Based on a combination of a stolen pornographic novel and a short story account of an incident from the 1968 Detroit riots, in which a group of Black militants kidnapped a white woman. ‘Hot Summer in the City’ is an aggressive 40 page blacksploitation rape flick brought to life in horrifyingly intense detail. The Director and Writer Gail Palmer claims that at the time she wrote the film, she was unaware of what exactly ‘rape’ was, and that this film was intended to be seen more as a graphic portrayal of ‘raveshing’ shown alongside vivid social commentary on the race riots occuring around the time the film takes place.
I dont know how much I believe that, Given the fact that everyone crewing this film more or less only agreed to take part in it if they could be anonymously credited. and that most of the cast wernt exactly ‘thrilled’ about it either. But despite its unsettling and grimey feeling and premise. Theres something rough about this film that makes it kind of an engrossing watch.
The plots simple, the films set in 1967 and a young white couple who are saving themselves for marriage have just arrived home from a date. Debbie (our white blonde virgin for this film) expresses some sadness as her fathers recently passed away. However on leaving her date and heading into her home, she finds her mother in a three way with her friends dad and the neighbour. Shocked, she runs out of the house distraught, only to get cat called by a car full of black guys. When she doesnt respond to the calls, or offers of prostitution, they chase her down, bundle her into a car, rape her, and drive her back to their cabin.
Once their, she assumes the role of the cabins housewife, cooking, cleaning and pouring drinks, and the guys take turns on her throughout the runtime. The guys are plotting some kind of disturbance or riot, but things get a bit complex when the leader of the gang ‘Duke’s’ partner, turns up and finds out that him and his friends have been passing Debbie around for kicks. leading to tensions rising and BIG confrontations, especially when Duke begins to actually develop feelings for Debbie.
And…Im really struggling to find my feelings on this one, its a film that doesnt exactly paint black people in a great light, directed by a white female director who seemingly at that time didnt have a whole lot of worldly lived experiences…or if she did, she’s denying she did now.
On its face value, I kind of have to call this what it is, a racist and unpleasent film in which all Black guys are rapist thugs who do nothing but beat people, drink, act aggressive and vulgar and hump anything that moves. But its that pure unrelenting nastiness that is probably the one thing that makes it stand out the most. Its a grubby little movie, that made me feel unsettled for having watched it…it’s kind of like ‘I spit on Your Grave’ if the big twist was that the victim eventually kind of got ‘into’ the molestation.
The script only being 40 pages long, some scenes do drag quite a bit. theres an extended scene of the guys playing cards, which is a good character defining sequence, but it went on without cuts a bit longer than I personally would have liked. The first act feels elongated and a bit awkward, leading to a stubby 2nd act that doesnt really feel like it shifts up in pace and action, it rides that one tone and gear right up until we hit an even stubbier 3rd act that ends…well, it ends about as well as this film could have ended honestly.
I’ll give the film this, it gives its characters some complexities and depth, and despite the short runtime, it manages to make those characters feel more intricate than most. the pacing may be slow, but the film does have some interesting moments that pull an audience in. the tones pretty bleak, but there is a slight camp streak running through this that just adds a little light to this very dark piece. its not a particularly ‘deep’ film…but its dealing with ‘deep’ themes in a ‘sledgehammer’ way that even for the time must have been controversial. In that sense, its abhorrent. but kind of mesmorising too.
On the direction front, its minimalist. there was one camera and one camera man and Gail talked through the scenes with the cast and handled some of the lighting. Gail herself said she didnt really feel like a director was on set, but if anyone *would* have a directing credit, it’d probably be her…and that about checks out, as scenes arnt exactly eye popping. a lot of it is setting a camera up level with a table or a bed and then just guiding the cast through the scene in a mid wide, occasionally cutting to a close up. its ‘functional’.
Where the direction does step up quite a bit however, is the rape scenes themselves. Which feature slow motion (which was quite novel for the time) and some very interesting sequence building with actually quite impressive cinematography in places. onluy matched by some fairly solid editing. Including at least a couple of instances where the guys go to rape Debbie again, and they use quick cuts of the last rape to illustrate Debbies rushing thoughts as she realises whats about to happen again…Im not saying its right, but I am saying that was a pretty creative way to handle it.
I think my issue here is that the sex scenes themselves are catered to the male gaze…which is kind of irredeemable given these are rape scenes. Theses scenes arent shot to show that whats happening is a bad thing, they’re shot as if this is a deeply erotic thing to do…and its WEIRD…
Performance wise, its dry…VERY dry. The black guys on set basically had to script edit in real time because Gail wasnt very good at writing dialogue for black actors. But even with that being the case, the guys mumble through their lines, to the point I had to watch with subtitles to make out what was being said, and Debbie and her partner have almost no dialogue, but what dialogue they DID have was basically BEYOND poorly delivered. they struggled to remember their lines and regularly had to read from cue cards…but they deliver their lines like it was the first time they’d even seen them…its not great.
Bizarrely, the soundtrack for this film is a 60’s jukebox windup featuring ‘The Beach Boys’, ‘The Shangri-las’, ‘The Lovin Spoonful’ and many MANY more…Did they get the appropriate licenses for these tracks? HELL NO…and I dont think i’ve been more unsettled than seeing a woman squirm as a gang of guys run a train on her to ‘Good Vibrations’. It pops in and out of the film. But the timings on it are at least pretty okay…so that kind of works in the films favour.
