after my last review featuring a title of their range got worldwide blocked under similar spurious takedowns I decided to blacklist them as they clearly dont need me and I dont want the hassle of dealing with them.
Unfortunately “Steel Dawn” is distributed by Lionsgate in ONE single terratory. and thats enough leverage for them to fully worldwide block my review. A cursory glance on google shows that the film is distributed by multiple licensee’s so to see Lionsgate so blatently abuse the copyright system in this instance. While unsurprising, is yet another reminder to me that copyright is an absolute minefield in terms of navigating the rights and wrongs, and corporations and companies seem more than happy to abuse it in any and every way they like.
I will say, on the whole I find the youtube contentID system to be imperfect but mainly fair. most major companies take fair use on board and will largely only take monetization or block in countries they specifically distribute to. and even then counter claims on the grounds of fair use will 8 times out of 10 result in a released claim.
However; it’s companies and individuals abusing those copyright tools and remaining unpunished for doing so thats the hang up I have with youtube and is something that desperately needs reviewing. A few weeks ago one of my commentary videos was issued with a DMCA takedown notice by a total randomer. not only did the commentary video contain ZERO copyrighted works in it. but it was one of the few videos where we’d actually been able to completely isolate the audio. it literally couldnt have been our totally 100% homegrown content anymore if it physically tried. nevertheless I still had to spend around a month and a massive loss in my watchtime and views fighting that takedown, which was then released with no issues after the timer ran out on the claim.
I find it totally ludicrous that its this easy for people to issue these takedown notices and equally upsetting that big companies and corporations feel they can bully creators by creating artificial narratives on what reviews can stay up, which have to be pulled down and that the big companies get to set the severity level that a channel gets dealt depending on whether they choose to cover their content or not.
Every upload I do feels like im playing a game of buckaroo where the losing item loaded on triggers a hand granade. and it really totally sucks when you spend over a week producing a detailed review only for it to end up worldwide blocked because corporations are abusing tools while all the creators can do is hope that things dont end up litigeous and pray that the clock runs out on claims in order to meet scheduling demand. things need to change.
So…anyway; Lionsgate blocked this review worldwide. So I ended up having to strip all of my edited visuals out (more or less…the packaging shot and the “Who Wrote this/Who directed this” sequences have been left in.) and replace it with a title slide because youtube is spineless and I didnt have a choice in the matter. I’ll shortly be uploading the full visual version to my backup account on Breach.tv (A fantastic site thats sadly super underrated and needs way more love) and when I do I’ll link the full visual version here too so you can see what you were missing.
Not that you were missing much, this films totally unmemorable and a bit rubbish.
So I really do have to give serious thanks to “Channel 83” for sending this film my way. It was one that was vaguely on my radar for a number of years. But i’d never put much effort into actively checking it out. and BOY was I annoyed at myself for not looking into this one sooner.
This really is a bizzare yet entertainingly awful picture. One that somehow manages to engage the part of my brain that loves “So bad it’s good” cinema while simultaineously really irritating other parts of my brain to the point of wanting to throw it as far away from me as possible. This film really truely is the Carvel ice cream cake covered in ants at the picnic. and in many way’s I dont see that as being an entirely bad thing.
Its a movie that I do really hope gets a re-release at some point, preferably sooner rather than later because i’d love to be able to take this movie over to a friends house to sink a few beers and watch the chaos unfurl.
One for the “Yikes” pile, this movie even now is just…leaves me with this sense of cringing discomfort. it’s one thing to make a drama about a 35 year old teenager trying to blow up a school and killing off the students. it’s another when your sympathetic to the killer. and this film really does genuinely try to rationalise that; had our main character not gotten TOO into murdering his peers. the school probably would have been better for it.
I know theres themes around corruption present and the idea that just removing the figureheads of corruption from a system without properly planning for the transition of power, merely creates a vaccume from which even worse corruption can spring forth. I get it. but I just find it incredibly problematic that the film at no point takes the time to point out that the main character in this movie (the one doing the killing) is wrong to have even done it in the first place. instead it really just leaves the viewer with the feeling that, had David just planned better for the aftermath, the murders would have been entirely justified.
