Top 10 Films I discovered in 2025

After a couple of MORE than turbulent years, the only thing I really wanted when it came to 2025 was a bit of predictable, uneventful normalcy. With everything from globe stopping pandemics, family deaths and renovation work eating up 2020-2024, All I wanted of 2025 was to finish off a few home improvement projects, get a few videos out on youtube, but otherwise, I just wanted to slow down, not do anything too risky or cavalier, and to just…TRY to get a semblance of a normal life back in the room. I ached for the mundane, just…an 8-12 month window where the worst it got was maybe them forgetting my onions on my fast food order. 

And, in many ways 2025 DID deliver that, a fairly pedestrian 12 months with a few nice things thrown into the mix and only one or two more sucky elements tossed in to remind me that life is fragile, delicate and that at any moment we could all die in horrible and painfully ironic ways. Im honestly pretty happy with how the year shaped up more or less, and anything that DID irk me along the way, was either too small to really leave a lasting mark, or something of a ‘wild card’ situation that I was kind of already vaguely aware could happen, so I was pretty much ready to accept and take on that pain when it did hit. 

And once again, walking side by side with me along the way, I had my old friend Cinema telling me jokes, ghost stories and showing me fantastical worlds along the way. And; as has become a somewhat annual tradition at this point. Ive gone through my years viewings (322 films if you must know!) and whittled it down to a ‘top 10’ of the cream of the crop. As always; I should say that these are in no particular order, and they arnt year specific. These are simply 10 films that I saw for the first time this year and loved so much that I wanted to share them with all of you, in the hope that you find a new favourite, or just appreciate the craft at work in the same way I did. So! Put on your dancing trousers, because we’re about to boogie!

Everything, Everywhere All at Once:

The day after new years day was a pretty uneventful one, after partying till the wee hours the night before I was crusty, headachy, the room was drab and full of the fugg of booze, vape smoke, popped balloons and half eaten remnants of leftover buffet food. All I really wanted to do was crash out in my office and catch a movie that was engaging and unique enough to hold my interest but unserious enough that I could relax into it and not feel like the film was shaking me to make me pay attention. It was there that I landed on ‘Everything, Everywhere All at Once’.

I had been recommended this movie a couple of times throught he previous year, and I thought it had a fun enough ‘wibbly wobbly’ premise, so I decided to take a punt, and I was so glad that I did! An, at times mind boggling plot that beautifully crafts multiple layers of narrative storytelling into a parcel that brimming with enthusiasm and utterly unashamed to show it. 

At its core, this is a family drama, but the fantastical storytelling, intense visual effects, decent contrasting balance of comedy and pathos all congregate together into an absolute feast for the eyes. It absolutely zipped by, even at 2+ hours long and my afternoon got a LOT brighter from there! With fantastic performances, a killer score and a kind of sincerity I rarely see in modern, more mainstream movie releases. Its a film I wont watch often, but I absolutely wont forget, and will relish on a revisit. 

The AGFA Mixtape Release:

This one is a little bit of a cheat, as it isnt necessarily for a singular film, but rather a boxset of releases from the boutique label that just keeps on squeezing my wallet to dust, AGFA. Last year I listed their ‘Hey Folks! Its Intermission time’ set as one of my favourites of 2024, and this past year, they came out with hit after hit, but the crowning gem in my eye was the release of something i’d wished they’d done for YEARS. A comprehensive release of *most* of their AGFA Mixtapes to date. 

For those not in the know, AGFA are a charity specialising in film preservation and the celebration of cult, and US Regional film offerings, they cover near enough all genres from as early as the 20s and as late as the present day, releasing everything from long forgotten 1920s cult gems through to modern day underground hits, counterculture documentaries and everything in between! 

Their ‘mixtape’ line is one I particularly love, these, as the name would suggest, are a mixtape of random ‘off air’ tv recordings from mainline TV channels around the world and public access, random commercials, ‘youtube poop’ style remixes of older media and more! But up until 2025, only 4 of them and a christmas special had been widely available to the public via Vimeos ‘on demand’ platform, with the rest being available only as bookable ‘events’ with digital or print copies provided by AGFA at great cost. 

Well this year, AGFA took 5 of their numbered mixtapes PLUS two of their more ‘seasonal’ offerings and packaged them together in one release, which I pounced on the second I got my chance to! And I absolutely was not disappointed! The obvious gem in the crown for me is the ‘AGFA Special Christmas Special’ a release I’ve now turned into an annual tradition to try and watch every christmas AT LEAST once. Its the perfect blend of seasonal silliness, genuinely lovely counterculture artistry and frankly bizarre glimpses of christmases past. 

But thats really just the tip of the iceberg, while the first couple of AGFA mixtapes are (in my opinion) a little rough around the edges, from ‘Mixtape #3’ onwards things just go from strength to strength with the absurd and daft meeting the genuinely strange. But easily the highlight for this set (and the thing that made me list this as a ‘first time watch’ were the two TOTALLY previously unreleased mixtapes, the ‘Stairway to Stardom’ mixtape and the ‘Lost and found’ mixtape. 

The former, is a collection of clips from the public access show ‘Stairway to stardom’, think ‘Americas got talent’ but the budget is (roughly) $20 and the vetting process seemed to begin and end at ‘Can you get to the studio in the next 20 minutes, and will you bring beer?’ and you’ve landed on fried gold my friend, a relentless free fall into the world of people who think they Mariah Carey, but are actually Mariah from the gas station in town. 

The one two punch that made me love this set is then followed up by the ‘Lost and Found’ mixtape, which is essentially a very VERY early example of youtube poop in motion, a supercut extraviganza of strange online media and lost television footage, remixed and repulped into a perfectly timed selection of alternative comedy gold. 

If I was being honest? I think this whole set would likely be my favourite release of the year. And i’d wholeheartedly recommend it to ANYONE with even a passing interest in the ‘otherworldliness’ of the 20th and very early years of the 21st century. An absolute treat of a set thats seldom left the top of my bluray player since it came in. 

Louis Theroux: The Settlers:

The current genocide happening in Palestine is a scourge on humanity, and the fact that theres a not 0% likelihood that the people currently enabling it will never see ACTUAL justice just about boils my piss. Seemingly; it also annoyed britains calmest and loveliest man Louis Theroux, who returned this year with a new documentary revisiting Israel some decades after his last trip out there to try and get a better understanding of what is going on amongst the people of Israel at this time, and more importantly to try and see what actual real people are living through on both sides of the conflict as incursion and eviction of Palestinians ON THEIR OWN LAND continues and Israeli settlers move in, claiming the land to be theirs. 

This one isnt the easiest of watches, and there are times when Louis himself cant quite believe what he’s seeing or hearing. Im really not kidding when I say that Louis is probably one of documentary films calmest and affable people, and yet there are multiple points in this documentary where he loses composure, or flat out fears for his life. And that ISNT a Louis problem. Thats the bizarre situation a certain subsection of Israel find itself in in the 2020’s. Fear, manipulation and blatant racism runs rife as the documentarian braves being shot at, and even briefly ‘black vanned’. Its an unsettling picture of the middle east at this time. 

Unflinching in what its trying to show, by the end, even Louis doesnt seem to know how this situation improves. But if you’ve been following the ongoing conflict, as I have, you’ll absolutely not want to miss this one, as im certain it’ll be shown in history classes for years to come as probably the most honest and real look at this deepening crisis shown on mainstream television.


Def by Temptation:

One thats been on and off my shelf now for the better part of 20 years, ‘Def by Temptation’, in the UK at least, has one lasting reputation, and thats that it was typically grouped in with 3-5 other movies and released MULTIPLE times through the late 90s and early 2000s as part of ‘multipack’ sets bundled with DVD players to shift units. A treatment I feel was ultimately quite undeserved given those bundles usually contained the kind of movies I review on my channel while wincing. 

In the 2024 black friday sales, I nabbed Vinegar Syndromes release of this film as it was almost out of print and going for a good price. It had drifted on and off my shelf in it’s multipack form, and I figured if VS were giving it a legitimate release, maybe I’d been missing out on something. Turns out, I had. 

Positively OOZING early 90s kitsch, ‘Def by Temptation’ is a cautionary tale wrapped up as a quasi erotic horror film, featuring two friends on different life paths reconnecting and falling into a deadly game against a seductress who may have a LOT more going on than meets the eye.

A Rich and sumptuous piece of 90s cinema, this was made on a shoestring, but feels every bit as professional as a mid budget feature. The fact that the studio that distributed this made every effort to push the fact Samuel L. Jackson is in this film as the main selling point (he has 2 cameos in the whole thing totalling less than 5 minutes) is, in my opinion a tremendous disservice to the craft and work James Bond the 3rd put into this production, the fact this was pretty much his one and only feature (and acting) work, and that he didnt really do anything with his talent past this is frankly mind boggling to me. 

Gorgeously lit, well shot, and boasting a solid set of performances and a nicely bubbling plot that starts by gently guiding the viewer, before slowly fully enveloping them into this world, not to mention a killer soundtrack and some razor sharp editing. This is a seriously underrated horror, and one that definitely needs a lot more love and attention by the horror and film community at large. Definitely one for the horror fan looking for something a little more off the beat and path. 

Vegas in Space:

The tragedy of ‘Vegas in Space’  still to this day lingers in my mind whenever I think about it. An ultra campy, rough and ready pop art vision in sequins courtesy of Doris Fish and Phillip R. Ford, the deaths of two of this films key stars, financiers and producers mere months before the films completion is frankly devastating to hear. Especially considering how unique and fun the film ultimately is. 

I covered this one on my youtube channel towards the back end of 2025 after trying to get my hands on a copy for the better part of a decade, and it was a very rare moment of my preset expectations being not only met, but surpassed. 

Feeling like Joel Hodgeson and Tom Rubnitz collaborated on an all drag space opera, theres very VERY little I dislike about ‘Vegas in Space’. Its colourful, vivid, unflinchingly funny, catty, well paced, well shot, well directed with fun and funky set designs and performances that are both unrelenting and unflinching. The synthy soundtrack only really seals the deal further for me on this one. 

I appreciate this film wont be to everyone’s taste, but in a sea of ‘by the numbers’ productions where I can essentially watch them while doing other things and still fully understand whats happening without missing a beat, Vegas in space had me hooked from the moment the title sequence began, till the moment the last of the credits scrolled off the screen, and thats a very rare thing these days. 

Since my initial viewing, i’ve made it my mission to show this one to as many people as I possibly can, and given currently its availability consists mainly of a Troma DVD thats regularly in ‘clearance’ sales, in some cases i’ve even bought copies of the film for folks to watch when I personally haven’t been able to show them my copy. If you have any appreciation for the counterculture LGBTQ, whimsigoth and Daisy age movements of the mid 80s to early 90s. You’ll no doubt love ‘Vegas in Space’ and should seek it out as soon as possible. 

