So I’d been talking to Seth from “The Hellbound Horror Show” for a number of months on the possibility of collaborating on something in the near future. Seths been a champion of the channel now for quite some time and I really love what he does too, but it was finding JUST the right kind of flick that overlapped our styles just about right, and eventually we settled on a Cannibal double feature! We would do “Cannibal Girls” over on my channel and “Cannibal Women in the Avacado Jungle of Death” over on his channel at some point (TBA)
I had an absolute blast doing this with Seth and I really hope we can get it all together again in future! While the death of Ivan Reitman was incredibly unexpected and unfortunately well AFTER we’d already shot and recorded everything for this episode, I still tried to at least pay something of a tribute to the man himself with the opening memorial card.
Cannibal Girls is a great movie and I highly recommend you check it out. But dont just take my word for it here, let both me and seth talk you though this absolute slice of insanity!
In a season of firsts literally 1 week after we did our first Godfrey Ho movie! we’re NOW doing our first Jess Franco movie! and…this was my first ever Franco film many MANY years ago, and having seen a LOT more Franco since then, im inclined to think this is one of his better efforts. Which is a shame because its COMPLETELY out of tone with his other bodies of work.
This is one of those weird movies where Franco wasnt entirely invested in it as a director, so he just does a servicable job of making a horror movie, and it’s fine. its bordering on good even! and compared to his other 6000 movies. Well this is probably one of his best really…but that says more about my opinion on Franco movies than on my opinion of THIS movie.
This is a VERY flawed movie in all honesty. NOT one of the better nasty’s but sometimes it manages to wiggle into “So bad it’s good” terratory with laughable dialogue and kill scenes that make Antropophagus look like Cannibal Holocaust.
I’d say it was worth a watch at least once. but err…yeh, dont expect THAT many more Franco films on the channel…they’re…not my scene.
While our good friend Roger was having an “Eggcellent” time working on “Octopussy” An evil cabal of writers, media personalities and satanists were performing a secret virginal sacrifice to the gods of “Why did this need to exist” in order to restore an ancient evil who’s toupee contained within its woven fabrics untold horrors that had been sealed successfully away in 1972.
They succeeded and Randy Grampa was resurrected to unleash more terror and casual sexism upon the unsuspecting crowd of 1980’s New Wave hipsters who…quite rightfully dismissed and disowned the film as the utter work of evil that it is.
This week, Dan and Ben take one for the team…in more ways than one. Still! we get some good stories out during the commentary, so it wasnt all to waste its just…ugh…Im really not a Connery fan. The guy had like…2…maybe 3 good bond movies…the rest…ugh.
I cant believe it took almost 5 years to get onto a Godfrey Ho movie! Since this review was published I have been made aware that I’ve covered a couple of movies that Ho was *rumoured* to have worked on and in one case a film he was responsible for supervising distribution in the west for.
But this is the first out and out indisputable Ho movie to come through the doors of TYTD towers and, while all the Ho tropes are here, it’s…not exactly his best known work. it’s a fine enough movie. I just dont really think it delivers the full Ho clout that say “Ninja Terminator” would.
That being said! I do hope to cover more Ho in future! going so far as to pick up Gold Ninja Videos “Ninja Vortex” set so that I can really bring out the best of Ho in future!
Really; thats one of the only problems with doing this channel on a weekly basis, given how long it takes to write, record and edit each episode I can only really produce 1 maybe 2 videos a week tops (and im stretched at that!) I also have a MASSIVE pile of martial arts movies to go through even with the 7 movie Ho pack out of the equation! I just wish I had more time to put to the channel honestly as some of these martial arts movies have been in my collection “to watch” since before I even STARTED doing reviews…anyway! Godfrey Ho! pink ninjas! its all good! give it a watch!
1988’s “The Brain” was a bit of a fringe film for me…What I mean by that is that it had almost always been on my radar, but it was always just one of those films that I thought i’d get round to eventually, but never actually GOT to.
I had no idea of what the actual plot was, I just knew that it involved a giant Psychic/Telekinetik testicle that floated about causing trouble. Outside of that, it could have been about anything. I realise having just written that last sentence that that pitch sounds like something i’d almost certainly be into. but at the time I had bigger fish to fry and it was always just one of those “reserve” titles I could pull out if I was having a string of solid or awful movies to try and upset the balance a bit.
That is until I began chatting to Trivial Theater. A rather lovely lady who’s been supporting the channel now for a while and seems to know her onions! Last christmas we sent each other a gift box filled with odds and ends from the US and UK respectively. apart from me discovering the absolute joys of “Gremlin bars” Triv sent a handful of movies over as well, and “The Brain” was one of those films. I saw it as a sign.
So! by way of thanks! I said i’d cover “The Brain” as it just felt like a “right movie at the right time” kind of thing. and…welp! it’s…an experience! love it or hate it, you wont be forgetting “The Brain” anytime soon
As part of the 2nd half of our 5th anniversairy celebrations, im going to be dipping into the vaults to cover some movies that, in the past, i’d promised to get round to at some point. and kicking this off we’re finally putting a lid on “The American Ninja” series. I’ve been covering the sequels now for almost as long as the channels been in existence. and with the exception of the first film (which I intend to do a ‘Comedy Dining Experience’ on at some point in the future) we’ve finally arrived at the final chapter here. and WHAT a dissapointing wind down it was.
