I count myself exceedingly lucky that I have been able to see a film like “The WNUF Halloween Special” these kinds of films typically fall through the cracks of cinema history and I cannot stress enough how hard it is to find films like these, especially when you live in the UK.
The WNUF halloween special is no exception. as it stood up until recently the only way to get your hands on a copy of this film if you were UK based and wernt lucky enough to swipe up a copy of this when they were first selling them on DVD and VHS was to spend a frankly extortionate amount importing a very pricy NTSC only VHS or Region 1 DVD from the states, then forking out again for a player to play said expensive Tape/Disc and due to the cultish nature of this movie if you didnt pick a copy up during the initial US sales drive, there was literally no other way to get your hands on this film.
Well…there was illegal torrenting. Which unfortunately was the route I had to take in order to see this simply due to the complications listed above. While it probably wont bring much comfort to the Director/Producer. Chris. I would be honoured to help dub and distribute this tape across european terratories. PAL users have been neglected of a film like this for too long and if I can help from my little dubbing station here in the UK then please get in touch. I’d love to try and help you out in spreading this frankly amazing piece of cinema.
There is no European release of this film. and with a Sequel coming up on the horizon hopefully in a couple of years. I really hope that this one gets the worldwide release it really quite frankly deserves.
(This bloody poster…jesus its gorgeously done. Serious Kudos to whoever designed it. They’re a Master of the craft clearly)
Im ashamed that I left watching “Braindead” till as late in my life as I have. It’s not really considered a mainstream horror in the same way that the “Nightmare on elm streets”, “Friday the 13ths” and “Halloweens” of the world are…in a sea of slashers where the closest thing to compare it to would be “The Evil Dead 2” Braindead stands out by a country mile as a truely shocking and twisted slice of Dark horror comedy.
It had always been on the outskirts of my film viewing horizons. I’d seen clips from it over the years but for one reason or another i’d just never got round to watching it…I was still trying to get the “Classics” under my belt…missing by a country mile the classic I could have been watching all along with this beauty!
I decided when I finally did down this movie that I had a choice…I could either watch it in pristine bluray quality (Bootleg but definitely enjoyable) or I could watch it for the first time in mangled VHS-vision…I chose the latter and I really dont regret my choices. The general nastiness of this film is enhanced tremendously by the nasty, grainey and semi chewed up fuzz that VHS provides…I actually own the Rental copy of this movie…It came from a video shop in Rhyl (It still has all the stickers from the shop on it and everything!) and watching it back through the murk you really get a feeling for the history that this tapes been through in order to arrive in my collection. I really do treasure it…Until peter jacksons 4K remasters of these movies come out it’s the closest I’ve got to watching this film in it’s intended condition…Though equally if they were to do what they did with the “Nekromantik” Bluray and include a polished up Super clean cut…alongside a trashed “Grindhouse” cut I’d be terrifically grateful…
I’d love to see Jackson return to these kinds of films…controversial, shocking, and brilliantly wicked fun…I know he probably never will but I can dream!
(Also this is one of those films that has never quite been able to get it’s promotional marketing quite right…this is the best representation of the film I could find (The rental cover) and it says absolutely bugger all about the film itself…It just looks really cool…)
Its not often that I find a film that contains so many faces im familliar with yet at the same time has absolutely failed to bring itself to my attention. And yet Whoops Apocalypse is one of those movies. I literally didnt know it existed until I actively started to look for VHS tapes on Ebay. it was while I was on there that I saw someone was selling a Big box ex-rental of this movie having seen it starred Peter Cook I quite wrongly assumed it was some kind of rare find. I bid nearly £15 for that time and im kind of glad I got outbit because I was able to pick up the DVD copy of this film for about a fiver.
Its a bit of a hodge podge of a movie, about a third of it works really bloody well, about a third of it is okay and about a third of its bloody awful. But the good bits hit quite nicely and while I’ll be the first to say it wont be a film i’ll be revisiting for a while, it does have enough good moments in it that if you’ve never seen it before and you have access to it I’d say check it out.
Its a bit of a strange movie and a real oddity to me. I dont think I’ve seen anything quite like it really. Peter Cook and Rik Mayall are the definite highlights of this picture and are worth the price of admission on there own.
(Of all the promotional materials I’ve seen the VHS carton boxart (Above) is my favourite…what on earth is happening there!)