The Night Stalker:

I had NO idea what or who ‘Kolchak’ was before I was introduced to it by fellow youtuber Mack Lambert. Who kindly invited me to talk about the pilot TV movie ‘The Night Stalker’ on his channel (a video im still desperately trying to assemble but will hopefully be out sooner rather than later). I have to say, I was quite impressed honestly. 

The whole premise of ‘Kolchak: The Night Stalker’ is probably best described as a kind of proto ‘X-files’ meets ‘Columbo’. Carl Kolchak is an investigative reporter who specialises in ‘the unknown’ and particularly in cold or dead end cases where a supernatural or otherworldly presence may in fact be the cause of the incident. 

The Night Stalker was the first of two feature pilots for what would go onto become a 2 season tv series. And it introduces us to Kolchak, who he is and what he does, as he arrives in Las Vegas following up on a series of bizarre murders that have baffled police, but may in fact be caused by non other than a Vampiric entity. 

I wont say anything more than that as I feel that’ll spoil the movie. But this was absolutely one of my favourite murder mysteries that i’ve seen in a LONG time. Gorgeously shot, 70s TV does this film no justice compared to the crisp and vibrant HD scan of the original film elements I watched. Razor sharp editing, lovingly crafted lighting and sequence work, rock solid compositional work and a script that is the perfect blend of mild humour, genuine mystery and the kind of gut punches that make a guy wanna go take a long hard middle distance stare out of a window. 

I utterly fell in love with this world building, and found it quite upsetting that both this film and its follow up are in fact in ownership of a completely different studio to the TV series, AND that both the films and the TV series have had independent releases in the US only, that are now all LONG out of print and going for stupid money. Meaning theres a pretty good likelihood that my chance of nabbing all of these on physical media is about as good as me randomly finding £200 on the street. 

Definitely one i’d recommend for science fiction fans or people with a passion for proto noir cinema. I had a really good time with this unique piece of television history, and I hope you will too!

China O Brien:

With Vinegar syndrome releasing both of the ‘Chian O’Brien’ movies in a deluxe boxset in 4k in late 2024, I just had to check it out as my rothrock filmography has been frankly woeful. And while I could take or leave the sequel, the first entry in this series is everything I love about a good action martial arts movie and then some! 

It all ultimately comes down to Cynthia Rothrock as a personality, if she wasnt the star of this film, this would likely just be another middle of the road slightly goofy action movie. But Rothrocks charisma, charm and the downright fun action sequences in this one really kept me on board for the full duration. It was enjoyable enough that, purely off the back of this one, I went and grabbed a few more Rothrock films to spin this year. 

The 4k scan looks great, really bringing to life the rich neon colours and vibrant surrounding greenery of small town USA in the mid to late 80s. Theres some really nice deep cinematography in this one, which when combined with a punchy synthy score and a light and punch packing script, really sold me on this one. One best enjoyed late night with a few beers on standby, ideally with friends. If you havent seen China O’brien and your into action as a genre, you don’t want to sleep on this one. 

The Fog:

Towards the back end of the year, I tried to focus my attention on checking out a few more mainstream hits that may have passed me by, just to see if i’d slept on anything truely spectacular, and during Halloween 2025, I decided to check out John Carpenters ‘The Fog’…In many ways I was kind of kicking myself from the off as to why I hadnt done it sooner. I mean, its pretty much slap bang in my favourite era of Carpenters work, just after he’d released ‘Halloween’ and ‘Assault on Precinct 13’ just BEFORE he’d work on ‘Halloween 2’, ‘Escape from New York’ and ‘The Thing’. Its basically THE era most people know for Carpenters work, and yet ‘The Fog’ just never quite made it into my rotation. And I really wish it had a lot sooner!

A key thing about Carpenters direction and vision around this time is a seeming relentless urge to slow boil the plot, in lesser hands this could come across as boring, but Carpenter and Deborah hill do such a wonderful job of crafting unique and interesting characters and building a fully flesh and blood world for them to inhabit, that you become engrossed in the towns goings on…So much so that the actual horror element almost takes a back street to just…some absolutely astounding character pieces. 

Its just at the point where you begin to wonder if the horror element is even going to be all that intense with this piece, that it lands with the thud of a sledgehammer, and the whole film kicks into overdrive, taking these well crafted characters and thrusting them into a life or death situation where, because of all the careful setup, the audience IS genuinely invested in ensuring that as many of these people live as possible. 

That is only a small part of what makes this film so brilliant of course, the cine and direction are utterly delightful, the creative vision is precise almost to a surgical fault, and with a star studded cast including Carpenter regulars such as Jamie Lee Curtis, Tom Atkins, Adrienne Barbeau, Janet Leigh, Charles Cyphers, and Hal Holbrook. The only thing more stunning than the visuals are the performances throughout. A cozy ghost story of a movie, its perfect viewing around Halloween and the colder months of the year, and guaranteed to have you twitching your curtains if you live near the coast!

Miracle on 34th Street:

When it comes to Christmas movies, I have a serious problem, and thats the fact that, due to the nature of the season, I very rarely find the time to make it through a whole movie in one sitting during the holidays. I mentioned this in my recent review of ‘Santa Claus Conquers the Martians’ but it can frequently be the case that I put a movie on, get 10-20 minutes in, and then get pulled away to either help set up Christmas decorations, to ferry family to holiday shopping or festive events, to visit family, to go buy christmas food, to wrap presents, to send out christmas cards. And it can quite literally be the case that i’ve seen a movie maybe once in its entirety, in 5-10 minute chunks across a 5 year window. 

‘Miracle on 34th Steet’ was very much one of those movies, a film uniquely placed in the painful spot of ‘famous enough that I feel I really should have seen it before now’, but not SO important in the holiday schedules that I felt the need to sit and watch this thing from start to finish annually. I can say i’ve seen pretty much all of the 90s remake in dribs and drabs over the years. I’d seen small bits of the 50s TV version over the last 20 years. But I can honestly say, barring maybe 1-2 minutes worth of clips. I’d never seen ANY of the original 1940s version. So! Armed with a rum infused hot chocolate and the missus, I decided to actually, consciously sit and watch the original to really get to the nub of why this film is so fondly remembered and revisited. And I totally get it. 

Edmund Gwenn as Kris Kringle here is positively radiating across the runtime, bringing a level of warmth and openness to Santa that I feel makes all other on screen appearances feel positively pale in comparison. The scripts super tight with a good, but gentle humour to it. It steadily builds up a good ‘festive feelgood’ pace until the final act when it fully unleashes unrelenting seasonal cheer on the audience. With goodwill and jokes that still more than hold up and feel relevant to this day. 

With a grand sense of cine and direction that feels revolutionary for 1947, there are moments of this film that to 2025 sensibilities may seem a bit…off colour, I think its fair to say. But these are mercifully few and far between and what we ultimately end up with is a film with a sincere and upbeat cast, a fun and lighthearted plot with some nice contrasting moments, and probably a less puritanical antidote to ‘Its a wonderful life’ a film that revels in the season and the meaning of Christmas, maybe a touch commercialised? Sure thing, but as Kris in the film protests, this season isnt about the toys, its about the people, and making sure everyone who can, is able to get what they need. This was a first time watch for me, but I could easily see it entering regular christmas movie rotation. 

Sonic the hedgehog 3:

I’ve been a fan of the ‘Sonic the hedgehog’ games since the first one reached UK shores, I’ve played pretty much every mainline title up to date, i’ve watched all the TV shows, read a decent chunk of the comics, kept track of the lore and even given part of my brains capacity over to the Chris Chan extended universe. I have a soft spot for the ‘Blue Blur’. 

And while I was MORE than apprehensive when they announced they were producing a ‘Sonic the hedgehog’ movie, to the point that I actually decided to give the first film a miss just, purely because it seemed set up on purpose to not really be made for me. I decided that, before 2025 rolled to a close, I’d finally give the 3 ‘Sonic’ movies a go. In part out of genuine curiosity, and in part because the latest entry ‘Sonic the Hedgehog 3’ had gained quite a positive critical reception AND it was loosely based on one of my favourite Sonic games ‘Sonic Adventure 2’ 

And I honestly came away really quite impressed, this is quite the anomaly in the the film industry, a franchise that gets better with every sequel. I was already kind of surprised when the first film wasnt quite the dumpster fire I was expecting, but when I actually found myself more than enjoying the 2nd film, I was thrown for a loop, but then the THIRD film!? Well that was a whole other kettle of fish. 

I’ll be honest, its quite an investment to sink into getting to this entry, all the films are quite interconnected and they arnt exactly built for audiences to just ‘hop on or off’. You need to have seen the 2nd one to get the most out of the 3rd one, and you need to have seen the first one to get the most out of the sequels. So I don’t begrudge anyone giving this series a miss given how much time is needed to get up to speed on it. 

But I can say, I had a really good time with this one, while they toned down some of the darker moments from SA2, they did keep a LOT in that I thought would have been chucked, theres some really nice references to SA2 for things that didn make the cut as well. And as this series goes on, it feels like the film makers are having more and more confidence in bedding in references to the games and extended media universes, which helps create a more uniform vision. 

Keanue Reeves is Shadow the Hedgehog here, and I think he does a really solid job. Would I have preferred a slightly campier Shadow, more in line with his Gamecube and PS2 era persona? Absolutely. But even with those edges sanded down I would struggle to say I disliked the new approach. 

With striking visuals a fun and engaging script that isnt afraid to take a family movie to darker and deeper places, and some genuinely well written characters. ‘Sonic the hedgehog 3’ may have some low brow humour and a lack of clarity holding it back from truely being the best it can be. But I cant deny that as the credits rolled, I was raring to go on ‘Sonic 4’ (coming 2027) and I think that the franchise, and this film specifically, would MORE than make a big splash on any family movie night! Whether your a longtime fan of the games, or just morbidly curious like I was. I’d say this one was definitely worth your time!

And with that! We draw 2025 to a close! I don’t think theres anything here that would surprise regular viewers/readers. But I hope if nothing else that you take a chance on at least one of the films in this list, and if you do, please do let me know! I’d love to hear your thoughts! But for now! The wide open plain that is 2026 is ahead of us, and I’ve got some movies to spin!

Take Care!

– Dan

The Last Slumber Party, 1987 – ★★★

Do you want a slasher movie that somehow has a film budget, but an SOV Sensibility? Well; ‘The Last Slumber Party’ is the movie for you! This, somewhat generic, late 80s slasher piece pretty much gives you the absolute barest minimums you need in order to enjoy a slasher pic. But with the added bonus of some surrealist arty horror moments thrown in for good measure!

The plots…Well; the plots about as generic as it gets really, 3 girls are looking to let their hair down by hosting a slumber party at one of the girls parents house. the father of the house happens to also be a doctor working on a psych ward, and wouldnt you believe it! One of their more ‘Out there’ patients has escaped the ward dressed in scrubs and armed with a particularly sharp scalpel! And to confuse things a bit! There are ALSO 3 horny jocks ambling about looking to crash the slumber party for good times and beers, even though the girls are on STRICT instructions to have NO beer and NO BOYS! 