‘Hot Summer in the City’ is a shocker of a picture. I can believe naivity to a point, but there are some moments in this where I cant believe anything other than they wanted to make a movie to shock, horrify and sensationalise. It’s warped and unique take is abhorrent, but at the same time, I cant say I disliked this movie. the blacksploitation elements were compelling, the 2nd-3rd act ‘love story’ elements between Duke and Debbie were surreal to say the least and some of the cine in the sex scenes were striking and really quite powerful.
This one absolutely wont be for everyone, I’d say if you didnt like ‘I Spit on your Grave’ for being too rape-centric…you REALLY wont like this one, but if Rape/Revenge films are your jam, you may actually kind of get on with this one.
2024 was almost certainly an ‘event’ year for me personally, one where I kind of put my hobbies and enjoyments on hold for 12 months in order to do a bit of ‘personal growth and development’. It was one of those years where 10 years progress was done in 12 months, and Im hoping (FINALLY) after 2 years of life changing significant events, that i’ll be able to (FINALLY) settle back into the nice, comfortable life I was leading pretty much right up to the start of 2023…How likely that is to happen however has yet to be seen ultimately.
Im sure many folks are bored BEYOND death about me talking about me and my partner buying our first house this year. I fully promise that the next couple of blogs on this site will basically be the end of it. But that has kind of been my year. 4-6 months of paperwork and trying to keep the momentum up, followed by 4-6 months of heavy renovation work, moving, re-moving, re-re-moving and finally unpacking and getting set up. And even now, as of Jan 4th 2025 we’re still not FULLY done…We’re basically just unpacked and set up enough that we can start to lead a normal day to day life without feeling like we’re on a building site or living out of boxes. But we still have a bit of a journey to go.
I mention this because its had a detrimental impact on my movie watching this year on multiple levels. For one, its meant i’ve had to make all my youtube content up front (basically all the videos you watched this year, barring collabs were written, recorded, edited and uploaded between December 2023 and April 2024, With the last video going up around July time). So I’ve kind of been out of the loop this year on that front. But the other knock on is that during the actual process of home buying and DIY-ing, i’ve been WAY too busy and consumed with getting the place habitable to even THINK of cracking open new movies. Meaning my year in film basically reads:
January – June: A few New movies mixed in with some firm favourites
July – November: Barely ANY movie watching, and if there was any it was nostalgia heavy favourites to try and keep my brain on side.
December: A rushed mixture of trying to cram in as many new movies as I could on top of as many christmas movies as I could, While ALSO doing MEGA late christmas planning because I ran out of time and money.
Its been. A. Year. But certainly a rewarding and enriching one!
And now its 2025! And im ready to let the rubber ACTUALLY hit the road, im delighted to be back and keen to get started on making new videos, hanging on streams with folks and getting back into the swing of things. But before I can really TRUELY get started…Its become a bit of an annual tradition round these parts to look back over the last 12 months and spotlight the films that I caught for the first time last year and shine a light on them to highlight just how awesome they really were!
This years list was a little easier than most years, as there wasnt *as* many to choose from, but I still had a good time shortlisting 20 films out of the many new titles I did watch and then whittling them down to a top 10. As always, these films are in no particular order. These are just 10 films I caught for the first time last year, that I think you’ll really get a kick out of if you choose to check them out! So without further ado!
Pufnstuff:
Prior to 2024 I had only a very limited knowledge of the works of Sid and Marty Krofft. Other than show titles, I hadnt really seen any of their work and had you asked me my opinion on them before last year, I’d have probably just written them off as wannabes who jumped on the psychedelic movement of the 60s and then spent the rest of their careers riding the coat-tails of Jim Henson.
But then this year, I saw Pufnstuf. And well, i’ve never really quite been the same since.
This, VIVID. Offering landed at just the right moment when I needed some surrealist hyper colourful silliness without the sneer, and it quickly won me over without much of a fight.
The plot of ‘Pufnstuf’ in and of itself is a bit surreal telling the tale of a lad who finds a magic talking flute and moments later a fully functional talking boat that takes him to a strange island full of felt folk who are just happy to have new visitors. This is all short lived however when the film introduces Witchipoo, a local witch to the island whos spotted the magic flute and wants it to allow her to do exceptional magic AND to show off at the annual Witches convention.
The relentless happiness, and bizarre imagery this film conjures up across its runtime left my jaw firmly on the floor at multiple points, and when I showed the folks on my discord page the movie, they too were equally beside themselves with laughter and confusion as to what the hell they were actually even watching…But in a good way, not a confused ‘call the police way’.
With solid direction, fun and interesting characters, the BIZARRE plot, vivid and creative script and set choices, a superb cast and memorable music numbers. ‘Pufnstuf’ may actually be one of the few films on this list that I could really solidly recommend to just about anyone with even a passing interest in surreal and strange cinema. Put it this way, Im not ranking these films on this list. But if I were, ‘pufnstuf’ would be a top 3 contender no doubt about it.
Hey Folks! It’s intermission time mixtape!:
I’ve been on a bit of a journey with boutique labels over the last decade or so, when I first got into active collecting back at the turn of the 2010s, it was ‘Arrow Video’ that acted as a gateway to strange and surreal cinema and opened up a whole world of film to me. Around 2018/2019 however, I began to notice that more and more ‘mainstream’ titles were entering their release schedules and the types of films that had previously been the backbone of the company (The Beast Within, City of the Living Dead, Inferno etc…) were increasingly becoming rarer to see on the slate, eventually sometime around 2019, Vinegar Syndrome made their international shipping options MUCH more palatable, and I became a devout Vyn-Sin connoisseur. For a good 4-5 years I bought pretty much anything they’d put out, I went through their back catalogue and tried to mop up as much as I could.