This ones going to be a little bit more “From the heart” to be completely honest with you. I was intending on making this a video, I wrote it literally in the early hours of this morning with the full intent to record it this afternoon and have it live before the night was out. but having edited it a little bit and re-read it a couple of times I just dont feel it fits in with my usual video stuff. As a result I’ve decided to make it a spur of the moment blog post instead, though I will properly review FLCL at some point in the future but in order to make this work the way I want it to I kind of have to rely on my memories because otherwise it would be pretty meaningless for what im About to get into into.
In 2008 I was at a relative low point in my life, I was in the midst of some of the most difficult examinations I’d have to go through to date as a knock on to that I realised that even if I finished the exams with a good grade I had no plans for what to do once I’d passed, Id also found out that a good chunk of my friends from that time were basically only being my friend because they thought they could get something from me. And I was trapped in a situation where I was forced to be in close contact with someone who I had feelings for who didn’t feel the same way with no real means of escape from that situation for at least another 18 months. In short 2008 was a pretty shitty year. I felt trapped, alone and stressed out in a way that I’ve never been before or since.
As a result I pretty much spent that year desperately trying to escape from the real world because It was all a bit too much and I didn’t want to tip myself over the edge. There are moments in your life where things will perfectly align. I don’t particularly believe in a god or an afterlife but there are some moments that are so well timed as if to suggest that the world surely cant be a random mish mash of happenings. And in 2008 two of those moments happened that saved my life and fundamentally altered the way I look at the world.
(This was the other lifechanging thing, but thats another story for another time…)
One of those moments was in the middle of summer and I was asked to do some research for a business report. And like any good student with access to the internet that meant I spent a good chunk of my time on youtube watching videos. It was while I was there at my computer on that humid summer afternoon that I first discovered FLCL, or Fooly cooly, or Furi kuri depending on your preference. I’d briefly had a fling with anime and manga a couple of years prior to this and I thought I was on the way out from it by this point. But there was something in that 140p resolution video, that animation style, that vibe that just kept me watching. Back then youtube would only let you upload 15 minute chunks and the 6 parts that made up this series were all split up into there various pieces, all with varying quality and all with varying stopping and starting times. But at the time that didn’t matter. I was captivated.
I’d never seen anything like it, the tone, the animation, the music, the philosophy. The whole thing was just totally unique. It wasn’t ashamed to be what it wanted to be and it looked damn fine doing it. I Devoured as much of it as I could get my hands on. I remember that finding a complete version of the 5th episode (Brittle bullet) was particularly difficult due to the fact it dealt predominantly with guns which at the time Youtube didn’t really tolerate. But eventually I saw the whole thing and it was absolutely beautiful.
(I mean, Just look at it! This was made in 1999!. its astounding!)
I don’t fully understand the philosophy of the show at this point anymore. I last watched it in full nearly 7 years ago, but at the time it was this radical stand out piece of art that spoke to me directly, it told me it was okay to be different. It was fine to do your own thing, that you didn’t need to rely on what other people thought of you or saw in you because someone out there will accept you for who you are regardless of what you do or don’t do in life. That it was okay to be childish sometimes but equally that responsibility for your actions and life choices are absolutely of equal importance.
At the time I was just beginning to get into film making, I’d started about a year and a half prior to this and I was in the midst of making my first feature film. I had no idea what I was doing and it was genuinely a terrible movie. But that’s because at the time I didn’t really know what art house was, I didn’t know what experimental cinema was. I grew up in a small backwater town where we had 2 cinemas and neither of them played anything other than mainstream fodder. So here I am producing an experimental drama channeling my feelings visually into the piece with no idea what an experimental film was. And im showing these rushes and scripts to people who had no idea what experimental cinema was and they just didn’t get it…and at the time I don’t think I fully understood it either…I’d later realise that experimental cinema was really quite a niche genre and that it wasn’t about making sure as many people saw it as possible more that it was making sure the right people saw it. watching it back now I can pick apart the whole thing. Its incredibly literal and im very embarrassed by the whole thing. But I digress.
(It was about as bad as this…and that’s pretty bad…Still you gotta start somewhere…thats what I tell myself at least…)
FLCL hit me at just the right time because while I was working on this film in my spare time I’d be marathoning the anime pretty much non stop in my down time. And everytime I would come up against someone who would attack me personally for the way I dressed, or spoke or anyone who just didn’t like my films. FLCL would be the thing I would tune into to tell me that it was alright to be me. And that the people out there who thought it was okay to try and bring me down either just wernt accepting of people like me or they were just trying to make themselves feel better.