And what follows is about 50 minutes of girls idling around a small mansion in states of undress, while the dudebros randomly break in and out of the house to get fresh and the killer slowly makes his way to the house, picking off a few people along the way. with the remaining 20 or so minutes of the film being the main reason to check this one out. Some pretty decent kills, and artsy dream sequences that just about help pull this film up out of the dregs into something half decent and worth your time. 

Dont be fooled, the script for this really isnt anything special, outside of the dream sequences, this is a heavily padded feature where we spend more time watching the girls dancing in the kitchen and wandering around the house than we get ACTUAL plot setting…maybe with some more atmospheric lighting or even a jumpscare or two things could have been a bit different. But its just a hell of a lot of walking and exposition. intersperced with an ultra low body count on the ‘slasher’ front. 

The dialogue feels drawn out and overcomplicated, presumably again, to help pad the runtime. The characters are all ultra generic stereotypes of the genre…Basically if you’ve ever caught a slasher film, your likely WAY too familiar with these character tropes…and thats kind of dissapointing, because while I know these kinds of characters are a given, its really more what you do with them that makes them work to their full potential, rather than just putting the tropes in the scenario and watching it play out. 

Throw in a somewhat underwhelming ending and an act structuring that just seems to get stuck at one pace for the full runtime, and youve got yourself a horror movie thats solely flying by the tone and vibes its putting out on a script level…and thats about it. 

I will say, this feels a bit like a Horror comedy in places, and when its being more light hearted, it really lands the punches well. But this one kind of reminded me of ‘Nightmare Sisters’…But not as sharp or well constructed…and I didnt like ‘Nightmare Sisters’…So when im saying your the poor man to that…thats not great.

On every other front, its the bare minimum…the directions flat, predictable and kind of lifeless, barring the arty moments where it does get a *bit* of a bump in quality…But not enough to really fully win me over. Cast directions fairly flat and lifeless too, this is the kind of movie where you can tell the cast and film makers were excited to say ‘Fuck’ on screen, because the cast deliver their ‘F-bombs’ with a pointedness that can only come from someone being a bit *Too* excited to swear on screen…their physical presences are limited purely to scripted instructions and their dialogue deliveries are largely D.O.A. 

The cine is largely bland, mostly locked off shots in mid or close up. theres no dynamics in the setup for this one, and while I will say its pretty decent on the B-roll, there are moments where they clearly forgot to shoot coverage, because the edit will just flat out hard cut away from some scenes with no transitionary shot creating a very jarring experience. Compositions and lighting are uninspired. theres maybe a half dozen half decent shots in this thing…But otherwise its very utilitatrian in its approach, which felt a bit clinical to me…Not helped at all by the fact that the killer for the film isnt really particularly engaging or interesting to shoot, its a guy in a surgical mask…they never reveal what he looks like under it, and given large chunks of the film take place in the hospital, it just kind of all blurs together. 

Performances, as mentioned are flat, even the kills lack any kind of siginificant animation or ‘Depth’ to them…people just die in this film and noone really gives it any kind of attention. they just move on, theres no mourning, no sense that we should even really care these characters are gone, and that combined with the fact that the characters themselves just arnt given that much depth or characterization, leaves the whole thing feeling quite underwhelming.

Oh! and the soundtracks kind of D.O.A as well, a handful of tracks largely at the beginning and end of the film. and very little in the way of incidental music. Most of the film plays out to dead air or ‘on set’ audio…its quite dissapointing. 

‘The Last Slumber Party’ has its moments, and it doesnt really do anything so horrendously that I could call it ‘Bad’ inherently…but it didnt do anything to really wow me or win me over either. It’s a true neutral. Definitely not main feature fodder, but it could play well as an appitizer, or the middle part of a triple feature bill…clocking in at just over 70 minutes. if your looking for a slasher and your in a hurry, this’ll give you everything you need in compressed form…but not everything you want…nor everything at a breathable pace.

Source – https://letterboxd.com/tytdreviews/film/the-last-slumber-party/

Children of the Damned, 1964 – ★★★

I’d wanted to pick up ‘Children of the Damned’ for a couple of years, ever since catching ‘Village of the Damned’ a while ago and wondering how they’d handle a sequel to that film. Being honest, it feels almost like it writes itself, given the last film ends with the children being blown to pieces and the ‘alien’ element of the kids seemingly freed into a coporial form to escape the village and explore the wider world. It could have prompted an interesting sequel dealing with rebirth, revenge and an aliens view on the darker side of humanity. 

But ‘Children of the Damned’ isnt really that…in fact, its kind of forgettable…Or at the very least doesnt seem to pack the atmospheric punch that ‘Village’ had in spades. 

So the films kind of more of a sideways sequel to ‘Village’ than anything else. essentially the film doesnt really acknowledge the last film in any capacity, a lot of the ‘origin’ plot points have been airlocked, and barring a single line from one of the children about how they’ve ‘Died before’ Im pretty sure this thing has just lifted the idea of ‘psychic killer alien children’ from ‘Village’ and implanted it into this films world. 

The plot opens with a group of scientists testing the mental agility of some children, one of the kids ‘Paul’ isnt just significantly quicker at completing the puzzles, he’s able to solve puzzles that the other kids cant even comprehend. On seeing Pauls genius, the staff really want more information about his circumstance. But his mothers cagey on details around Paul, his father or his birth. and after a bizarre accident befalls Pauls Mother, she confides in them that she was a virgin at the time of Pauls birth, there was no father, and shes known since the birth that something wasnt quite right with him. 

The scientists continue their testing, visitng various embassys where similar stories and children emerge. All the while Paul is under the care of his distant aunt, who doesnt really know much about whats going on. She takes Paul being a kid for granted. and when the scientists become keen to take Paul in for further observations. He hypnotises his aunt, travels to each of the embassys to collect the other ‘gifted’ children and the lot of them hold up in an abandoned cathedral. All the while the scientists slowly begin to piece together that Paul and the other kids are somehow all linked together, that they have mind control powers, and that they may not even be of this earth! And when word spreads about the supernatural children, the embassys work quickly to mobalize a military response to the children, considering them a threat to humanity. Even though our scientists seem confident that isnt really the case. 

Essentially, this felt like a bit of a letdown after ‘Village’ on pretty much every level. 

The script doesnt command the same level of atmosphere as ‘Village’ the first entry felt like a bit of a hybrid of a Nigel Neil script crossed with ‘The Twilight Zone’ there was a real sense of atmosphere, forboding…the unknown!. This film feels more like a moral tale, that underplays the unknown and plays things almost like a 50s ‘atom age’ picture. The first film had genuinely unpleasent moments of horror. This film? the kids barely get to use their supernatural powers, and when they do, its mainly hypnosis or telecommunication. Which sucks. its dull! 

This could have been a pretty easy win. Set the film in a smaller rural village, have the spirits of the children from the last film ‘possess’ the bodies of random children from this smaller, less developed village and have them slowly hypnotise and manipulate this small community into paranoid brutalists murdering each other because they dont know whos ‘possessed’ and who isnt. Instead? we get a plodding thriller with horror elements thats essentially an anti-nuclear war picture. that doesnt have the courage of its convictions to BE an anti nuclear war film till the last 20-30 minutes or so.

The pacing is slow and plodding, this is a dialogue heavy film that feels like it has to spoon feed you every. single. plot detail, not matter how big or small…its dragging its heels for the most part and as such a LOT of the more interesting or unique moments that made the first film so engaging…are just missing from this. Put it this way, this is the kind of movie where you can just…flat out leave for 10 minutes, and if you come back, you either wont have missed anything, or one of the characters will do you a 3 minute long recap of everything thats just happened. At that point, I kind of wonder what the point of engaging with the media is. 

The characters are all pretty dull, the children in the last film had a unique look and identity, as a hive mind it meant there was a lot of opportunity to play that up and create an unsettling look and feel…But here? thats relegated, all the kids purposfully look different (for the cold war messaging) and they really dont play that much on the supernatural element, the ‘eye glowing’ effects that felt fairly regular in the first, get wheeled out a couple of times MAX in this one. and we dont really get any kind of set pieces apart from the VERY VERY end of the film. and thats not caused by the children. 

I will say they handle the act structuring fairly well, the film does have a few fun moments in the plotting and the ending is fairly bombastic…But it kind of lacks the power of the originals ending. that film ended with a defeated ‘bittersweet’ sacrifice. This films ending is trigger by some berk accidentally dropping a screwdriver onto a wire, that completes a circuit by mistake…it feels less refined as a work is what im saying.

Direction wise, its kind of unremarkable too. Not bad by any stretch, but it feels smaller, everythings handled in close ups or mid wides, we’ve shifted from a countryside village to a city…and that location change really harms the films looks and feels. the grungy city vibe helps make things feel more ‘cop drama’ esq…but the village location helped add to the sense of helplessness, the feeling that all of this was happening beyond the realms of city community and safety. As such, this film looks and feels more like a kitchen sink drama, than a supernatural scifi horror sequel. and its just kind of beige for it. 

Theres some interesting scene setups dotted throughout, and given this is a studio pic, I wasnt really expecting anything to be inherently BAD int he direction…but it is kind of just ‘going through the motions’ for lack of a better descriptive. 

The cines much the same, theres some nice lighting moments here and there, the edits tight enough, special effects are a bit lacking…but shots are well composed for the most part…theres just…no sense of adventurousness…the first film had TONS of interesting or unique moments that really helped lift it up. this? this just feels like some guys filming what they think will work…its ‘safe’, and overly ‘safe’ at that. 

throw in a kind of unremarkable soundtrack to boot, and you have a really quite dissapointing follow up. I cannot stress how much potential, and how easy it would have been to have made a sequel to that original film that managed to keep the atmosphere and build on the lore…and they seem to have shelved that idea in favour of cramming ‘The Children’ into a shelved 50’s cold war thriller script whether they fitted in or not. 

Would I rewatch this one again? maybe?…I guess? Like I say, it wasnt BAD inherently or anything…But if I want that kind of ‘quatermass and the pit’ style sci-fi horror…This film isnt the one to provide it. I’d say if you saw ‘Village’ and liked it, maybe check this one out…but temper your expectations…if you havent seen ‘village’ your not missing out.

Source – https://letterboxd.com/tytdreviews/film/children-of-the-damned/

Top 10 Films I Discovered in 2024

2024 was almost certainly an ‘event’ year for me personally, one where I kind of put my hobbies and enjoyments on hold for 12 months in order to do a bit of ‘personal growth and development’. It was one of those years where 10 years progress was done in 12 months, and Im hoping (FINALLY) after 2 years of life changing significant events, that i’ll be able to (FINALLY) settle back into the nice, comfortable life I was leading pretty much right up to the start of 2023…How likely that is to happen however has yet to be seen ultimately. 

