So; for this one, we basically nicked the “Black spine” concept from Red Letter Media…yes its a blatent steal. No im not feeling guilty for having done it, No, RLM didnt invent this idea and yes im happy to keep doing it. My co-host mind…is VERY much less inclined.
I chose Mac and Me because I thought it would be a fun little watch. I wasnt sure if Ben had seen it before and this one fits the Comedy Dining Experience bill perfectly, too well known to really deserve reviewing. too obscure outside of the US to ignore and too blatantly an advert to have any merit in breaking down. it’s the perfect movie to get some people around with some beers to take the piss out of it. I cant speak for Ben. But I had a real blast with this one.
Okay; so in my rush to try and catch back up with updating the site with all our latest stuff I kinda sorta forgot to update our comedy dining experience section. I know, slap on the wrist, naughty boy, dont do it again. Well, I can only profoundly apologise for my neglegence and try and fix it by blasting through a few of these all in one go to try and catch back up.
And kcking things off, we have a fan request courtesy of one mr GDAWG. Bens wanted to do Beatles movies for years. So this really has been a planet aligning moment for all involved. So pop on your beatles cut. grab your left handed bass and check out this very clean old man as we take a deep dive into one of the more bizzare moments of the beatles career.
Perfection. thats all there is to it, I consider this to be one of my (if not my) favourite horror film ever made. I have nothing more to add to that other than. this halloween, go and watch “Theatre of Blood” total. underrated. CLASSIC.
The original 2 posters for this film I dont really feel are all that representative of the films contents, that and they just, wern’t that visually appealing. in fact the original Landscape poster for “Theatre of Blood” is downright ugly in my opinion. But the version seen above was made up by Arrow Video for their Bluray release and not only do I love the minimalist take, I feel it much MUCH better represents the film. Its still not quite as good as it should be for a movie of this quality. but it’s easily the best so far.
Well! we’re in full motion on this whole “Month of Vincent Price” Malarkey and with only one more movie to go we arrive at the ever incorrigible “Abominable Dr. Phibes” a film that get so SO close to being my all time favourite Vincent Price film. I mean; it pretty much has everything. weird and over the top deaths, Price getting a real scenery chewing and somewhat cmapy role decent visual effects and an aesthetic thats quite literally timeless. I really REALLY like Phibes. but it’s just…not quite perfect for me.
I feel like a lot of this film gets bogged down in the policing segments, which feel a little too close to cop TV shows in the UK from the 1960’s. While it has all this weird and zany good stuff going on, I do feel in places it is missing that “Oomph” y’know? that zeal. that fire that takes a movie from just being really good to something that stands head and shoulders above it’s peers. is this film Iconic? absolutely, how do you forget a film featuring a killer frog mask, a clockwork orchestra and Anton Phibes himself!? but is it the best Vincent Price film? to me? no. it’s up there. but I think i’d prefer “The Tingler” and of course…theres our final film in this series to cover. which undoubtedly very much IS my all time favourite Vincent Price film.
As an aside, I havent seen “Phibes Rises Again” partly because, I want to save some new Price for days to come. I know right now, if I wanted to, I could freebase ALL of Vincents work over a weekend. but then; what would I have to look forward to in future? So…for now it sits on my shelf sealed and ready to be spun when I need a pick me up that only our Vincent could provide.
THIS. is an iconic poster. and I only just realised when writing this page that if you look at the outline of the profile of Phibes and his wife on this poster. it’s a love heart. Excellent poster design despite what I said about “House of Wax”
I’ve gotta be honest, I dont gel with the Corman/Price films as much as i’d like to. In principle, their collaborative works should have everything i’d want in a movie. Campy Macarbre, stunning direction and visuals, interesting and engaging scripts that quite often use the original source material as a launching pad rather than a dogmatically rigid “Sacred text” that must be abided to. and Vincent Price AND! for even more bang for your buck, Peter Lorre. Whats not to like!?
Well; this is the question I ask myself. I just…dunno. I kind of feel like the end result of mixing such amazing ingrediants together should be something quite mindblowing. but I just end up feeling a bit underwhelmed. Now I cant say that for EVERY Price/Corman film. I really enjoyed “The Pit and the Pendulum” and I also like “The Fall of the House of Usher” and “The Masque of the Red Death”. But I havent seen ALL of their works together and most of the ones I have seen (The Raven, Tales of Terror, The Haunted Palace) just…dont do much if anything for me.
Thats not to say they dont have decent moments, or even just scenes that are entertaining. and thats DEFINITELY not to say the quality isnt there, because it very much is. I just find myself kind of sighing and clock watching with some of these films when I should be on the edge of my seat praying the films nowhere near over. I think, to me at least, I just feel like the films dont deliver on their pitch. Which made choosing which film of the Corman/Price/Poe series quite difficult. it was a literal coin toss that decided whether to talk about this movie or “Fall of the House of Usher” and on reflection. I think I chose the right movie. I prefer “Fall” of these two. but this film I think has infinitely more to talk about and is a MUCH more visually interesting treat.
This poster answers the problems I had with “House of Wax’s” poster. but now the problem is the focal point of the poster isnt clear and the name of the film obscures way too much. it’s an acceptable poster, I just dont much care for it.