There was just something about these 6 episodes that really connected with me. I think the varying animation was definitely a factor. It’s a very different experience to watching any other kind of anime. The plotline was bittersweet as well, its to this day one of the only series I’ve ever seen that mixed hardend robot fighting anime with slapstick comedy, Hardened experimentation with the format and also a pent up will they/wont they romance angle. They got the balance right between mixing well written and very human characters with crazy off the wall extremism. The soundtrack, almost entirely composed by the pillows and was revolutionary to my ears, the direction was near pristine, the editing and styalisation was almost unmatched. And for a year or so I was as ingrained into it as it was into the counter culture.
Over the following 18 months I’d collect as much FLCL merch as it was possible to get my hands on, I bought the manga, the novelisations, plushies, T-shirts, I managed to import 2 out of 3 of the original soundtracks from Japan, I had a beanie with Haruko’s P! symbol on it, a wall scroll that’s still on display in my house to this day, my computer was decked out with stickers from the show and both my wallpaper and my screensaver were images from the show and my most prized possession is the limited editon US DVD boxset. Which is not only the most expensive DVD boxset I’ve ever bought, but It’s now also the most expensive DVD boxset in my collection. In 2009 I spent £210 shipping that set from America to England (It cost £80 up front, followed by another £80 to release it from German customs, followed by a further £50 to release it from English customs) now if you’re a nerd for your media history then you’ll know that just over 12 months after I spent this frankly ludicrous amount of money for 3 dvds and a free t-shirt coupon. That an official UK release of the series came out for £20 and I very nearly cried…but y’know what? In 2014 I sank another £25 into rebuying the UK set on Bluray which is still sealed on my shelf to this day.
(This is my ACTUAL boxset in all its beautifulness…I dont think I’ll ever part with it…but its painful to even touch just for the price alone…it also took nearly 3 months to get to me…)
I have incredibly fond memories of FLCL, it was a series that changed my life in ways that I really struggle to put into words.it came in at just the right time and carried me through a very dark period. But like all dark periods they’re bound to pass eventually and at some point in the late 2010’s or early 2011 I just kind of…drifted from it. I went from at the peak a 3 month period where it would be the only thing I’d watch to in the end pretty much forgetting about it. By 2011 I had bigger fish to fry really, I’d recently started a new stint in education, I’d met a beautiful woman who’d go on to become my current long suffering partner and I was mixing and mingling with a new crowd of people who were genuinely interested in me for who I was, not for who they wanted me to be.
Looking back these days I feel like FLCL is an echo to a completely different time so far removed from my current life that it might as well be alien to me. It is to me this ghost of a 6 parter that came crashing into my world, changed my life and then left without a trace…in many ways echoing one of the shows main protagonists Haruko. And life moved on really…I grew older, built a meaningful relationship and several meaningful friendships, these friends and my partner grew older with me. And I forgot about that awful year that quite literally was nearly the death of me. Things were looking up…
(For anyone interested this is the wallscroll I own as well…it cost £30 and unlike the DVD boxset it cost me nothing in customs charges to ship it in from Japan.)
Then 2016 happened. 2016 for many people would at best be described as a difficult year. What with Brexit, Trump, rising tensions towards the possibility of nuclear apocalypse, rising food prices and half of the people you loved from your childhood dying randomly it was a difficult one to get through in one piece. There were also some personal troubles in my own life. My partner was going through some very messy health issues that I wont get into here but it put a lot of stress on both of us, I’d recently started to have a few tensions build up at work and most of my friends moved away for better job opportunities or were generally out of action…2016 was a pretty shitty year. And then there was an announcement that filled me both with dread and total excitement. FLCL was coming back. At the time there wasn’t a whole lot of information available all I knew was that it would be coming soon and there’d be 12 new episodes set in the modern day split over 2 seasons. It was like an old friend had just called me up after years.. and the reason it filled me with dread and excitement? Well. Because in my mind the show was perfect just the way it was. Why run the risk of pissing on a near pefect legacy by bringing it back for 12 more episodes? Equally I was very concerned that it personally might reopen old wounds I’d not seen the show for years at this point and the only thing that would make it worse than it not being very good was revisiting the show I loved to find that it was garbage or that id built it up in my semi adolescent mind into something that it simply wasn’t. Obviously I was excited at the idea of it. If you’d have told my teenage self that FLCL would be coming back for a full 2 seasons I think he’d have cried. But there was just something sat in my mind that didn’t feel right about this. That was concerned about it.