Im sure many folks are bored BEYOND death about me talking about me and my partner buying our first house this year. I fully promise that the next couple of blogs on this site will basically be the end of it. But that has kind of been my year. 4-6 months of paperwork and trying to keep the momentum up, followed by 4-6 months of heavy renovation work, moving, re-moving, re-re-moving and finally unpacking and getting set up. And even now, as of Jan 4th 2025 we’re still not FULLY done…We’re basically just unpacked and set up enough that we can start to lead a normal day to day life without feeling like we’re on a building site or living out of boxes. But we still have a bit of a journey to go. 

I mention this because its had a detrimental impact on my movie watching this year on multiple levels. For one, its meant i’ve had to make all my youtube content up front (basically all the videos you watched this year, barring collabs were written, recorded, edited and uploaded between December 2023 and April 2024, With the last video going up around July time). So I’ve kind of been out of the loop this year on that front. But the other knock on is that during the actual process of home buying and DIY-ing, i’ve been WAY too busy and consumed with getting the place habitable to even THINK of cracking open new movies. Meaning my year in film basically reads:

January – June:  A few New movies mixed in with some firm favourites

July – November: Barely ANY movie watching, and if there was any it was nostalgia heavy favourites to try and keep my brain on side. 

December:  A rushed mixture of trying to cram in as many new movies as I could on top of as many christmas movies as I could, While ALSO doing MEGA late christmas planning because I ran out of time and money.

Its been. A. Year. But certainly a rewarding and enriching one!

And now its 2025! And im ready to let the rubber ACTUALLY hit the road, im delighted to be back and keen to get started on making new videos, hanging on streams with folks and getting back into the swing of things. But before I can really TRUELY get started…Its become a bit of an annual tradition round these parts to look back over the last 12 months and spotlight the films that I caught for the first time last year and shine a light on them to highlight just how awesome they really were! 

This years list was a little easier than most years, as there wasnt *as* many to choose from, but I still had a good time shortlisting 20 films out of the many new titles I did watch and then whittling them down to a top 10. As always, these films are in no particular order. These are just 10 films I caught for the first time last year, that I think you’ll really get a kick out of if you choose to check them out! So without further ado! 

Pufnstuff: 

Prior to 2024 I had only a very limited knowledge of the works of Sid and Marty Krofft. Other than show titles, I hadnt really seen any of their work and had you asked me my opinion on them before last year, I’d have probably just written them off as wannabes who jumped on the psychedelic movement of the 60s and then spent the rest of their careers riding the coat-tails of Jim Henson. 

But then this year, I saw Pufnstuf. And well, i’ve never really quite been the same since. 

This, VIVID. Offering landed at just the right moment when I needed some surrealist hyper colourful silliness without the sneer, and it quickly won me over without much of a fight. 

The plot of ‘Pufnstuf’ in and of itself is a bit surreal telling the tale of a lad who finds a magic talking flute and moments later a fully functional talking boat that takes him to a strange island full of felt folk who are just happy to have new visitors. This is all short lived however when the film introduces Witchipoo, a local witch to the island whos spotted the magic flute and wants it to allow her to do exceptional magic AND to show off at the annual Witches convention. 

The relentless happiness, and bizarre imagery this film conjures up across its runtime left my jaw firmly on the floor at multiple points, and when I showed the folks on my discord page the movie, they too were equally beside themselves with laughter and confusion as to what the hell they were actually even watching…But in a good way, not a confused ‘call the police way’.

With solid direction, fun and interesting characters, the BIZARRE plot, vivid and creative script and set choices, a superb cast and memorable music numbers. ‘Pufnstuf’ may actually be one of the few films on this list that I could really solidly recommend to just about anyone with even a passing interest in surreal and strange cinema. Put it this way, Im not ranking these films on this list. But if I were, ‘pufnstuf’ would be a top 3 contender no doubt about it. 

Hey Folks! It’s intermission time mixtape!: 

I’ve been on a bit of a journey with boutique labels over the last decade or so, when I first got into active collecting back at the turn of the 2010s, it was ‘Arrow Video’ that acted as a gateway to strange and surreal cinema and opened up a whole world of film to me. Around 2018/2019 however, I began to notice that more and more ‘mainstream’ titles were entering their release schedules and the types of films that had previously been the backbone of the company (The Beast Within, City of the Living Dead, Inferno etc…) were increasingly becoming rarer to see on the slate, eventually sometime around 2019, Vinegar Syndrome made their international shipping options MUCH more palatable, and I became a devout Vyn-Sin connoisseur. For a good 4-5 years I bought pretty much anything they’d put out, I went through their back catalogue and tried to mop up as much as I could. 

And while I CERTAINLY wont be throwing stones here, they’re good people. I have to say that, while those 4-5 years were good…by the end of last year, I was kind of tapped out. 

I’d basically bought everything I was interested in, the stuff I didnt already own, but wanted, was skyrocketing in price due to VS’s ‘once they’re gone, they’re gone’ way of distributing films. They too have slowly been releasing more and more ‘upper end’ studio pictures (show girls, roadhouse, The Tenant) and that combined with there just, not being as many titles released that im fully interested in owning, and the fact that they seem insistent now in releasing the majority of their titles in 4k (at 4k prices) has meant i’ve spent a lot of the year drumming my fingers with Vinegar syndrome, hoping that their next month of releases has maybe ONE film i’d actually be interested in, and could afford once it hit sale prices…and then being somewhat disappointed when that didnt happen…2024 in that regard has been a bit of a washout. 

But, while Vinegar Syndrome have kind of been off my radar this year, AGFA (American Genre Film Archive) have, for the last 3-4 years now, slowly been warming up to becoming my new favourite boutique label. The organisation, which heavily promotes the preservation and proliferation of VERY deep cut productions, has been on a bit of a roll in recent years with barely a month going by where they havent released SOMETHING that i’ve absolutely fallen in love with. 

In recent years, they’ve tackled the works of Barry J. Gillis, re-released two Ed Wood classics, astounded with movies like ‘Final Flesh’ and ‘Video Diary of a Lost Girl’ and slowly, but surely, their library has basically become my film collection. 

Probably the most exciting news to come from them over recent years has been their increasing closeness with ‘Something Weird Video’ a similar preservation company that started in the late 80s and ran through most of the 90s, 00’s and 10’s before becoming an archive and resource streaming service as of 2025. Something weird is responsible for saving a frankly obscene number of movies from falling quite literally into non existence. Films like ‘She Freak’, ‘Bat Pussy’ and ‘The Curious Dr. Hump’ would either only exist in incredibly rough prints, or not exist at all if it wasn’t for the work of ‘Something Weird’. And 2024 would see the release of what I frankly considered a ‘grail’ offering up until now. 

‘Hey Folks! It’s Intermission time’ was a series of curated compilations from ‘Something Weird’ totalling 6 volumes of cinema intermission trailers, usually the stuff trying to convince you to go spend money at the snack bar, or general notes from the theater themselves, either welcoming you to the theater, offering friendly advise of services the cinema offered, telling you of upcoming events, or trying to help raise money for charity.

They’re quirky, interesting little remnants of a by-gone age. With most screens in the UK at least now having highly polished, mass distributed pre film screens. I find it fascinating to see just how home grown and unique  a lot of these little trails, that were widely seen as disposable, ended up being. 

Which brings me to the ‘Hey Folks! Its Intermission Time Mixtape’ the main feature on a set released this year from AGFA that upscales, restores and re-releases all 6 volumes of Something Weirds original compilation series. But also offers a unique remix of some of the more memorable and interesting intermission trails, turning it into a mind melting 70-80 minutes of psychedelic and trippy re-editing that I feel offers an entirely new viewing experience to these decades old stings. AGFA have been doing remixes like this for likely coming up to a decade at this point, their ‘Horror trailer show’ and ‘Cult of AGFA’ releases, not to mention their ‘Special Christmas Special’ all showcase some superb editing and its clear they have a talented and creatively minded team fronting these ventures. 

‘Hey Folks’ is another fantastic entry in this style of presentation. And Frankly this was likely my ‘Bluray of the year’ honestly. Given thats a year that ALSO included another grail of mine ‘The Dragon Lives Again’ FINALLY getting a correct aspect ratio release for the first time ever. Thats an incredible feat. a set I personally think is an essential, if you havent checked out ‘Hey Folks! Its Intermission time’ absolutely take some time to fix that! Its a great set, and it makes an even greater gift!

Last House on Dead End Street:

An unexpected entry on my list this year, I came so close to NOT seeing this film, its actually quite bizarre. So, I had heard of ‘Last House on Dead End Street’ over the years as being a particularly gruesome picture that, most notably, Vinegar Syndrome had been working on remastering for a number of years. I figured i’d likely check it out when they put out the cleaned up version, until one night while doing some research for ‘The After Dark Collection: Volume 2’ (Coming 2025) I landed on a reddit thread discussing Vinegar Syndromes ‘Adult’ movie releases, and found out that *apparently* hidden in the menus for their release of ‘Corruption’ was a ‘grindhouse’ style HD scan of ‘Last House on Dead End Street’ and just by chance, I had only recently VIEWED my copy of ‘Corruption’…So! I popped it into my player, messed around with it for a bit, and *boom* I had a copy of ‘Last House on Dead End Street’ in my hands. 

And I really wasnt disappointed with this one. as billed, its a particularly unpleasant, seedy and graphic depiction of psychopathy, and the rawness in the performances and actions (given its about making snuff films) left a long lasting impression on me. Reading in to the behind the scenes on it only made me despair even harder as I read of the struggles the writer/director had to even GET the film out to the public. Not to mention the fact that, by the time it actually DID get a wider showing, he had NO idea it was even happening. Its…got a BTS thats somehow even crazier than the film itself honestly. 

I think if this DID have a wider release in good quality, it would likely be held in a much higher and respected regard. As it stands, all I can personally say is. It is NOT for the squeamish, but if you enjoy films like ‘Bloodsucking Freaks’ or ‘The Sinful Dwarf’ you will almost certainly love ‘Last House on Dead End Street’. 

Hundreds of Beavers:

At the complete opposite side of the spectrum from ‘Last House on Dead End Steet’ we have the indie darling of the year, and a personal favourite of this years movie crop ‘Hundreds of Beavers’. A film that got recommended to me AT LEAST a dozen times within the first couple months of it doing the indie circuit. So much so that ‘friend of the show’ Triv of Trivial Theater, managed to cop a screener, and essentially pulled me out of the reno work to make it clear that this WASNT something I should sit out on. And damnit if she was absolutely right. 

The plot follows a fur trapper attempting to collect ‘hundreds of beavers’ to sell the pelts of in order to win the heart and hand of a merchants daughter, the whole film is shot and framed like a kind of hybrid between Fleisher era animation and a ‘Loony Tunes’ short. With PLENTY of references back to Buster Keaton, The Stooges, The Marx Bros and many more silent movie icons. 