And while I CERTAINLY wont be throwing stones here, they’re good people. I have to say that, while those 4-5 years were good…by the end of last year, I was kind of tapped out.
I’d basically bought everything I was interested in, the stuff I didnt already own, but wanted, was skyrocketing in price due to VS’s ‘once they’re gone, they’re gone’ way of distributing films. They too have slowly been releasing more and more ‘upper end’ studio pictures (show girls, roadhouse, The Tenant) and that combined with there just, not being as many titles released that im fully interested in owning, and the fact that they seem insistent now in releasing the majority of their titles in 4k (at 4k prices) has meant i’ve spent a lot of the year drumming my fingers with Vinegar syndrome, hoping that their next month of releases has maybe ONE film i’d actually be interested in, and could afford once it hit sale prices…and then being somewhat disappointed when that didnt happen…2024 in that regard has been a bit of a washout.
But, while Vinegar Syndrome have kind of been off my radar this year, AGFA (American Genre Film Archive) have, for the last 3-4 years now, slowly been warming up to becoming my new favourite boutique label. The organisation, which heavily promotes the preservation and proliferation of VERY deep cut productions, has been on a bit of a roll in recent years with barely a month going by where they havent released SOMETHING that i’ve absolutely fallen in love with.
In recent years, they’ve tackled the works of Barry J. Gillis, re-released two Ed Wood classics, astounded with movies like ‘Final Flesh’ and ‘Video Diary of a Lost Girl’ and slowly, but surely, their library has basically become my film collection.
Probably the most exciting news to come from them over recent years has been their increasing closeness with ‘Something Weird Video’ a similar preservation company that started in the late 80s and ran through most of the 90s, 00’s and 10’s before becoming an archive and resource streaming service as of 2025. Something weird is responsible for saving a frankly obscene number of movies from falling quite literally into non existence. Films like ‘She Freak’, ‘Bat Pussy’ and ‘The Curious Dr. Hump’ would either only exist in incredibly rough prints, or not exist at all if it wasn’t for the work of ‘Something Weird’. And 2024 would see the release of what I frankly considered a ‘grail’ offering up until now.
‘Hey Folks! It’s Intermission time’ was a series of curated compilations from ‘Something Weird’ totalling 6 volumes of cinema intermission trailers, usually the stuff trying to convince you to go spend money at the snack bar, or general notes from the theater themselves, either welcoming you to the theater, offering friendly advise of services the cinema offered, telling you of upcoming events, or trying to help raise money for charity.
They’re quirky, interesting little remnants of a by-gone age. With most screens in the UK at least now having highly polished, mass distributed pre film screens. I find it fascinating to see just how home grown and unique a lot of these little trails, that were widely seen as disposable, ended up being.
Which brings me to the ‘Hey Folks! Its Intermission Time Mixtape’ the main feature on a set released this year from AGFA that upscales, restores and re-releases all 6 volumes of Something Weirds original compilation series. But also offers a unique remix of some of the more memorable and interesting intermission trails, turning it into a mind melting 70-80 minutes of psychedelic and trippy re-editing that I feel offers an entirely new viewing experience to these decades old stings. AGFA have been doing remixes like this for likely coming up to a decade at this point, their ‘Horror trailer show’ and ‘Cult of AGFA’ releases, not to mention their ‘Special Christmas Special’ all showcase some superb editing and its clear they have a talented and creatively minded team fronting these ventures.
‘Hey Folks’ is another fantastic entry in this style of presentation. And Frankly this was likely my ‘Bluray of the year’ honestly. Given thats a year that ALSO included another grail of mine ‘The Dragon Lives Again’ FINALLY getting a correct aspect ratio release for the first time ever. Thats an incredible feat. a set I personally think is an essential, if you havent checked out ‘Hey Folks! Its Intermission time’ absolutely take some time to fix that! Its a great set, and it makes an even greater gift!
Last House on Dead End Street:
An unexpected entry on my list this year, I came so close to NOT seeing this film, its actually quite bizarre. So, I had heard of ‘Last House on Dead End Street’ over the years as being a particularly gruesome picture that, most notably, Vinegar Syndrome had been working on remastering for a number of years. I figured i’d likely check it out when they put out the cleaned up version, until one night while doing some research for ‘The After Dark Collection: Volume 2’ (Coming 2025) I landed on a reddit thread discussing Vinegar Syndromes ‘Adult’ movie releases, and found out that *apparently* hidden in the menus for their release of ‘Corruption’ was a ‘grindhouse’ style HD scan of ‘Last House on Dead End Street’ and just by chance, I had only recently VIEWED my copy of ‘Corruption’…So! I popped it into my player, messed around with it for a bit, and *boom* I had a copy of ‘Last House on Dead End Street’ in my hands.
And I really wasnt disappointed with this one. as billed, its a particularly unpleasant, seedy and graphic depiction of psychopathy, and the rawness in the performances and actions (given its about making snuff films) left a long lasting impression on me. Reading in to the behind the scenes on it only made me despair even harder as I read of the struggles the writer/director had to even GET the film out to the public. Not to mention the fact that, by the time it actually DID get a wider showing, he had NO idea it was even happening. Its…got a BTS thats somehow even crazier than the film itself honestly.