As we continue on with our look at the life and times of Vincent Price we arrive at this…MASTERPIECE. of cinema. Im not kidding when I say “The Tingler” is probably one of my favourite films thats widely classed as a “B-movie” I personally dont really consider it as such, as a “B-movie” somehow instills the sense that the quality is somehow lesser than an “A-movie” and watching “The Tingler” and contrasting it against GENUINE “B-movies” of the time it’s easy to see that this thing is FAR more advanced than a B-movie. this isnt “Robot Monster” level trash, this isnt “The Mad Monster” level Schlock. Is it campy? absolutley. but it’s directed more than amicably and the cine throughout is decent with some nice ideas that are well implemented.
And while some of the practical effects ultimately do let this one down a little bit, its not bad enough that I could penalise this picture. it’s just a damn fun, slightly silly, quite well made Columbia picture that I feel gets lumped in with a bad crowd. So what I’ll say here is, if you’ve never seen “The Tingler”, go and watch “The Tingler”. I think it’s arguably William Castles best movie, and probably my 2nd ever favourite Vincent Price role.
I really wish that this thing would get a re-release in cinemas with percepto in tact. what I wouldnt give for a night of Castle films with the gimmicks put back in…but still, one day my dream may come true. for now though, “The Tingler!” a film that, not too long ago got a VERY nice bluray restoration and is currently available on Google TV and Amazon Prime. if your looking for a halloween movie to rock your world this year. you my friends have found it.
Well! It’s the end of the line! and we crash out in a ball of flames so spectacular that it damn near made J.R quit the industry all together and led to several actors never working again. HUZZAH!
Seriously; this films an absolute train wreck, no ifs or buts about it. it’s a FUN movie. dont get me wrong I enjoyed the absolute crap out of the sheer BALLS of this production. But i’d be lying if I said that it was a desperatly flawed production that literally could have been so much more. Having watched the table read for the script that ultimately got thrown out for this film. I’d be lying if I said I didnt want to see that version moreso than this one. But…im glad we at least got the opportunity to see what might have been via the wonderful work that J.R and Makeflix have done to bring this set to life.
It’s miraculous that that this film exists quite honestly given EVERYTHING that went on behind the scenes and given the amount of stress that was ultimately put on J.R I totally understand why he stepped back from directing for a time after this. but being able to see it years later. while it IS bad, no doubt about it. I can at least appreciate it for what it stands for. this was a film that was made from nothing. it’s goofy, cheesy and those title cards and credits will be the death of me. but it got MADE. J.R got it over the line and it got into Video stores. thats amazing. so I hope despite my negative criticism of the film in the review below. that you still at least keep that in mind.
Since these reviews went live Makeflix have also announced that all of these movies in the SOV six pack will be recieving solo releases in the near future. while I dont have an exact ETA, my advice has always and will continue to always be. Keep an eye on Makeflix. they’ve got some great stuff in the pipeline.
Now this. This charts the point where I feel that J.R and what was left of the cast and crew realised the SOV six pack project was well and truely on a hiding to nothing. Not only did the budget get DRASTICALLY cut to a little under $1250 PER PROJECT. but it was still the middle of a freezing Ohio winter and deadlines for these projects were rolling closer and closer.
Its understandable after the work on Chick Boxer and Maximum Impact pretty much lost J.R most of his crew, a chunk of his cast and at least a writer or two that the cart was now pulling the horse and not the other way around. I dont doubt J.R’s proficiency as a director one bit. These films would have never seen the light of day if he wasnt short of legendary in the directors seat. But it’s clear to see at this point that the project was running away with itself and things were starting to reach a head.
I mention in my review that I had a similar experience to J.R when it comes to this movie as I to made the stupid STUPID mistake to go and make a movie outdoors with a skeleton crew in the middle of a freezing winter for about a week with minimal to no supplies, and honestly the stress and the weather damn near drove us all away from ever doing anything film releated ever again. So I can only IMAGINE what J.R was dealing with when not only was he dealing with that level of craptitude but that he also had Home Cinema Video breathing down his neck to deliver a finished product. I mean, I can only compare his experience to mine, and I at least had the relief of not having to work to deadlines.
Anyway; Galaxy of the Dinosaurs is a cheap but cheerful affair. it really did give me “Red Dwarf” vibes based on the script, and I think this movie may actually be my favourite script purely from a tone and dialogue standpoint out of any of the movies featured in the six pack.
Given that Maximum impact was recorded in the same block as Chick Boxer its not surprising to hear that the film suffered similar issues to Chick Boxer. now it’s not a technical disaster like Chick Boxer is, but it DOES suffer from the issue of it being recorded around christmas time. So even though the “Professional” film makers had all piled into this project to get the job done. they were still having to deal with the uphill battle of having to contend attention wise with chirstmas and everything that came with it.
That not only mean dealing with actors who were too busy shopping to remember their lines, but they also had to deal with crew who had the same issue and plummeting tempratures across the board. it really was a terrible time to decide to make 2 movies back to back. But…these guys did it. It means that, no matter how bland or just…not quite there this film is. they still managed to power through and deliver an end product thats actually not that bad. looking back on the set i’d say that Chick Boxer was the definite low point of the set in terms of production quality. but if we plotted a graph it would show a “V” shape almost. and Maximum impact would be on the other side of that sharp dip. the films that came after this. in their own way are entertaining (if not technically lacking) but this movie? I can at least applaud it that its TRYING to be good. J.R and crew hadnt thrown in the towel, they wanted to make this work and despite its GLARING flaws. I think I have to applaud a film that tries over one that doesnt every time.
This one also has the honour of having the modern artwork look the closest to it’s original artwork. I think it looks good…even if it doesnt really tell you anything about the film itself.
TYTD Reviews 