Its clearly a labour of love, it looks fantastic, astoundingly so given the budget, its brimming with creative slapstick ideas, and barring a couple of moments that are a *smidge* (and I mean a *smidge*) more ‘adult’ oriented, this could easily be a family movie. I’ve kind of made it my mission this year whenever anyones asked me for recent film recommendations to send them over to this one. 

Its got a good heart, a good soul. And I like that its playful and not afraid to be self aware without trying to be openly controversial. I had a real good time with this one, and could happily recommend it. 

Xanadu:

If theres 2 things that ‘Xanadu’ is known for, its the frankly stonking soundtrack by ‘ELO’, and its for being the butt of pretty much every late night comedy show from 1987 till about 2003. ‘Xanadu’ was and still kind of is seen widely as a laughing stock of a movie. But this year, someone I very much respect, Frank Conniff made a lengthy twitter/bluesky post essentially admitting that, after years of using it as the aforementioned butt of several jokes through the 90s, he still hadn’t actually *seen* ‘Xanadu’ and recently decided to change that…And to his shock and horror it actually wasn’t a cringe worthy terrible musical, it was maybe a bit overlong, but he actually really liked it. Issuing something of a public apology for dunking on it for all these years. 

Well; that was enough interest raised for me to go out and grab a bluray copy of the movie to see ‘whats what’. And What WAS what is that ‘Xanadu’ IS in fact a quite fun little 80s musical. Is it ‘Grease’ memorable? Absolutely not. But its a charming and warm little musical about never giving up on your dream and realising that you don’t have to be young to still go after what you really want in life. 

Obviously, the ELO soundtrack IS what makes the movie fantastic, but it cant be overstated just how good Gene Kelly is in this, playing a weary property developer who yearns to return to a simpler life playing in a big band, when life was less complicated and he had something to strive for. 

The film does get a little tangled up in trying to make Olivia Newton John the personification of ‘your dreams’. But I find that musicals largely trade on vibe, and a few mixed metaphors and some 2nd act pacing issues arnt going to come between me and this campy and funky little movie having a fun time. 

‘Xanadu’ wont be for everyone, I know that. But I honestly would say, if you do enjoy musical cinema and have been put off by years of people dunking on this one, without ACTUALLY having watched this. I’d say give it a go, you may be genuinely surprised…At the very worst, you’ll have still listened to a pretty awesome ELO score. 

Cecil B. Demented:

The Number of John Waters films I have yet to watch is slowly becoming a dwindling pool. I had seen almost all of his earlier works, but his later works are a little scattershot to come by in the UK. I had been hoping to wait for ‘Cecil B. Demented’ to get a proper Bluray release in the UK. But Criterion have now been quiet for a couple of years on that front, and it looks like Kino Lobar are picking up the slack on 90s ‘Waters’ movies…So I threw in the towel on waiting this year and just decided to hit it up on Tubi. And I absolutely loved it. 

Im less enamoured with Waters ‘studio’ era. Basically everything after ‘Hairspray’ to me feels a bit forced and self referential. Cry Baby didnt really move me, Serial Mom is a much loved fan favourite, but left me cold. And Pecker just felt too safe for me. But Cecil B. Demented has a rogue twinkle in its eye that suggests to me theirs life in the old dog yet. 

A film largely attacking BOTH the mainstream studio system and ‘puritan’ indie film makers who go WELL above taste and decency for their art. I feel like this was a return to form for Waters work, that would continue into his next production ‘A Dirty Shame’. 

What we have here is a film that pushes the boundaries of studio cinema more than his previous studio works, but doesnt go AS far as his early films (Female Trouble, Pink Flamingos, Multiple Maniacs’ and it manages to hit a nice compromise of being a clear, concise and well structured picture, that equally has a tenacious ‘daring’ quality to it. The feeling of the old Waters pictures where anything could happen, and sometimes it actually DOES! 

I really enjoyed seeing this one for the first time this year, I would highly recommend it to any Waters fans who maybe jumped off at ‘Polyester’ or felt like he lost his bite a bit post ‘Hairspray’ as I really do think this and ‘Dirty Shame’ were steps in the right direction. And with rumblings that a new John Waters film could be just around the corner. I sincerely hope it continues on this trend!

Oh…and on the off chance someone from Criterion is reading this, don’t leave us hanging, PLEASE for the love of GOD release ‘Desperate Living’. You cant just release all of John waters early work and leave out the film bridging ‘Female Trouble’ to ‘Polyester’ I NEED more high definition Mink Stole rants in my life thank you very much!

Batman 1966:

I imagine some will be surprised that, until this year i’d never seen the 1966 ‘Batman’ movie. Indeed, I myself felt some shame at having not gotten to it sooner, given that I love the original TV series and had a great respect for Adam West. 

But sometimes, things just don’t line up properly, sometimes there just isnt a good bat-time or a solid enough bat-place to fit a movie in. But this year, I made it a point (having been invited to talk about it on ‘Friend of the show’ Jon Norths podcast) to FINALLY crack it open. And I had an absolute blast with it. 

Honestly, I don’t have a lot to say about it, its a feature length take on the TV series, it feels like a long TV episode with a slightly bigger budget and thats about it. It absolutely should have done EXACTLY what it did do, it looks great, sounds great and the extra funds really help take things to the next level. Having all the classic villains from the TV series appear as the baddies in the theatrical outing is a great ‘raising of the stakes’ and the 60s campy silliness is still here in full force delivering an end product that hilarious, charming and just an utter delight to sit through. If you’ve never seen ‘Batman ‘66’ this is a great starting point, and if you enjoyed the TV series, but havent seen the film. You really need to fix that. 

Beetlejuice:

Another one im sure will surprise some people, but again. Sometimes things don’t align when you think they *should* have, and instead align at the strangest times. I had seen the beetlejuice TV series MANY moons ago. But I’d just never got around to the movie. But, with ‘Beetlejuice, Beetlejuice’ going down a storm at the box office, my partner was horrified to learn i’d not seen the original and made me watch it pretty much as soon as she found out.

And it was great fun! Barring a slightly rushed ending I thought this was another creative powerhouse, delivering surreal visuals and fantastic performances one after another after another. I came away very pleasantly surprised, and while im sure the vast majority of you have already seen ‘Beetlejuice’ as someone who hadnt, it really endeared me to the concept…Though, it did make me wonder why their was such pressure for a sequel for all those years, given the film ends pretty conclusively…I dunno!, in either case I really enjoyed this one. Its probably the most well known film I saw for the first time this year and i’m going to have to try and dig out the sequel relatively soon!

Wallace and Gromit: Vengeance Most Fowl:

One of the more unexpected offerings of the year, I had no idea that Aardman had been working on a new ‘Wallace & Gromit’ film, letalone that it was another ‘feature’ outing for the pair, but! On Christmas day, the BBC released ‘Vengence Most Fowl’ a sequel to ‘The Wrong Trousers’ that sees that rogue criminal ‘Feathers McGraw’ trying once again to steal precious gems, AND trying to get revenge on the popular pair who put him away!

Meanwhile Wallace is back in debt, and, as a way to try and get out of it, has built the worlds first ‘Smart Gnome’ a little gardening fellow who’ll do any job, no matter how big or small. It all goes wrong as you can imagine! But it was a nice idea while it lasted!

I LOVED this special, it was probably my second favourite broadcast of the day (outside of the Gavin & Stacy finale) While I don’t *quite* think they match or surpass the complexity of animation seen in ‘The Wrong Trousers’ The film is still genuinely funny has the warmth and familiarity that makes the ‘Wallace & Gromit’ films so enjoyable and was a definite improvement over their last outing 2008s ‘A Matter of Loaf and Death’. 

The comedy was superb, with several gut busting laughs throughout, the animation is still superb and the character have some nice set pieces that tie the whole thing together, including some excellent celebrity voice cameos from Peter Kay, Reese Shearsmith and Diane Morgan. A christmas highlight. If your looking for laughs and something a bit light hearted, you cant go wrong with this. 

Singing in the Rain:

With only 2 hours to go before the year officially ended, I had watched 299 films, and to finish the year off AND claim my 300th film watch, I decided to take a look at a film that ‘Siskel & Ebert’ literally COULD NOT shut up about through most of their ‘Holiday Gift Guide’ specials. 

‘Singing in the Rain’ has often been cited as ‘the greatest musical ever made’ I honestly wouldn’t go that far. But what you have here is a genuinely sincere, surprisingly self aware for 1952 and warm ‘smile’ of a movie that documents the cinematic shift from silent era productions to ‘talkies’ in 1929. 

Gene Kelly and Debbie Reynolds are a tour d’force here, without them the film would have fallen flat I feel, with them, its a match made in heaven. And even though Kellys behaviour off screen was horrific to say the least. It cant be denied that this film oozes charm and joy, and I defy anyone to watch this without cracking *at least* a smirk once or twice throughout. 

With some astounding and colourful visuals on hand, a whole host of iconic and culturally significant musical numbers and some of the most complex and tightest dance routines you’ll likely ever see. ‘Singing in the rain’ was a fabulous way to see the old year out and ring the new one in. I’ll almost certainly try and poach a physical media copy at my next convenience and if you havent got around to this one yet, all I can say is, it definitely needs bumping up your list. A great script, razor cine and direction, killer performances and a bloody ASTOUNDING score. 

I also only realised the next day after watching this, that as of 2025 all works from 1929 (when this film was set) are now in the public domain. Making it a particularly poigniant watch! 

And! That was my top 10 of 2024! Not a particularly controversial list…But then, they rarely are! I hope you decide to look into some of these as I had an absolute blast watching them, and as i ease back into more regular ‘new film’ watching. I can only hope that this year is as kind to me with astounding features as I hope it will be for you. 

Take care!

– Dan 

Partially Reformed Content …#6 (Upto and including) (More than) (Over) One Year On…

Well…this years been a fun one hasnt it? Honestly; i’ve been kind of reluctant towards writing what is quickly becoming my version of The annual ‘Kings Christmas Speech’. Usually writing these is a kind of cathartic release, a way of sitting down, taking stock of the good and the bad from across the year, summing up my feelings on where I am now and what i’d like the next 12 months to hold…I usually try to be optimistic, but realistic about circumstances…But this year?..Well; honestly its probably been the worst year i’ve had in a VERY long time, and continues a somewhat worrying trend of each progressive year being either worse than the last, or neutral. 

Because so much has happened this year, and because i’ve only really talked in dribs and drabs about it across multiple different social media sites. Im hoping that in writing this years blog, i’ll now have a single place I can refer people to in trying to explain exactly whats been going on with me for the last year, and equally; im hoping this will draw a line under everything so that I don’t really have to explain 12 months of lore to people who’ve been asking me ‘where I went to’ or ‘How come i’ve not done any new reviews recently’?