I think if this DID have a wider release in good quality, it would likely be held in a much higher and respected regard. As it stands, all I can personally say is. It is NOT for the squeamish, but if you enjoy films like ‘Bloodsucking Freaks’ or ‘The Sinful Dwarf’ you will almost certainly love ‘Last House on Dead End Street’.
Hundreds of Beavers:
At the complete opposite side of the spectrum from ‘Last House on Dead End Steet’ we have the indie darling of the year, and a personal favourite of this years movie crop ‘Hundreds of Beavers’. A film that got recommended to me AT LEAST a dozen times within the first couple months of it doing the indie circuit. So much so that ‘friend of the show’ Triv of Trivial Theater, managed to cop a screener, and essentially pulled me out of the reno work to make it clear that this WASNT something I should sit out on. And damnit if she was absolutely right.
The plot follows a fur trapper attempting to collect ‘hundreds of beavers’ to sell the pelts of in order to win the heart and hand of a merchants daughter, the whole film is shot and framed like a kind of hybrid between Fleisher era animation and a ‘Loony Tunes’ short. With PLENTY of references back to Buster Keaton, The Stooges, The Marx Bros and many more silent movie icons.
Its clearly a labour of love, it looks fantastic, astoundingly so given the budget, its brimming with creative slapstick ideas, and barring a couple of moments that are a *smidge* (and I mean a *smidge*) more ‘adult’ oriented, this could easily be a family movie. I’ve kind of made it my mission this year whenever anyones asked me for recent film recommendations to send them over to this one.
Its got a good heart, a good soul. And I like that its playful and not afraid to be self aware without trying to be openly controversial. I had a real good time with this one, and could happily recommend it.
Xanadu:
If theres 2 things that ‘Xanadu’ is known for, its the frankly stonking soundtrack by ‘ELO’, and its for being the butt of pretty much every late night comedy show from 1987 till about 2003. ‘Xanadu’ was and still kind of is seen widely as a laughing stock of a movie. But this year, someone I very much respect, Frank Conniff made a lengthy twitter/bluesky post essentially admitting that, after years of using it as the aforementioned butt of several jokes through the 90s, he still hadn’t actually *seen* ‘Xanadu’ and recently decided to change that…And to his shock and horror it actually wasn’t a cringe worthy terrible musical, it was maybe a bit overlong, but he actually really liked it. Issuing something of a public apology for dunking on it for all these years.
Well; that was enough interest raised for me to go out and grab a bluray copy of the movie to see ‘whats what’. And What WAS what is that ‘Xanadu’ IS in fact a quite fun little 80s musical. Is it ‘Grease’ memorable? Absolutely not. But its a charming and warm little musical about never giving up on your dream and realising that you don’t have to be young to still go after what you really want in life.
Obviously, the ELO soundtrack IS what makes the movie fantastic, but it cant be overstated just how good Gene Kelly is in this, playing a weary property developer who yearns to return to a simpler life playing in a big band, when life was less complicated and he had something to strive for.
The film does get a little tangled up in trying to make Olivia Newton John the personification of ‘your dreams’. But I find that musicals largely trade on vibe, and a few mixed metaphors and some 2nd act pacing issues arnt going to come between me and this campy and funky little movie having a fun time.
‘Xanadu’ wont be for everyone, I know that. But I honestly would say, if you do enjoy musical cinema and have been put off by years of people dunking on this one, without ACTUALLY having watched this. I’d say give it a go, you may be genuinely surprised…At the very worst, you’ll have still listened to a pretty awesome ELO score.
Cecil B. Demented:
The Number of John Waters films I have yet to watch is slowly becoming a dwindling pool. I had seen almost all of his earlier works, but his later works are a little scattershot to come by in the UK. I had been hoping to wait for ‘Cecil B. Demented’ to get a proper Bluray release in the UK. But Criterion have now been quiet for a couple of years on that front, and it looks like Kino Lobar are picking up the slack on 90s ‘Waters’ movies…So I threw in the towel on waiting this year and just decided to hit it up on Tubi. And I absolutely loved it.
Im less enamoured with Waters ‘studio’ era. Basically everything after ‘Hairspray’ to me feels a bit forced and self referential. Cry Baby didnt really move me, Serial Mom is a much loved fan favourite, but left me cold. And Pecker just felt too safe for me. But Cecil B. Demented has a rogue twinkle in its eye that suggests to me theirs life in the old dog yet.
A film largely attacking BOTH the mainstream studio system and ‘puritan’ indie film makers who go WELL above taste and decency for their art. I feel like this was a return to form for Waters work, that would continue into his next production ‘A Dirty Shame’.
What we have here is a film that pushes the boundaries of studio cinema more than his previous studio works, but doesnt go AS far as his early films (Female Trouble, Pink Flamingos, Multiple Maniacs’ and it manages to hit a nice compromise of being a clear, concise and well structured picture, that equally has a tenacious ‘daring’ quality to it. The feeling of the old Waters pictures where anything could happen, and sometimes it actually DOES!