Im not going to say much more because, honestly, my review here says all there is to say. But I will say that I still find it frankly ASTOUNDING that they had two decently sized action stars in this film and they utilised them in probably the most cack handed way it’s possible to handle these things. I left BEYOND dissapointed. but yeh! after 5 years! we’re bringing this series to a close!
So! We’ve hit a quite significant milestone. At the time of writing we’re now halfway through my 5th year of making content for youtube. and honestly; looking back im left with a simultanious feeling that this has just…always been the way things have been, while also thinking that no time has passed at all. it’s quite an unusual emotional response to describe honestly. I still recall back in 2018 when I was talking to Ben about plans I had for videos that “Wouldnt happen till 2020” and him looking at me as if I was absolutley potty to even BEGIN to suggest such a thing.
But the honest answer is; this channels kind of been my lifeline for the last few years. What started out of a genuine frustration at the lack of detailed information and an almost outright dismissal of bad movies and cult cinema as “Not REAL film” has, five years on, evolved into something much MUCH more than that. Sitting here now in 2022 looking back over the years, at all the absolutely astoundingly good friends i’ve made as part of this project, The film makers and people behind the scenes i’ve had the opportunity to connect with as a result of me reviewing a film they’ve worked on, and the people who’ve been reunited as a result of my simple efforts to try and prove that theres as much educational benefit in deconstructing BAD cinema as there is in deconstructing the mainstay “classics” has left me honestly quite speechless.
All I ever wanted to do was try and share my love and passion for these types of movies to a wider audience and, in turn, hopefully attempt to rebalance the discourse around film theory and studies. I wish we lived in a world where someone could, in a crounded film theory class, openly talk about the cinematography in say “Robot Ninja” or the directional choices in “Theatre of Blood” and be taken with a level of seriousness and acceptance that comes with namedropping things like “Apocalypse Now” or “Drive”.
That isnt to say that im putting those films in the same catagory as each other you understand. Rather; for years theres been a culture of snobbishness around “Cult” cinema in professional and academic settings simply because it either didnt attain mainstream success or it deals with themes that are unconventional from what elder academics would deem “acceptable” with only very few film makers (David Lynch, Jan Svankmajer, Robert Wiene to name a few) being allowed the air of dignity within an academic setting.
To me? if you only watch what academia and the mainstream culture consider to be “Good movies” you’ll ONLY make “Good” movies…and in many ways thats the problem. The history of counter culture cinema is a rich tapestry of experimental and arthouse, a sea of trial and error on various mixed media formats. it’s the story of “Fuck around and find out” to put it bluntly. and is probably responsible for greater changes in the mainstream than most professional critics and lecturers will EVER be willing to admit. And yet; it only ever seems to be “Skimmed” by the people in charge. referenced as an afterthought in the shadow of the “Tarantino’s” and “Von Trier’s”. Pilfered of its “Best bits” with 80% left to wither on the vine or end up the subject of countless articles of mixed quality that purely focus on “HOW CERRRAZY” the film is or how, while we do have to aknowledge that this weird film inspired a much MUCH better film. we also must feel embarrissment or even shame that this original film even existed at all.
Its a systemic problem that even I am guilty of from time to time, and the last 5 years have really been a lesson in reprogramming to try and shake off this “Two Tier” system that the film industry regularly imposes on it’s output. it shouldnt be a case of “There are good films…and those films” rather. There is just film. art. expression. and while we can collectively agree a sliding scale of budget, technicality and complexity I feel more attention needs to be paid to just what CAN be achieved with so little, rather than simply focussing on eyewatering budgets, pixel counts and CGI hoy polloi.
I spent a not insignificant time of Season 10 covering the world of SOV cinema. A much maligned field because of its low budget, dependency on horror, gore or titlation to get bums on seats and an overdependency on references to other movies to try and sell people on a sense of familiarity. Its equally been one of the most interesting, thought provoking and inspiring experiences i’ve ever gone through. these people were “true” film makers. visionaries. creative souls who tried their damndest to make what was, to them, the best damn movies they possibly could on budgets that wouldnt even cover a QUARTER of a modern shoots catering budget FOR A DAY. they HAD to be creative because there simply wasnt an alternative. and the results are a testimony to the craft that I feel should be better recognised by academic bodies and not simply dismissed as “Fodder for the experimental film crowd”
So I say “Make Bad/Cult film relevent” challenge the so called “Authority” explain your workings, change the discourse and help make the world of film a better and more inclusive place for people who dont just think with there wallet or ride the coat tails of passing trends. give Bad and Cult cinema a reverence BEYOND it’s disposability. Because I guarentee, the sooner that modern film makers start to look at BAD films as a friend and NOT a tool or an aesthetic. the sooner the current rut that hollywood and the film making system has found itself in will evaporate.
Season 10 was a season of growth and development for the channel. and while we’re still a rather small and plucky channel, we’ll continue to try and push the discussion as far as we can take it.
Heres to 10 seasons, 5 years, to the good times and to hopefully many years more.
Well! it’s November! (at least according to the upload date!) and Dan and Ben are back on the bond once again! this time taking on “For your eyes only” honestly; its been so long since this one went out and the film was SO forgettable (barring the awesome theme tune) that I literally got nothing for this one! we were ACE! probably the best funny people ever (probably) and you should DEFINITELY watch this one RIGHT NOW.