So kicking things off, around the time I was writing last years ‘end of year’ blog, I had just come off the back of a huge recording session for episodes of the show that made up season 13. And; as has generally been the case previously when I’d sit and record 8 scripts, non stop, back to back, over a 2 day window. I had a bit of a sore throat. This was actually kind of normal given the amount of recording i’d do in a single sitting, but heres the kicker; about a week after my last script recording…My throat was still sore…and if anything, getting worse. 

Being a big dumb idiot bloke, I assumed i’d maybe just picked up a cold from somewhere and that my already raw throat was just experiencing amplified pain as a result of it…but 3 weeks after THAT not only had I realised that it wasnt a bug, but i’d gotten to the point where I could only softly talk for about 5-10 minutes conversationally, or sing or speak at room level for between 2-5 minutes before i’d be in such tremendous pain that I had to basically go mute for up to 2 days in order to just about recover back to the point where I could speak softly for 5-10 minutes again. 

After a while (and my partner nagging me to go and get seen because my moaning was annoying her) I went to the doctors who, within 2 minutes of seeing me, diagnosed me with having a throat infection. They put me on antibiotics for a week, I took them, felt a little bit better, and booked in a follow up appointment to say ‘they worked a little bit…but not really’. So they gave me another weeks worth. I took those, they did nothing. 

A week or so after completing that round, my throat got significantly worse…It turned out that on top of the throat pain, I now ACTUALLY DID have a throat infection, it was so bad I ended up at the hospital, where they gave me some significantly stronger antibiotics and wrote a note to my doctors asking them to investigate further.

I went back to my local doctors again about 2 weeks after that incident and this time they changed tact. Telling me I’d got oral thrush and THAT was why my throat was sore. So they gave me some anti thrush medication. That LITERALLY did nothing, but they were adamant I 100% had oral thrush and couldnt be budged on it, so they gave me a stronger version of the thrush medication. I took it, it did NOTHING. I went back again, and rather than them try something different, they doubled down AGAIN on the thrush diagnosis, instead telling me that because Im fat, I must be diabetic and thats why I couldnt get rid of the thrush. I told them I absolutely wasnt diabetic as my partner IS diabetic and she checks my blood sugars semi regularly (because when you’ve been in a relationship for 12 years…it helps to pass the time) which have always been a *tiny* bit elevated, but well within safe levels, if not pretty bang on. 

Still, they insisted I HAD to have diabetus. There was literally just no other explanation (bearing in mind, I went in for a chronically bad sore throat) So…because they wouldnt budge. I took their blood test, waited another week or two, got the results back, my blood sugars were perfect. And the doctor I was assigned basically washed his hands of me. No further testing, no further explanation. He was literally just like; “Your not diabetic, you DEFINITELY have thrush, the medication isnt helping…I don’t know what to do with you…if it gets any worse than it is now…call back in, otherwise you’re just going to have to live with it.” Which…y’know…great job there NHS…

I left things for about a fortnight after that before ending up back at the hospital again for more industrial strength anti biotics for the throat, when I told them the thrush incident they checked me out and told me that they thought it just looked like something called ‘Geographic Tongue’ and advised I go back to them again, they also wrote another note basically saying ‘Dear mr. doctor…YOU’RE A DOCTOR…dont fucking abandon your patient just because the results you wanted didnt magically turn up’.

A week or two after that I went back AGAIN, I was given a different doctor, this one wanted to put me on antibiotics again, By this point i’d probably been dealing with this issue collectively for about 4-5 months it was coming into spring. I’d been on antibiotics or thrush medication of one kind of another for over 2 months at this point. And when this lot didnt work, I went back again and basically said bluntly ‘I’ve now had over 6 different courses of antibiotics. Non of them have worked. Other than checking my throat with a torch, I havent properly been investigated by ANYONE. Could I maybe please be investigated a little more thoroughly, because im concerned about antibiotic resistance. And I don’t believe this is the only treatment for a chronic sore throat.‘

By this point, I was pretty solidly convinced I had chronic tonsilitis, or tonsil stones and that, basically I needed my tonsils out if I was going to see any kind of improvement. The doctors eventually relented. And booked me in for an appointment with the Ear, nose and throat specialists at the hospital…with a 2 month wait…and in that waiting period, they wouldnt prescribe me anything. They instead advised a throat numbing spray as a temporary workaround…which did kind of work…but that then created the problem that I could talk for longer, but my recovery time was STUPIDLY longer…if I talked for 15 minutes and felt fine on the spray, it’d be a week before I could talk again. 

So…I waited, and I was finally seen by ENT. Who told me they were going to ‘scope’ me (basically a long thin camera was going up my nose and down the back of my throat) I later found out that in the states they anaesthetise you before they do that because of the discomfort it can cause…Not in the UK! Over here I was just told to breath very slowly and while they didnt advise closing your eyes, I found it kind of essential to keeping calm. Y’see, if you don’t keep calm and breath slowly and deeply, your body suddenly realises theres a foot long camera LITERALLY half way down your oesophagus and decides it doesnt like that, in short…choking, contractions, and in some cases vomiting. 

I will say this, it isnt painful, it does feel weird though…kind of like you’ve got phlegm at the back of your throat thats slowly dripping down, but you cant cough to clear it, unpleasant, but not painful. I luckily managed to get through my scoping with no major issues, right up until literally the point where the nurse pulled the scope out at the very very end. She was slowly retracting it, and it must have hit my uvula or something, because It triggered my gag reflex, and THEN my body realised ‘oh shit! Theres something in his throat!’ Which led to contractions and retching. But all that was over a 2 second window as the nurse basically yanked the camera out of my face to get it gone ASAP.   

Anyway, she told me the results would be in in about a fortnight or so and to call the doctors to get the results…so I waited…2 weeks passed, I called up…No results…I waited to 4 weeks, called again, no results…I waited to 6 weeks. Called again, no results…at 7 weeks I booked in another appointment with my doctor because nothing had come back. He told me this definitely wasnt right and called the hospital to chase…10 weeks after the scope happened they FINALLY sent something through…and it said that ‘because of my chronic migraine pain, an ear operation was the only answer’…these were not my results. These were someone elses…they’d messed up.My doctor called them back, they apologised and said they’d get my ACTUAL results to me asap.

4 weeks on from THAT. My results were in! I didnt have cancer!..That was it. It turns out that that was the only thing they were checking for… they didnt bother to investigate anything else from the scoping, noone at ANY point told me they were ONLY running a cancer screening. I had been led to believe they were doing this to check for a range of things. But apparently not! 

They basically just came back saying ‘its not cancer’ and then my doctor was like ‘Well…its not cancer! So…we’ve done everything now!’ I was bereft. 

I took a month off the cycle and just lived with the pain for a bit, but it was too much, and in either case I couldnt really live, because by this point my communication had basically slowed to monosylabic quiet grunts and very little else. By this point we were coming into June/July time. And I booked back in at my local surgery and had arguably the worst experience of all the visits i’d done up to this point. 

At this point I was about 99% certain I was going to need my tonsils out, they were riddled with tonsil stones, swollen, I did the the thing of asking Dr. Google my symptoms and all of them aligned near perfectly with chronic tonsillitis and having now at this point been on 7-8 lots of antibiotics across an at least 6 month window, I was starting to get to the stage where I felt that a tonsillectomy could be something reasonably discussed. 

The doctor I spoke to, first of all told me tonsil stones don’t exist (you can google the term ‘tonsil stone’ and you’ll find plenty of articles about them…) this guy told me they were ‘calcium build up’s’ and said it in such a way that made me feel like I was an idiot for even BEGINNING to suggest you could get stones in your throat (I…I don’t really give a shit what they’re called. We were both describing the same thing.) 

He told me my tonsils literally had to be black and touching for it to be ‘tonsilitis’, so I couldnt be in THAT much pain. Mine were a little swollen, but not THAT bad. He told me that he didnt think I had ANYTHING wrong with my tonsils/throat, he said he thought it was ‘Oral Thrush’. When I told him to check my notes because, we’d already danced this dance about a month or two ago and they’d confirmed not only was it NOT oral thrush, but I definitely didnt have diabetes either. He said that his diagnosis was Oral thrush fed by diabetes, and told me he’d only be willing to give me more oral thrush medication and another blood test for diabetes. 

I held my ground, arguing that I really didnt think that was appropriate and that, realistically, I wanted one more bout of antibiotics (because you have to have had 7 documented interactions with a doctor about repeated throat infections in the last 12 months, before a tonsillectomy would be discussed, and I had 6 cases.

He eventually relented, issued me with oral thrush medication, antibiotics and a blood test. 

Surprise surprise, a week later, I felt as shit as ever and my blood tests confirmed ONCE AGAIN that I wasnt diabetic. I went back and saw the same doctor, who this time told me that I was basically making the throat pain up. And that ‘Thrush doesnt cause that much pain.’ 

…im ashamed to say I lost my temper a little bit at him after that, I *politely* told him that i’d now been on antibiotics for over 6 months, id had 2 doctors tell me I had thrush, and 4 doctors (INCLUDING this doctors BOSS)  tell me I definitely DIDNT have thrush. I told them I believed I needed to have my tonsils out, that i’d now met the minimum threshold to have that conversation with a specialist and that i’d like to speak to that specialist now please.

He resisted. But when I told him that i’d rather the opportunity to be told im wrong, than to risk completely destroying my immune system with an 8th or 9th batch of antibiotics (this same doctor told me that taking 1 batch of antibiotics was theoretically enough to make me immunocompromised) he eventually relented and re-referred me back into the ENT team but only on the condition I did one more week of thrush treatment. Which…I’ll tell you now, did fuck all. 

SO! It’s now early August, i’ve been in horrific pain for coming up to 9 months. I’ve been on antibiotics for *at least* 5 of those. My ENT appointment lands, and its a week from when I spoke to the doctor, August 10th. Which is MUCH better than the 2-3 month wait i’d had previously. I head over, the first thing I say to the specialist is ‘I felt a bit duped honestly, because I came to you guys in April/May time and was told I was going to be thoroughly examined, but they basically just did a cancer screening and nothing else. We now know it isnt cancer, I’d like a bit more of an involved check, because I think im going to need my tonsils out based on what i’ve read online’ 

The specialist was honestly one of the nicest doctors i’d dealt with up to this point, he apologised that things hadnt quite gone to plan, and told me he’d do a full inspection of my tonsils, nasal cavity and throat right there and then…via scope. Which…was unexpected because they normally give you a bit of prep warning…but I wasnt complaining.

He scoped me, this time it was a bit more difficult to keep my composure. But within 30 seconds of the ‘scoping’ beginning, he pretty much immediately identified a problem…’You have Chronic Allergic Rhinitis…I don’t know how this wasnt picked up sooner.’

Yes! Boys and girls, it turns out that due to several boobs on behalf of over 10 doctors across a doctors surgery, a hospital and a specialist facility. They’d all overlooked a particularly common issue that was causing a particularly problematic side effect. 