I really enjoyed seeing this one for the first time this year, I would highly recommend it to any Waters fans who maybe jumped off at ‘Polyester’ or felt like he lost his bite a bit post ‘Hairspray’ as I really do think this and ‘Dirty Shame’ were steps in the right direction. And with rumblings that a new John Waters film could be just around the corner. I sincerely hope it continues on this trend!
Oh…and on the off chance someone from Criterion is reading this, don’t leave us hanging, PLEASE for the love of GOD release ‘Desperate Living’. You cant just release all of John waters early work and leave out the film bridging ‘Female Trouble’ to ‘Polyester’ I NEED more high definition Mink Stole rants in my life thank you very much!
Batman 1966:
I imagine some will be surprised that, until this year i’d never seen the 1966 ‘Batman’ movie. Indeed, I myself felt some shame at having not gotten to it sooner, given that I love the original TV series and had a great respect for Adam West.
But sometimes, things just don’t line up properly, sometimes there just isnt a good bat-time or a solid enough bat-place to fit a movie in. But this year, I made it a point (having been invited to talk about it on ‘Friend of the show’ Jon Norths podcast) to FINALLY crack it open. And I had an absolute blast with it.
Honestly, I don’t have a lot to say about it, its a feature length take on the TV series, it feels like a long TV episode with a slightly bigger budget and thats about it. It absolutely should have done EXACTLY what it did do, it looks great, sounds great and the extra funds really help take things to the next level. Having all the classic villains from the TV series appear as the baddies in the theatrical outing is a great ‘raising of the stakes’ and the 60s campy silliness is still here in full force delivering an end product that hilarious, charming and just an utter delight to sit through. If you’ve never seen ‘Batman ‘66’ this is a great starting point, and if you enjoyed the TV series, but havent seen the film. You really need to fix that.
Beetlejuice:
Another one im sure will surprise some people, but again. Sometimes things don’t align when you think they *should* have, and instead align at the strangest times. I had seen the beetlejuice TV series MANY moons ago. But I’d just never got around to the movie. But, with ‘Beetlejuice, Beetlejuice’ going down a storm at the box office, my partner was horrified to learn i’d not seen the original and made me watch it pretty much as soon as she found out.
And it was great fun! Barring a slightly rushed ending I thought this was another creative powerhouse, delivering surreal visuals and fantastic performances one after another after another. I came away very pleasantly surprised, and while im sure the vast majority of you have already seen ‘Beetlejuice’ as someone who hadnt, it really endeared me to the concept…Though, it did make me wonder why their was such pressure for a sequel for all those years, given the film ends pretty conclusively…I dunno!, in either case I really enjoyed this one. Its probably the most well known film I saw for the first time this year and i’m going to have to try and dig out the sequel relatively soon!
Wallace and Gromit: Vengeance Most Fowl:
One of the more unexpected offerings of the year, I had no idea that Aardman had been working on a new ‘Wallace & Gromit’ film, letalone that it was another ‘feature’ outing for the pair, but! On Christmas day, the BBC released ‘Vengence Most Fowl’ a sequel to ‘The Wrong Trousers’ that sees that rogue criminal ‘Feathers McGraw’ trying once again to steal precious gems, AND trying to get revenge on the popular pair who put him away!
Meanwhile Wallace is back in debt, and, as a way to try and get out of it, has built the worlds first ‘Smart Gnome’ a little gardening fellow who’ll do any job, no matter how big or small. It all goes wrong as you can imagine! But it was a nice idea while it lasted!
I LOVED this special, it was probably my second favourite broadcast of the day (outside of the Gavin & Stacy finale) While I don’t *quite* think they match or surpass the complexity of animation seen in ‘The Wrong Trousers’ The film is still genuinely funny has the warmth and familiarity that makes the ‘Wallace & Gromit’ films so enjoyable and was a definite improvement over their last outing 2008s ‘A Matter of Loaf and Death’.
The comedy was superb, with several gut busting laughs throughout, the animation is still superb and the character have some nice set pieces that tie the whole thing together, including some excellent celebrity voice cameos from Peter Kay, Reese Shearsmith and Diane Morgan. A christmas highlight. If your looking for laughs and something a bit light hearted, you cant go wrong with this.
Singing in the Rain:
With only 2 hours to go before the year officially ended, I had watched 299 films, and to finish the year off AND claim my 300th film watch, I decided to take a look at a film that ‘Siskel & Ebert’ literally COULD NOT shut up about through most of their ‘Holiday Gift Guide’ specials.
‘Singing in the Rain’ has often been cited as ‘the greatest musical ever made’ I honestly wouldn’t go that far. But what you have here is a genuinely sincere, surprisingly self aware for 1952 and warm ‘smile’ of a movie that documents the cinematic shift from silent era productions to ‘talkies’ in 1929.
Gene Kelly and Debbie Reynolds are a tour d’force here, without them the film would have fallen flat I feel, with them, its a match made in heaven. And even though Kellys behaviour off screen was horrific to say the least. It cant be denied that this film oozes charm and joy, and I defy anyone to watch this without cracking *at least* a smirk once or twice throughout.
With some astounding and colourful visuals on hand, a whole host of iconic and culturally significant musical numbers and some of the most complex and tightest dance routines you’ll likely ever see. ‘Singing in the rain’ was a fabulous way to see the old year out and ring the new one in. I’ll almost certainly try and poach a physical media copy at my next convenience and if you havent got around to this one yet, all I can say is, it definitely needs bumping up your list. A great script, razor cine and direction, killer performances and a bloody ASTOUNDING score.