(I got a bad feeling about this…)
Over the incoming 2 years that would follow a trailer or 2 would see the light of day that only further worry me. Mainly because it seems like they’ve jettisoned the strange and wonderful animation style that drew me to the series initially. It also seemed really quite overly angsty. Which I seem to remember the original series having a level of Angst about it but nothing quite like what this trailer was giving off…it also seemed like they’d gone all in on the comedy elements with strange and goofy characters littered throughout…bearing in mind that in the original series there was maybe 3 or 3 goofy characters and even they were tinged with a certain level of darkness.
Then last week, they announced the official launch of the series as the 2nd of June 2018 at midnight. And as of this recording I haven’t watched it. I don’t know much about the new series. I know it has the pillows in it and I know they got the original writers back in. But I don’t necessarily feel comfortable with the way this series has been resurrected…it feels like a nostalgia grab rather than a meaningful continuation… I think I might eventually watch it but I just don’t want it to ruin a show I loved. For my own sakes. At some point I will rewatch the original series again…and I’ll share my findings on here as and when that happens. It may be awful, it may be better than I remembered it. But with the new series im not so sure… for now I feel comfortable with those vivid memories of hot summer evenings plonked infront of a laptop discovering a show that no one In my country I knew had heard of.
(The mangas pretty bloody awesome too…I should really re-read it sometime…)
As is the custom occasionally I like to end these blogs with some music and I cant really think of anything more fitting than the end credits to the show, but in a resolution that I’d have killed for about 10 years ago. Enjoy.
(Part 2 of “A new career in a new town will be coming soon…but this literally kind of forced its way out of me in the last 24 hours so I thought it best to share…)
When it came to choosing a “Red Triangle” that would see off “Alternate Doctor who month” it was really no question in my mind at least that porn would be the end result. I mean, I maybe could have gone with Torchwood or Class…something a bit more adult but still in universe, but I thought it was too mainstream, too well connected to the series to fly to be honest.
Next my thoughts went to BBV and there were some very serious considerations for “The Airzone Solution” or the “Auton” series. But again while I think they may work well as a TYTD episode in the future it just wasnt right here. Porn. Porn was what was needed and by gum porn was what I settled for!
Of course the options were bountiful (No pun intended) “Doctor who and the Phaleks” was my go to option for the longest time before briefly swapping to the “Woodrocket” sequences, there was even a brief dabble with “Abducted by the daleks” but in the end “Doctor Screw” was one of those porn films that had both not been widely covered and one that I distinctly remember doing the rounds in the early days of the David Tennant era with a dirty smirk and a cheeky chuckle from the Doctor who fandom back in the day. so I was happy to pick that one purely due to its lack of coverage.
It’s quite frankly appauling as pornography. But in terms of being a piece of alternative cultural history it really is a piece of its time. I pretty much say everything I can possibly say about this series in my review itself but even for its impotence I’d recommend fans of the new series check this one out. it’s really weird due to just how early it came out in the new series’ run and as a result it kind of fudges its way through the best it can. It’s also interesting from a historical standpoint as it marks the transition between porn parodies being a cheap and cheerful rubbish affair to being a highly polished and nightmare inducing rubbish affair (Im looking at you Strokemon).
Either way this is a very bizarre notch in Doctor who history and I really couldnt think of a better way to see this season off.
(I really love that boxart for the complete set…I own the solo releases and they’re rubbish by comparison…)
Life can be a funny thing sometimes. Im not really one who believes in fate. But even I’ll conceed that its too coincidental that “Sods law” happens as often as it does. For those unfamiliar with this film or Keith Chegwin specifically the the short story is that he was a childrens entertainer on UK television in the mid 70’s to the mid 80’s who sadly died in 2017 at the age of 60.
Why do I bring his death up in talking about this film? Well because 2 months earlier I’d sat down to watch “Kill Keith” for the first time. And I did not care for it…I didnt care for it at all. Keiths pretty much fine in this film…He actually has quite a good acting presence about him and shows a really good range. It’s literally almost everything else about this film thats dire. naturally I wrote my honest opinions on the film, edited it and stored it away ready for upload (At the time) in Late November/Early January…However scheduling conflicts meant I had to rearrange a few episodes so Kill Keith got jostled out of season 2 and into season 3…and then Keith Chegwin Dies and my review of this bad film is due up pretty much a week after his funeral.