Rhinitis is basically an inflammation of the nasal cavity and throat. Sometimes theres a trigger, other times it can just be your body mis-reacting to environmental stuff. Hay fever is apparently seen as  a very acute form of rhinitis. And can usually be treated and resolved within 4 weeks of antihistamine treatment. 

I was diagnosed with very chronic allergic Rhinitis. Basically an extreme form of the acute side of things. Where SOMETHING either externally is irritating my sinuses, or my body is fucking up and self  inflaming my nasal cavity and throat REALLY badly and causing them to swell and feel discomfort. Theres no cure for this, the specialist basically told me to try and find out what may be triggering it, but that realistically; given how long i’ve been dealing with it for, it could be an internal issue with my body just badly reacting to the world around me. So he prescribed me a nasal spray, told me to try it for a couple of months and see how I got on. 

Within 2 weeks I could talk again at room level. Within 2 months I could hold long conversations again, and as of the time of writing, While im not 100% better, im around 90% and feeling so much better for it. I had a follow up with the doctors around the end of september/october time where they basically told me, this is a permanent thing, if I stopped taking the meds, it’d go back to being as bad as it was before, and that, how it was by the end of the year, would pretty much be how it’d be for the rest of my life. I can live with this, its manageable. But I do wonder just how much time was wasted by the 8 months of being dicked around…This is the best outcome I could have hoped for. But I regret the lost time on multiple levels.

For me personally; that was the BIG issue of the year for me, i’ve never been in chronic pain before…it’s not fun. Would not recommend. 1 out of 10 experience honestly. But this one issue ended up being compounded by other awful awful shit that this year seemingly decided to shoot me in the face with. 

In early May, right around the time my throat was at its worst and I was fresh off being ‘Scoped’ My grandma fell over, broke her hip and passed away in hospital due to a complication arising from an infection. That whole event happened over the space of 2 weeks in May. It devastated the family who were totally blindsided. Shit was cruel honestly. It was bordering on the surreal at times because, not only could I not mentally articulate my feelings about it, but I couldn’t PHYSICALLY do anything because of my throat. 

My grandma was a much loved member of the community and a devout elder of the church, her funeral was a bit like a ‘who’s who’ of the UK christian circuit. It was a grand celebration of her life, and because I have a degree in film and worked as an editor for over 5 years. It was decided to turn her funeral into a mixed media event showcasing her life. I was put onto editing some videos for the event and organising the running order of stuff. The funeral went about as well as it could have, but understandably my mum and her brothers, even now, are still very upset about it. 

That was bad enough, but then the real slug in the gut happened. Since December of 2022, my dads quality of life had slowly begun to decline…seemingly without reason. My dads health had always been shite, he had chronic COPD, they were debating putting him on oxygen for the longest time because he could never quite catch his breath and struggled with even gentle walking. He lost an eye as a kid, and in his 20s (being a big blokey bloke that he was) he shattered his kneecap and broke his leg hopping a fence on a shortcut home…and DIDNT go to get it looked at…so it healed wrong, leaving him with chronic leg pain and making him use a walking stick whenever he stood up for the rest of his life. 

In the last 10-15 years, he ruptured a nerve in his back (picking up a cushion off the floor of all things) which left him in severe pain 24/7, he had 2 operations on it which were unsuccessful and resulted in permanent nerve damage and was on a cocktail of pain killers throughout that time. Add to that chronic arthritis, severe depression, PTSD and I firmly believe he was autistic and in burnout (he refused to get checked)… He wasnt a well man. 

For a couple of years leading up to December, my dad had developed 2 new issues, he’d started falling over a lot, and he’d started slurring his words. My mum thought he might have had a mini stroke. By December 2022 however, the falling over had become much more commonplace, the slurring had gotten pretty bad and he’d started having random bouts of personality changes. One of the most memorable I can recall happened at christmas of last year when he was adamant there were some decorations we’d not bought down from the attic…and…SOMEHOW, he managed to climb into the attic by himself, trash the place and then got confused and couldnt get back down without help. 

Anyway; we took him to the doctors on and off across early 2023, but he didnt like going and quite often just point blank refused because he thought it was a waste of time. In either case, they advised that it could be oxygen starvation effects on the brain (which reopened the ‘putting him on oxygen tanks’ discussion) they argued it could be early onset dementia or it could be something as simple as a urine infection. 

There was a lot of words exchanged…but not a lot of action. In april 2023, my dad was really REALLY unwell, and ended up in the hospital for a few days, where they told us that it was an enflamed pancreas. they gave him some antibiotics and sent him home. 

In early June, pretty much immediately after my grandmas funeral, my dads speech had more or less ground down to nothing. We’d find him on the floor more than we’d find him stood up or sat down. He looked white as a sheet and clearly wasnt all there After a particularly bad weekend, my mum made the decision to call an ambulance for him…he passed away 2 weeks later. As of the time of writing, we’re still waiting to find out EXACTLY what it was that killed him, all we know at this point is he had a high level of toxins in his body and his liver was particularly damaged. The best answer we have at this time was that the painkillers he was on wernt *supposed* to be long term permanent medications as they could cause liver damage. But the doctors never checked in with him, and my dad wouldnt willingly go to the doctors for medication reviews, he also wasn’t supposed to take them with alcohol, which he did irregularly. 

This was both absolutely devastating and totally unexpected. I mean, his health wasnt great, but…and I say this with sincerity…he was driving 2 weeks before he ended up in hospital. He was able to have complex conversations a week before that. To see him essentially crash out over the course of a fortnight was heartbreaking. Im still lost for words on how I feel about the situation because of how unexpected it really was. Its now been over 5 months since he passed and there isnt a day that goes by where I don’t think about him, where I don’t miss him and wonder what he’d make of the world even so soon after he left. 

Somewhat hilariously (and morbidly) 3 things happened in the space of 3 months of my dad passing that held significance for me:

*The ‘Caramac’ bar got discontinued (literally his favourite chocolate bar)

*Top Gear and the grand tour got cancelled (literally his favourite TV shows of all time)

*The Israel/Palestine war kicked off big time (My dad was a lifelong supporter of Palestine…I know for a fact he’d have had extra TV’s wheeled in to the living room to see as much of the news as possible had he lived to see it) 

I’ve quipped that my dad didnt want to live in a world without Jeremy Clarkson and Caramac…its dark, but you’ve got to find light where you can honestly. 

My biggest regret through all of this was that I wasnt really able to have those final conversations with either my Dad or my Grandma, apart from the fact that both of them passed in states where conversation would have been impossible realistically. But the throat pain made even light conversation impossible. I hadnt properly spoken to my dad in months because of my throat. And while I had no baggage with either of them, things ended with no unresolved issues, I had healthy and happy relationships with both of them. I do just wish that I’d been able to not have had one more conversation with them where I didnt have to keep stopping or think very carefully about what I was saying because of how much I could talk.

Obviously; the side of this that you dear reader are likely to be aware of is the news that came out of my youtube channel around the time. That i’d lost a couple of family members and that I was struggling with throat pain, so I had to pause the channel. Initially that wasnt going to be the case. Initially the plan was to do a ‘long play’ on production. Write up all the scripts, record a script a week starting WAY earlier than I normally do, and the plan was that hopefully i’d have a diagnosis on the throat stuff in by May/June time. I was hoping to be be on the mend by August (bearing in mind I started planning for the September season in January) meaning I could have SOME episodes ready for September and October, AND be ready to batch record again in September/October for November/December episodes. 

Then, when my grandma passed in May, I figured…’Okay. Im going to have to stop channel work for about a month. Not the end of the world, but I may have to drop a couple weeks in september ASSUMING I get a diagnosis on my throat soon’. Then when the results came back messed up, I was like ‘Fuck…right…Okay, no, I can still make this work, I’ll drop September completely, we’ll come back in October and go straight into Halloween episodes and I’ll pool the september scripts over into Feb 2024 for season 15. 

Then my dad went into hospital, and a week after that the prognosis was NOT good. My throat was still like razor blades and i’d basically been told I was a lost cause by the doctors and put back on antibiotics… It began to become glaringly apparent that I absolutely wasnt going to be good for a September launch and October was looking about as unlikely too. I really wanted to make it work, but…I was at a very low point by late July. the last straw on things surprisingly was something totally unrelated. 

I craved summer this year, I desperately wanted that time to sit in the garden, enjoy the heat and maybe even do some daytrips to make the most of the weather…Then we had one of the wettest, dankest, darkest summers on record. We had approximately 1 week of sunshine in a 12 week window, with the other 11 weeks were mild, grey, overcast, and around the time of my dads passing we were going through the bizarre circumstance of it being mid july with 3 ‘weather warning’ level storms battering the UK for the better part of a month. It was tropical floods, thunder and lightning for almost the entirety of summer, you couldnt go anywhere, you couldnt do anything. It was miserable. 

That was the last straw, i’d lost a lot of good people this year, my voice was fucked so I couldnt record even if I wanted to, and with the weather being SO god awful, it meant I didnt really get to do anything I wanted over the summer vacation other than sit in doors with a lot of mourning people, while I myself was mourning too. It was at that point I realised i’d basically be busting a gut, bottling up my own feelings and possibly doing myself some physical damage to try and force the show out to meet what was becoming and increasingly improbable deadline. So…I made the decision to pause the show till the new year. Both because, at the time I made the announcement I still wasnt entirely sure how long it was going to be before I got a diagnosis for the throat stuff, but also I didnt know how long recovery would take, AND I was feeling very low. 

I took 3 months out from mid july, I watched some movies, tried to make the best of an awful situation…I may have done a livestream or two around this time. But that was the top end of my channel stuff. By mid to late september, my voice had started to recover thanks to the medications, and I was able to go from recording 1 script a week broken down to a page a day with several days recovery after the fact, To doing a script a day. Through september and October, I began to pick things back up again. I slowly started to record all the scripts I’d written in Feb/March that SHOULD have been for September. By the end of October, i’d  recorded 12 scripts. And had started writing the last few scripts that I’d not gotten around to. 

It was in late October/Early November that, after speaking with some of my fellow content creators, I decided things needed to change. The amount of content i’d been making for the channel was widely considered to be a LOT more than I needed to make. I’ve been running weekly uploads since 2017 and as time had gone on, more and more time was being required to make these videos, alongside all the live stream appearances, podcasts…all that good stuff. It was putting a strain on my partner who would go days without seeing me, it was putting a strain on my personal life, and it was straining my health. 

So I made the decision to roll back the number of episodes I made in a year. Starting with the next season. Season 13, including the September special totalled 23 episodes, its commonplace on the channel that the Feb-July schedule is usually between 21 and 23 videos depending on how the days fall. With Sept-Dec generally being between 16 and 19 videos. Add in the (now annual) audio only CD releases which are another 7-8 audio reviews a year, and your looking at the max end of 50 reviews a year…not to mention letterboxd or having to run social media accounts like twitter, discord, insta…Its a LOT of time. 