I also only realised the next day after watching this, that as of 2025 all works from 1929 (when this film was set) are now in the public domain. Making it a particularly poigniant watch!
And! That was my top 10 of 2024! Not a particularly controversial list…But then, they rarely are! I hope you decide to look into some of these as I had an absolute blast watching them, and as i ease back into more regular ‘new film’ watching. I can only hope that this year is as kind to me with astounding features as I hope it will be for you.
So We have a bit of an oddity here today. Way back in Season 4 I ended up doing a collaboration with a fellow youtuber Raymond Smith. Ray was in the process of doing a month on “Terminator” Knock off movies and we decided it would be pretty cool if he ended his series of Terminator movies and I ended my 4th Season with a cross over collaboration. The first one I’d ever done non the less!
It was huge fun working with Raymond and I really hope we get the chance to work together again in the future 🙂 He’s a fun reviewer and his channels heaving with movie reviews of every possible shape and size! I highly recommend checking him out some time (You can head straight to his youtube channel by clicking Here)
Unfortunately due to copyright issues half of our collaboration was removed from youtube by a company called “Lasso Entertainment”. Naturally this was most heinous and simply would not stand. So while I’ve been backlogging my reviews over on Breach.tv I decided it was time to dust this one off and give it a proper home on this site. Breach arnt quite as anal about upholding the whims and wishes of companies who have little or nothing to do with the movies we talk about and actually seems to understand what “Fair Use” is…so they’re an ace company in my books! anyway; before this turns into a mini rant; I hope you enjoy this not as often seen review! You can get to it by either clicking the link below the picture or by clicking the picture itself!Oh! and before I forget! you can check out the second part of this review for the other film we collaborated on 1989’s “Lady Terminator” By clicking Here
Rounding off both Season 5 and 2018; here we have Jack Frost. A film thats been on my radar more or less since it came out due largely to it’s prominence in several Nerdy “Forbidden Planet” esq stores that used to populate the market stalls and highstreets where I lived in the early 2000’s. the Holographic Box art that came with the VHS of this movie was very unusual for the time and because of that I’d always wanted to check it out (Even though I knew deep down that if they had to stress a gimmick like this this hard it probably wouldnt be very good.)
The reality is, this films quite enjoyable. its by no means a regualar watch, nor is it anything groundbreaking. But I can easily see myself watching this again this Christmas and it was good enough that I’d certainly be interested in picking up the sequel.
If you are interested in picking this one up Vinegar Syndrome are the current distributors for it and they’ve done a cracking job with the Bluray version, if you like your “Troma” movies or anything by “Full moon” I think you’d probably quite dig this one.
This review was intended to make it up to youtube on the 24th of December however due to ongoing issues in personal life involving my partner I was unfortunately at the hospital all through the day this was set to go live and I was unable to schedule it in advance due to repeated copyright strikes. As a result I had to re-edit this review on the fly between trips to the hospital to try and get it up before the year out. as a result this one came out on the 31st but does wish people a merry christmas and a happy new year (Well…at least I got the last part right).
(Personally…while the original poster was striking and got my attention. I think the new artwork for it (Pictured above) looks much more fitting)
Now I may not be 100% accurate on this one but I believe this was my first ever “Requested” review. And Joel (The absolute diamond who suggested this film to me) chose an absolute stomper of a film right here. Its absolutely astounding and the mental images that this film paints have stayed with me as clear and vividly many months after I watched this film as they did the first time I saw it.
This was the only film that Chris Shaw ever made and he was pretty involved in it as far as I can tell acting as 3 of the critical roles that a film needs to get made (Writer, Director and editor) but thats really just scratching the surface. Chris is this film to much of an extent there are very few elements outside of the other casts performances that dont have his fingerprints on them to some degree.
But thats a good thing here! This is a very clear and strong vision of how arthouse and experimental cinema can challenge audience expectations and be cerebral at the same time. This is a challenging watch, but in a good way. I came away from this film really wishing Shaw and his crew had made more movies as I’d love to see them develop and further expand there ideas using this film as a launching pad…even if it were a multi media endeavour.
Not much has changed for me in terms of my feelings towards split. The review took a very long time to put together because I wanted to ensure that the wording for it was just right. this is one of the only reviews I’ve written thats exceeded 3 drafts, purely because trying to explain my interpretation of Split vocally was a surprisingly challenging thing to do.
I would heavily suggest you watch this film with as little forewarning as possible because if you go into this film with pre-set expectations your judgement may get a little clouded by just how strange this film can be at times. So please. This is one of the few times I’ll actively tell you not to watch this video if you havent seen the movie first.
Also; I really feel the need to say that Chris Shaw is simply a very lovely man, and my experience of talking to him (While limited) was a real treat. Both him and his brother are wonderful conversationalists and it was a pleasure to have the opportunity to ask them about split. This review has definately been a highlight for me of producing these videos. and had I not recieved the suggestion i’d probably have never found it.
(…I usually write a comment here about the film but what do you say about this thing…”Undescribable” is all I have really…)
Split was due out on Bluray in March of this year but due to some delays it has now been pushed back to an undisclosed time. However it will be released eventually by Verboden Video and I for one will have my preorder well in place because it looks to be astoundingly good!