That made things feel a bit difficult for me. in fact at one point I was legitimately considering just holding onto the review and releasing it later down the line. But ultimately I decided that whether this sad incident had happened or not I dont really have anything bad to say about Keith Chegwins performance in this movie…I really dont. So I decided to upload it anyway…
While it is hardly the most successful review on my channel It has been the talking point for a few people. I’ve had at least 3 people privately message me just to ask firstly if “Kill Keith” is a real movie and secondly from people who’ve usually seen the film who want to talk about it because they cant believe someone thought this was a good idea either. So in many respects I kind of have to hand it to the makers of this film…it may not be the best movie in the world but you have united people with a common ground feeling of total bewilderment.
As a closing anecdote I’d also like to say that after watching this film for the first time I posted my thoughts on facebook in a veild way (I said something like “I’ve just sat through the worst film I’ve seen in a long time! EEEESH!”) a few minutes later a friend of mine left a comment saying “I thought you liked bad movies?” I said I did like them but that “Kill Keith” was just insufferable and I went through each section of the film making process and why it was no good…there was a very long pause and my friend responded “…My best mate worked as a camera operator and an extra on that film…” … The Pain was real ladies and gents…the conversation ended very shortly thereafter.
(Also full credit to Stephen Chance! a very underrated actor who does a cracking job in this movie.)
Thus brings to a close the second season of this show that I worked on. and quite honestly?; I think i’d consider this one my most progressive season that I’ve done to date. Not only did this season really let me hone my pacing skills a bit better (Something I really struggled with in the first season) but it let me experiment a bit more in being more creatively minded with my editing techniques and it was a real crash course in sound mixing.
While I can only apologise for some of the sound balances through this season (In particular my “Dawn” and “Day” reviews are pretty inaudible in places due to peaks in the music track I used that I didnt spot until the video had already gone live) By the time of the seasons close I feel I’d more or less got the balances right and at some point in the future I may well revisit a few of these season 2 episodes and address some of the issues I’ve spotted going through them.
But im very proud of this season because for the first time I felt like I had something tangible in the making that I could share with friends, or show to strangers without being worried of being attacked for the quality of the material. I mean, Im always learning (Even today I learnt something very interesting about VHS transcoding which will come in very handy when I finally get onto Season 5) but this season was largely guided as well by the advice and suggestions of you, the audience reading this.
It was during this seasons run that I started to set in motion some radical changes that would appear in season 3, and between the movie suggestions from some of my long time viewers (A serious thanks to you guys. you’ve really helped me keep going through the highs and lows) and the help of fellow youtuber and expert on all things SEO “Alan Spicer” I really feel like I’ve been able to put my reviews out there confidently.
This season built on the last one and set the frame work for what was to come. my first livestreams happened in this season, as did my first use of “Holiday branding” and my first forray into message boards and reddit (Something I’d never dared to do before) it really helped build up my confidence and I think this was a valuable learning season.
(Personal favourites included my halloween specials, my puppet master review and “Christmas Evil”)
Well, I can honestly say It’s been a long time since I’ve seen a film quite like “Crazy Guy with Super Kung-fu” (Also known as “Yu tou dai lao ben tu di” in its original language) The closest film I can compare this to would be “The Dragon lives again” and I first watched that film in 2009. So it was a very welcome change to watch a martial arts film that didnt take itself seriously, played more for comedy than it did the action pieces, and didnt fall flat on its face in the way “Descendants of wing chun” did…
But this film isnt all prat-falls and bad jokes. Theres actually some really well choreographed fight scenes thrown into the mix and it appears that the same company who dubbed “Wing chun” also dubbed this film as several voices and styles of delivery are painfully present here…in particular theres one voice actor in many of these films who sounds to me like a spot on “Carry on” era Kenneth Williams…
This voice acting cant be serious. I know it cant be serious. because if they genuinely thought that giving these films the voice styles they did would make the movie look and sound cool then they’re viewing a different version of reality to my own.
There are moments in this film that are just downright surreal. See the scene in my review with the homless person dancing around the restraunt singing about how the buildings condemned. its not completely out of place with the rest of the film tonally, but I do have to wonder what on earth was going on in the film makers minds when they stitched this one together.
Though weird and suffering from the effects of combining two genres that shouldnt go together (Super serious kung fu action and Campy “Carry on” comedy) I actually quite enjoyed this one. So much so that it actually earned a place on my “Do not chuck” shelf. Which is home to my blu-rays, DVD’s and tapes and contains all the classics and rarities that I simply will never even consider throwing away. I think this would be a good b-picture to “The Dragon lives again” in many ways…something to warm the audience up and give them a good kicking into the kind of mindset that would get on with the likes of “Dracula vs Popeye” It’s dirt cheap on amazon and I’d say go and check it out if you can. I dont recall it being groundbreaking, but its still an enjoyable picture.
