Nosferatu: A Symphony of Horror (1922)

Another Halloween’s upon us ladies and gents and once again I get to dig out some of the archives most terrifying creations to display for your entertainment and viewing pleasure. I’ve been trying to decide on a format for these halloween specials and I think for the time being at least that im going to do a year on a theme and a year on a series of halloween-esq movies…mainly because there are a lot of good halloween movies that dont necissarily fit into a theme. But also; there are loads of films that i’d love to talk about which I think if I link them while discussing their themes it creates a bit of “a history of” vibe…which I always encourage because it allows me to go deeper into the movies than I probably would…

naturally just doing 5 random halloween films every year would be a bit boring and wouldnt quite cover the depth I would like to cover. Equally if I did 5 themed films every year. I’d probably grow quite bored of the format. So this is a good happy medium…at least for the time being. by this logic next year will be a random assortment again.

Nosferatu isnt a film that i’d pick up regularly. it’s a good movie. But as I mention in the review I just dont really get on with Silent cinema all that much…I can appreciate it’s form and acknowlege that it is a item of it’s time. But I do struggle with quite a few of them and I find that finding good silent movies is quite a challenge. Because of this; It was a bit of a struggle to get this years theme well and truely under way. But Im glad I rewatched this movie as it really allowed me to get to the origins of the Vampire Mythology quickly and gloriously.

This is the start of a 5 part series on the history of Vampire movies from 1922 to 1986. You might wonder why it’s such an oddly specific timeframe. but those 64 years really do define such a massive evolutionary leap. that I think it should prove quite an interesting trip. I’ve already decided that a 2nd part will need to happen at some point (If nothing else just to cover the movies from 1987 to whenever I decide to go through all this again)

In the mean time I hope you enjoy the start of this series and I look forward to seeing it develop over the next few weeks!

(I love this poster…Im about 99% sure this isnt the original theatrical poster…if it even had an original theatrical poster…but there’s just something so unsettling about this one.)

The Boogey Man (The Bogey Man) (1980)

I really wasnt expecting much from “The Bogey man” when I first put it on. The Video Nasties craze of the 1980s was a very sporadic period in the UK with dozens of titles being caught up in the frothing fever of trying to “ban the filth” and this meant that a few titles that really shouldnt have been listed as “Nasties” somehow got sweapt up in the hoopla.

I dont subscribe to the belief that the 1984 video recordings act was in anyway a good thing, I think it heavily censored creativity and drove the interest in these movies into the hands of the underground market where prices ran rampant and quality control was non existent. even if I did accept the act in some capacity (Which I most definitely do not) the consistency was all over the place, with films like “Cannibal Holocaust” and “Maniac Cop” being perfect examples of movies that quite reasonably could justify this act to a degree (They’re both very hard watches that are purposefully designed to be uncomfortable and shocking) through to movies like “The Evil Dead” and “Zombie Flesh Eaters” which while pushing the envelope a bit, were hardly going to “Corrupt the youth”. Conservative drive and a Newspaper driven campaign, only spurred on by the Mary whitehouse brigade only led to further confusion and unwarrented restrictions.

Arguably the most famous being a recurring issue in which police officers would repeatedly seize copies of “The Littlest Whorehouse in Texas” which is a PG comedy movie and copies of “Apocalypse now” which were passed by the BBFC being seized because it sounded too much like a Cannibal movie…only spurring things on and causing a rise in panic, incidents like “The Hungerford massacre” or the “James Bulger” case were sensationalised in the tabloids as being indisputable proof that violent films were corrupting people. In these incidents Hungerfords massacre happened because the killer watched “Rambo 3” (There was no proof of this…The only evidence given was that he’d worn a bandana when he committed the killings), and in the latter “Childs Play 3” was put to blame (Despite the fact that again there was no proof of this and the only evidence was that the killers father had rented the movie, not watched it, and returned it 2 days later) it was this incident that led to one of the “Last hurrah” moments of the Video nasty movement when the Sun ran with the sensationalist front page title “For the sake of ALL our kids Burn your video nasties”

Today barring a few seconds of animal cruelty here and there almost all of the original banned video nasties have not only been released but have been released officially multiple times both in standard and High definition. Theres only one video nasty that remains thats still been denied a classification, that’s “Love Camp 7” but a majority have now been released uncut. And being able to see these films for what they are and realise that a majority of them were purely on the list because of histeria is both eye opening and distressing to me.

The Boogey man is the perfect example of this. This movie has 2 graphic moments in it pretty much, and quite honestly theres much much worse out there. This shouldnt have been on the video nasties list and yet both this and the movies sequel (Which im told is a total and utter raging toxic sludge of a movie) were on the banned list with litte to no justification.

And its a pretty okay movie to boot!, its no masterpiece but I was really genuinely surprised by just how high quality it was when compared with some of the shinola on the banned list. it made it to my “Shelf of interest” as a quirky and slightly unusual oddity. One I’d reccommend you look out for.

(The Posters misleading as well…there are windows, women and shadowy figures in the movie…but not necessarily all at once)