If you are interested in owning “Split” please show Verboden some support by following them at the link below and possibly considering picking up some of there titles as they seem like a great bunch of lads too!:
This episode was uploaded “Christmas week” meaning it landed literally days before Christmas day itself. Its quite normal at this time that youtube enters a period of low traffic. Logically you’d think the opposite would be the case as everyone is cooked up at home for the holidays (Which havent even begun at this point) you’d think everyone would be clambouring for distraction on sites like youtube. But you’d be wrong.
Rather surprisingly (And it was a bit of a shock to me) the week christmas happens on and the subsiquent 2 weeks after it are some of youtubes quietest times of the year. I have to assume this is because people are out at parties, enjoying time with the family or just plain too busy to watch stuff. But it kind of caught me off guard and was a bit of a learning experience.
“Christmas evil” would mark the end of my 2nd season. And I really wanted to send the year off with a bang. I’d ummed and ahhd about what movie would be the best one to act as a send off to 2017 and to round my 2nd season off, and I settled with “Christmas Evil” because quite by chance I stumbled on it at random and it actually seriously impressed me at how deep and unusual it was for what is effectively a christmas themed slasher film at it’s heart.
Having thoroughly enjoyed the film writing the script for it was an absolute joy. and at the time I thought it was one of my best pieces (As I work to a schedule i’d planned and edited this episode in late october/early november time ready for it to go live on the 22nd of December) I scheduled an upload for it as I was going to be away from my house from the 22nd to the 24th and went out to spend the run up to christmas with my partners inlaws.
And then…Nothing. And I mean absolutely nothing. The video went live on the 22nd of December and it wasnt until the 26th that it gained it’s first “view” and that was me just checking the video to make sure there wasnt some glaring issue that was preventing it being played…It currently stands as my least watched video review on my channel as of May 2018 it has a grand total of 9 view (3 of which were me as a result of adding end screens and info cards and again a few months later to add translations)
I genuinely dont know why this video just failed immaculately out of the gate but there could be any number of reasons why it failed to pick up. I’ve read in some places that if your video doesnt make 20% of the number of subscribers you have in views within the first 24 hours that it can be dumped by youtubes SEO Algorithm. I’ve also read that youtubes SEO is less favourable to content with trigger words in the titles and descriptions (Words like “Evil” are trigger words) equally it could have been just left too late. uploading a christmas video on the 22nd of December is leaving things a bit to the last minute and it could legitimately be the case that people were just fed up of anything christmassy by that pont.
In either case i’ve thrown everything I can at this video and nothings seemed to have done the trick. I’ve changed the tags, I’ve edited the description, I’ve shared it and shared it and shared it, I’ve tweaked the titles (And tried them in all caps and without caps) I’ve changed the thumbnail…literally short of re-uploading it I’ve done everything I possibly can with it and nothing has changed its status.
It’s “Delisted” it didnt meet its expected targets and because it’s been shown to be an underperformer youtube have effectively taken it out of there search engine. go and try to find it in a youtube search. you wont be able to. it’s only with overly specific search terms like “Christmas evil TYTD Reviews” or “Christmas evil Red triangle reviews tytd” that anything will pop up…even “Christmas evil TYTD” brings nothing up.
Im not angry about this mind; im just a bit sad about it more than anything (as I imagine many people would be if they put a week of evenings into assembling an edit only for automation to decide its not relevent within 24 hours) Im more upset that the film itself is as underrated and relatively unknown as it is rather than the fact people cant hear me tell them why they should go and see it.
At some point in the future I’ll probably cut my losses and re-upload this one wholesale just to see if it helps it get re-listed. but in the mean time here it is the last TYTD Reviews/Red Triangle episode of 2017…and things only seemed to pick up from here on in.
(I’ll let the review do the talking about this underrated classic. but I seriously cant wait for a good UK Bluray of this one)
From the worst movie I’ve ever seen to frankly one of the most unmemorable films I’ve ever seen. In all honesty I can only recall three things about this movie:
*John Rhys-Davies camping it up to an astounding degree
*A scene featuring a “Terminator” knock off slowly destroying a car and then a person
and David Bradley getting involved in a high speed car chase.
Other than that and some very fleeting memories of an opening combat battle which has a man fully on fire I literally couldnt tell you one thing about this film. In fact arguably had I not reviewed this film I may have forgotten that i’d watched it all together.
…
…
Okay so I’ve just rewatched my review of it to see if it jiggled anything out of my memories. It did nothing…I seem to have enjoyed it more than I remember at the time of writing so I may well be misremembering how I felt. But I can only honestly tell you how I feel about it now. And how I feel about it now is that I dont have a strong opinion about it either way it’s a “Grey zone” movie in my mind. I mentioned in the review that I think it could work well as a B-movie or as part of a double or triple feature. And I actually think this is probably the best way to describe this film. Its by no means an “Essential watch” but if your using it to subsidise another film (Like say “Terminator woman” or “Robocop”) then I think it could work really well…I’ll probably do the sequels to this at some point in the future…If I can remember to…
(You wont believe how hard it was to source a film poster of this movie for this review…I ended up using the VHS cover because it was the only “Medium” sized image I could find”)
And so with this, My first set of Halloween specials came to a close. I really enjoyed making these episodes (So much so that I fully intend to do another season of themed episodes this October!) but I was always a bit concerned about what to do with this 5th slot. I was stuck as to whether I should Review this, “Zombie flesh eaters 2 (Zombi 3)”, “Land of the dead”, “Return of the living dead”, the 2004 remake of “Dawn of the dead” or that weird version of “Night of the living dead” that came out in the early/mid 90’s that was literally just the 60’s version of the film with additional 90’s shot on video scenes added into the mix.