As a final note. This is another review I wasnt 100% happy with. I had to record it in a different place to where I normally record my audio, it was the middle of the night, and I had to be quiet; So I dont really feel like I got the best out of the recording that I could have…equally there are a few structuring issues with this one that I feel had I given it a bit more time I’d probably have been able to rectify…Still, you live and learn! I still pretty much say everything about the film that I wanted to in this, but I may come back to it some day just to tidy it up a bit…
(“LOOK AT THIS OLD CHICKEN!, YOU COULD SEE IT’S A GRANDFATHER!” – Crazy homeless man with clackers – 2017)
And so with this, My first set of Halloween specials came to a close. I really enjoyed making these episodes (So much so that I fully intend to do another season of themed episodes this October!) but I was always a bit concerned about what to do with this 5th slot. I was stuck as to whether I should Review this, “Zombie flesh eaters 2 (Zombi 3)”, “Land of the dead”, “Return of the living dead”, the 2004 remake of “Dawn of the dead” or that weird version of “Night of the living dead” that came out in the early/mid 90’s that was literally just the 60’s version of the film with additional 90’s shot on video scenes added into the mix.
In the end I settled on “Shaun” for a few reasons. I thought that it ended the series on a high note, I thought “Shaun” was a good reflection of the zombie movie genre in the modern day and it feels a bit like a continuation of the natural progression of these kinds of films within this series. We started with 2 different versions of “Night of the Living dead” and ended with a 21st century affectionate tribute to those zombie movies.
I also like to think that this is a good “Bookmark” point to end on. While it may not be for a couple of years I fully intend to revisit The Zombie Genre again at some point. And ending it here gives me a nice place to pick up from whenever I decide to reopen this series.
This period of time would also see me launch the first ever “TYTD Horrorthon” a 6 hour live stream of public domain horror films that amassed a grand total of 3 viewers for a few seconds at one point…and then 1 viewer pretty much for the remaining 4 hours and 55 minutes. Though doing this livestream was one of the first times I ever got positive feedback from someone for what I produced. A mother got in touch with me the day after the stream to thank me for giving her children something to watch before they went out trick or treating. and it really made my week. It only reinforced my personal belief that as long as one person comes away from it happy it makes it all worth it. I’ll be doing the stream again this year (Though as of yet I still havent decided what films will make the cut) and if your around and free at that time I’d love to have you on board! but I digress…
In and of itself “Shaun of the dead” is my favourite of the cornetto trilogy and further still is one of my favourite comedy movies of all time. The balance between the comedy and horror here is really quite fantastic and as I mention in my video its a veritable Who’s who of mid 2000’s UK comedians. If you’ve never seen it, even if you dont like horror movies, I highly recommend checking this one out.
I have to hold my hands up really; both with this one and with a few of my episodes that deal with older bad movies. One of my main sources for discovering older films like this is the TV show “Mystery Science Theatre 3000” (Often affectionately shortned to “MST3K”)
It was arguably one of the first shows to really bring the art and humour of bad films to a mainstream audience and I was VERY late to the party on this one. Y’see; MST wasnt really shown in the UK. it have a very very limited run of episodes on the sci-fi channel in the late 90s (Literally from what I’ve been able to research they showed about 1 season of Mike Era episodes over the course of about 5 months and that was it) I have very fleeting memories of seeing either some promotional material or a single episode of this run. And then the next time i’d encounter MST would be in my time in University where me and my friend Ben would devour 2 or 3 episodes a night for weeks at a time while drinking heavily and eating take away pizza…life was good!
Eegah is one of the few movies from MST that I have watched both riffed and unriffed and its delightfully watchable to me in either format (Though honestly the MST versions vastly superior and my preferred watching experience if I had to choose) It was featured in the last few years as an episode of there seasonal “Turkey Day” marathon on youtube (Which I highly reccommend you check out this thanskgiving!) and thats what put it to the forefront of my mind when it came to picking a movie to review.
It’s a very unusual movie with a fantastically craptacular ending but it has its own charm and I can see why MST3K decided to pick this one up. The jokes almost write themselves…
(recommended viewing: 6 pack of cider (Or a spirit of your choice) dirty/beautiful pizza and a good couple of friends…perfection.)