This was one of the first scripts where I actually had to cut a section of the script out in post. I had initially recorded a section in the opening of my review where I took a bit of a deep dive into school shooting statistics with the aim of trying to figure out exactly why someone in 1976 would think that this movie was in ANY way a good idea. and my initial research revealed that basically the same amount of school shootings occured between the 1920’s and mid 1970’s as occured between 1998 and 2004. I therefore came to the conclusion that the reason why this film got made was simply a case that…well; not a lot of these really happened all that often, so my guess was that the producers thought they’d be safe covering this topic in this way as (at the time) it would have been about as common as a General election and probably would have been viewed by the public as one of those “It could never really happen to me” moments.
Unfortunately; just as I was working on the edit for this episode, a school shooting happened. and I re-reviewed my data and found a TON of scope for incorrect data and missed avaneus of exploration ranging from School massacres being listed seperately from school shootings in terms of collated data. issues with classifying what actually COUNTED as a school shooting and what was classed as a School massacre or just a targeted attack. issues with what qualified as a school attack (if people get attacked en mass just outside the school grounds. does it still count as a school attack?) and even variations on the attacks themselves. such as; what if it was a teacher that committed the attack rather than a student, what if it’s an entire SCHOOL that goes to attack another school? does that count as one incident or hundreds of smaller ones? and in one bizarre case from the 1920’s if a student accidentally kills another student with a hoe on school grounds, but then kills another student to stop them covering up the first murder. is that a massacre? or just a super awful story?
In essence. what I wanted to say was “Because of how few attacks happened between 1925 and 1975 the producers probably felt comfortable presenting the film this way” but honestly? after seeing all the variables I missed out. the datas a hot mess and I honestly dont know anymore. all I do know is they definitely could have handled this film more tactfully…that being said; I guess your more likely to get butts on seats with controversy and shock than you are with just being a clean cut drama.
Anyway; this movie hasnt aged well, but there are a couple of okay points with it. so maybe check out my review and decide for yourself 🙂
Belated! but not to be forgotten! this year we did a 2nd valentines special after the success of our “Pink Flamingos” comedy dining experience! Laura’s always a little shakey with flying solo on commentaries. but when I suggested Jaws as our Valentines watch…well…she was still apprehensive. But significantly less so!
So! grab your husband, wife, fiance, partner or body pillow. pour youself a nice tipple and settle in to over 2 hours of a couple of chum knuckles gabbing on about one of the greatest shark movies ever made!
WAIT! STOP! IT’S NOT PORN! well…not really porn…theres some VERY brief nudity and a lot of “Girating” but honestly. for a film thats so determined to ride the “Steamy erotica” train. it’s surprisingly tame. The first time I saw Liquid Dreams, It wasnt really for me. I found it a bit too into it’s “Homages” and lacking in clear substance. and while subsiquent rewatches have definitely softened my views on this (I now think it’s actually a pretty fun, maybe even good little popcorn thriller) I still kind of feel a bit like it’s a film thats missing something. I dunno; I think sex would cheapen this film. I think that making it more of a thriller would make it more boring. it just kind of…rides the line between the erotic and thriller genres to the such a restrictive extreme that it’s ultimatley neither. and as such, while it’s good at both genres. it never really achieves either.
What we have here is a bit of an anomoly. a film that’s memorable for it’s imagery. but very little else. I still think this is prime VS fodder because it’s most definitely working with that kind of cult vibe. and I feel with a little bit more love and attention it could almost be a well respected classic in the vein of “Cherry 2000” that’s why I chose to review this film. I really REALLY hope to raise it’s profile at least a little bit, and who knows!? maybe if the right people see this it’ll finally get dug out of it’s “Out of print” hell and get the re-release that it DEFINITELY deserves.
Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.
For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.
The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.
Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.
In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.
Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.
So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.
Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)
Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.
So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.