In the end I settled on “Shaun” for a few reasons. I thought that it ended the series on a high note, I thought “Shaun” was a good reflection of the zombie movie genre in the modern day and it feels a bit like a continuation of the natural progression of these kinds of films within this series. We started with 2 different versions of “Night of the Living dead” and ended with a 21st century affectionate tribute to those zombie movies.
I also like to think that this is a good “Bookmark” point to end on. While it may not be for a couple of years I fully intend to revisit The Zombie Genre again at some point. And ending it here gives me a nice place to pick up from whenever I decide to reopen this series.
This period of time would also see me launch the first ever “TYTD Horrorthon” a 6 hour live stream of public domain horror films that amassed a grand total of 3 viewers for a few seconds at one point…and then 1 viewer pretty much for the remaining 4 hours and 55 minutes. Though doing this livestream was one of the first times I ever got positive feedback from someone for what I produced. A mother got in touch with me the day after the stream to thank me for giving her children something to watch before they went out trick or treating. and it really made my week. It only reinforced my personal belief that as long as one person comes away from it happy it makes it all worth it. I’ll be doing the stream again this year (Though as of yet I still havent decided what films will make the cut) and if your around and free at that time I’d love to have you on board! but I digress…
In and of itself “Shaun of the dead” is my favourite of the cornetto trilogy and further still is one of my favourite comedy movies of all time. The balance between the comedy and horror here is really quite fantastic and as I mention in my video its a veritable Who’s who of mid 2000’s UK comedians. If you’ve never seen it, even if you dont like horror movies, I highly recommend checking this one out.
Whenever I think about “Zombie Flesh eaters” My mind kind of unfurls a bit. This is because on face value and to any unsuspecting stumble-uponers; “Zombie Flesh Eaters” is just a run of the mill (If not somewhat extreme) zombie movie from the 70’s.
But as soon as I remember that this film is legally (In Italy at least) connected to Romeros original “Of the Dead” movies it feels like the needles jumped on the record that is my brain. Further still when I remember that “Zombie Flesh eaters” is in fact not only legally connected to the “Of the dead” films but it actually sets itself up as the Prequel to “Dawn of the Dead” my mind goes into a bit of a funny shake for a few minutes.
The Balls of the studio that commissioned this movie into existence. The sheer balls of the people who sat down and thought “Hey we have a half finished horror film in pre-production…how can we make this more “Dawn of the dead-eier” It astounds me it really does…
What astounds me even more is that in some regards this film actually surpasses Dawn from a technical standpoint. It may not have Goblin or Romero behind the camera. It may be lacking Tom Savini’s personal touch. But Fulci and his team really put there heart and soul into this movie and it looks great for it. I’d also argue that for a majority of this movie. that the special effects are better than some of the ones seen in Dawn. Purely (As I mention in my video review below) because the effects of the zombies look so much more gnarled and realistic here compared to “Dawns” Pasty Blue/Grey zombies…I can honestly say that in hindsight while I may not be this films biggest fan. I have to give it credit that it surpassed my expectations in terms of what I was expecting.
(Also; that Shark VS Zombie underwater sequence has to be one of the best sequences Fulci ever directed. Astounding work!)
This was the first David Lynch film I chose to review on my channel and I chose it for a couple of reasons, first and formost I’m a massive fan of Lynch’s work (In particular all his works in “Twin Peaks”, Blue Velvet and Inland Empire…even if that last one is a bit overly long) his style is so unusual and tonally interesting it’s quite literally like walking into a dream/nightmare over which you have no control. Things just happen in Lynch’s films. they happen because things dont have to have a reason, life doesnt necissarily have a purpose and we’re all here just trying to give our lives a function till we expire. (A bit dark but yeh).
Lynch Straddles the line between Mainstream cinema and experimental video art and while he’s never quite been fully accepted into the mainstream. It could be argued that by many he is seen as the ambassador for experimental film to “Normal people” a wayward guide showing that the hard rules of storytelling and film making arnt actually as solid as first thought.
This subversive nature was what drew me into film making in the first place and what attracted me to video art ultimately…Eraserhead to me could be seen as the Catalyst that led me to where I am today so ultimately im very grateful to the “Lynch’s” of the world and we desperately need more subversive creative types in these modern turbulant times.
I also chose Eraserhead because; well. it’s a just plain weird experimental film. and when I think of Art house and experimental cinema my mind instantly flicks to anything from the chicken baby to the lady in the radiator to that surreal and mesmorising shot that is the films poster. The Red Triangle as a format exists to cover the kind of films that I cant do on TYTD. more extreme horror movies, Video nasties, erotic cinema, art house films. Stuff that I just wouldnt feel like I was doing justice placing it next to the likes of “Ring of Terror” or “Let’s ruin Dads day” and Eraserhead definitely deserves being in my “Red Triangle” series. This is another one that I kind of feel a bit mixed about in terms of my review. I feel like I didnt really fully nail down why I love this film in this review. I dunno; I just kind of feel like I maybe could have said more…so I may end up revisiting this one again in future…But yeh! for now; enjoy! and I’ll be looking to do more Lynch in future!
(One dose of nightmare fuel and insecurity about parenthood comin’ riiiiiight up!)
TYTD Reviews 