So, because my voice isnt as strong as it was, Im still really working through the deaths and for the benefit of my relationship with my partner AND helping her deal with her chronic health problems. Season 14 is currently going to run for 16 episodes. With a 17th being debated depending on how quick I work. Im not going to lie…its a big drop. But I feel like doing this is going to help keep my voice in check and give me some time back to work through things and help better support my partner. Season 15 (Sept-Dec 2024) is currently looking to run for 14 or 15 episodes, and we have an audio release planned for the summer of 7 more reviews there…bringing the total down from 50 to 38 or 39 videos for 2024. A reduction of around 11 or 12 videos…which I estimate *should* in theory give me back almost 2 months worth of afternoons and evenings across the year. 

I am also hoping to bring back game streams next year. How regular they’ll be I cant say for certain at this point, but im looking At Feb as being a starting point. AND im equally hoping to get back into collaborations, podcasts and appearing on other peoples streams…so if you want a weird cult film guy on your stuff. Reach out, I AM very much interested. I’ll be scaling back on some of my other social media presences too, insta is probably going to be scaled down because…well, meta have screwed the pooch on this one and you now see more adverts than you do ACTUAL content on the site. so…I don’t see much point there, Letterboxd has been going quite well in recent months, so im going to be continuing to write reviews on there. (seriously; if somehow you havent had enough of me, head over there. I usually manage to write 2-3 additional reviews a week at minimum on there) 

Theres an official TYTD facebook page, thats been automated for years and wil continue to be so. Im basically waiting now on Bluesky adding DM’s so that I can leave the hellscape of Twitter (Or, at the very least, im hoping Twitter gets bought out next year by someone who ISNT a total dickhead so I can be on there without having to see so much awfulness) 

 I’d like to try and continue to grow the TYTD discord server, which has been arguably one of the best things to happen to me over the last 18 months. Theres some wonderful people on there who quite honestly have  been BEYOND supportive. 

What else has been going on in my really fucked up bad year? Well…when we last parted ways, work was on a downward turn, I’d been part of a rather successful (but slightly imperfect) team that had just been dissolved and I was now with a first time manager, in a part of the business I didnt like, and I was being told (not asked) that my role was going to be changing and to expect a bigger workload. 

12 months on, i’ve changed managers AGAIN, my previous manager (the first timer) is now a coworker with me in this bigger team, and things are about as shit as they’ve possibly been in my entire 6 years with the company. This is because, while I was on bereavement leave. The company decided that EVERYONE needs to be standardised. That means everyone needs to do the same training, everyone needs to be able to do everyone elses job (no matter how far removed it is from the ACTUAL job I do)…its a mess, my boss, my bosses boss and my bosses bosses boss are all ladder climbers, who have no interest in the staff they manage, they just want to do big changes that look good on paper, but don’t work in the real world. I currently have a weeks worth of time every month wasted on stuff thats been deemed ‘mandatory’ even though it has ZERO relevance to my job. 

I’ve moved from an environment where we were encouraged to speak up about ‘low/no value’ time killers and to have open and frank discussions with managers about ways we could improve efficiency, to a model where theres no room for discussion, no option to push back. Everything is dropped on us WAY after the fact, when its all been pre agreed and theres no way to challenge it. And if you do raise a query about how useful it is to your day to day job, you’ll either be met with ‘Its not fair for everyone else to do it, and not you…so do it.’ (casually overlooking there that 90% of ‘everyone’ ALSO don’t need to do it really…Or you’ll get greeted with a ‘Its mandatory, not doing it will get you a disciplinary or worse’…again with no context or reasoning

I’ve also been told in the new year that they’re going to start loading me up with work Im really not keen to do because one of my co-workers is the bosses friend and he wants to ladder climb too…so they’re basically going to take all his shit work, give it to me so that he can do something grandstanding. But non of that matters because theres also the VERY real possibility that I wont even HAVE a job by March/April time next year because of various ongoing company issues…Put it this way, if I go in March/April/May time…I wont be surprised…if I manage to hang on till October/November, I’ll actually be kind of glad because the payout will be a bit larger. 

Theres also some rumblings about me returning to the office…which is literally the worst thing I can think of right now on multiple levels that I wont go into here, mainly because it hasnt happened yet, but also because we’re already 10 pages in to this blog…So yeh…works about as bad as it can be right now…not as bad as the last place I worked where my boss literally called me ‘Slime’ for having a union rep…but yeh…this year has not been my finest hour…its not great right now…

What else, what else…OH! My very elderly cat passed away in August after developing a neurological condition…he was 19. Very old boy…that kind of got lost in the whole ‘death of my father/grandmother’/’work is literally a bag of dicks’/’I cant talk anymore’ part of things…but yeh…

Politically? Not much has changed. Last year I lamented that I felt politically homeless with a tory party creeping ever closer towards outright fascism, and a labour party that was essentially promising to just ‘be the tories, but one click back on the evil scale’ This year? Its still much of the same, the tories are now literally just ramming through as much shit as they think they can get away with without causing an outright civil war (basically scoffing down the cookies before they’re pulled away for a spanking) and Labour have somehow become more cuntish and are actually out-torying the tories on some issues.

Theres rumour swirling of a May general election next year. And at this point (as has been the case now for the last couple of years) im basically staring down the barrel of spoiling my ballot on the day unless theres a green candidate…and even then, it would depend on the green candidate…. I cant in good faith vote for any of them. The UK kind of have it easy in some regards with this upcoming election…choosing between a right wing government thats going to fuck us over or a REALLY right wing government thats REALLY going to fuck us over isnt really a complex issue. 

The US by contrast is looking at Trump/Biden round 2…thats…thats a hornets nest I don’t wanna play with. Realistically Biden is the lesser of two evils. But we’re at the stage now in american politics (and UK politics really) where constantly picking the least shit option isnt acceptable anymore. Both the US democrats and UK Labour have rigged their internal systems now to the point that NOONE with a shred of integrity or a slight leftward lean can get anywhere near frontline politics. 

We’re currently in a system where people are voting for politicians who are aware of the public interests. But have ZERO interest in voting in favour of them. We have representatives who now actively not only don’t represent their constituents. But actively work AGAINST them, largely in negative ways for lobbying money. And I don’t know how you fix that because they arnt going to regulate themselves and you better believe they’re going to be co-dependent on the other political parties using fear tactics to keep them in power…so I can only really offer the unconstructive approach of ‘spoil your ballots’ and try to dismantle the system with every opportunity you get. 

We’re now over 11 pages into this ‘end of year’ blog and its been a bit bleak…so I am going to end on the LITERAL SHREDS of light that landed on me this year, Stopping me from going to the nearest bridge and tossing myself off (careful). I hit 1k subscribers at the start of the year! That was a hell of a milestone and I want to thank each and every single person who joined me on the journey so far and supported the channel, you guys have been utterly amazing to me over the years and ‘thank you’ is honestly too small a word. I only hope I continue to improve as time goes by. 

My relationship with my partner has become more sturdy this year than it has been for a good while, after 12 years routines tend to set in, but given all the awfulness thats happened this year, and all the downtime i’ve had, i’ve really had chance to spend a lot more quality time with the missus, and I think we’re in a place thats the best its been in a couple of years at least. I should stress we wernt in a BAD place before hand…but its like we’ve gone from an 8 out of 10 to a 9 out of 10 recently…which has been lovely. 

I had a wonderful day with her at an Aquarium for her birthday, which is a much treasured memory of this year, and one thats really got me through a lot of the harder times. I also achieved the goal I most wanted to do this year, I WENT TO THE BEACH! After 3 years of longing to go back to the seaside, in august, I packed the car up and took the missus and my mum on a daytrip. YES it rained and blew gale force winds for almost the entire time we were there…BUT I DID IT!

Me and the missus have also started the VERY early work of looking to buy a house together. Nothing will be happening till the summer at the absolute earliest…but its a start! We also started work on a project to turn my Dads old tool shed (which…in the nicest possible way…was a rat infested, hoarders shit tip) into a fulyl functional workshop. So far plans have stalled a bit as we keep having electricians bail on the project (we’ve been ghosted now 3 times) but hopefully next year that’ll finally get its grand opening!

And obviously the continued outpouring of everyone around all the awfulness this year has been honestly more helpful to me than words could ever say…SO many people have reached out to check in on me, Trivial Theater in particular needs special thanks, not only for checking in on me almost every day, but for sending me goodies in the mail which honestly made my year. All of you have been so supportive and caring, and it really helped restore some of my faith in humanity…so from the bottom of my heart..thank you. Even small acts of kindness have been immeasurable. You really don’t know the good you guys have done here. 

OH! and because I usually write a little bit about christmas here too…Im writing this now on the 29th of December, having had my christmas vacation split in half (I had from the 15th to the 26th of December off, I was back at work for 3 days, and today was my last day in…im now off again from the 30th till the 10th of January) thanks to another ‘improvement’ from my new boss and management…Christmas 2023 was, i’d say, above average. Given everything thats gone on, my mum and my sister were adamant that this christmas was going to be rather ‘bleak house’ but I went and stopped with them (along with my partner) from the 22nd till the 27th and whenever the mood took a turn, we made a point to try and pull it back. Which we did rather successfully.

In a break from tradition, we decided this year to have Christmas Dinner on Christmas Eve instead of the day itself. Which I actually think worked rather well all things considered. It meant that Christmas Day wasnt quite the mammoth marathon it has been in previous years…everything felt a lot more chilled out, spread out and we could actually enjoy the days more fully…

After last years mini disaster of winding up 3 days before christmas missing MOST of the christmas food, this year me and my partner got onto my mum in late September to start planning now to avoid a repeat of previous years…Which god bless her she did! we had it budgeted and a list made by early November, we started buying bits and pieces in from the first week of December and, barring literally 1 item (a big pork pie) we managed to get ALL our christmas shopping done with 3 days to spare! No fuss, No muss, it was lovely.

So yeh…on the whole, while It was a bit of a brief one (normally I take a full 2 weeks of at christmas and get the full benefit of that weird 23rd December – 31st December ‘No mans land’) This christmas was actually one of the better ones i’ve had, AND it turned out a LOT better than it could have.

And…I think thats about it for 2023. A shit fucking year thats EASILY the worst one i’ve experienced in 15 years (and im including 2009, the year I genuinely considered killing myself in that ranking) It cannot fuck off harder or fast enough, I want nothing more to do with it, and im glad its in the bin.

But what does 2024 bring??? well…At this point my expectations are through the floor quite frankly. I feel like my jobs going to get worse before it gets better. Two HUGE elections with awful outcomes no matter how you square it (varying degrees of pain)…But I do have some positive stuff to look forward to. With a bit of luck, we’ll open the workshop in time for summer. Theres obviously the start of house hunting, which will (hopefully) be fun and not a nightmare. The channel will be back up and running from January which im PROPERLY looking forward to getting back into that…

The summer of 2024 frankly cant be any worse, short of some kind of mass extinction event and more tropical storms…So…theres that…I’d like to try and hit the beach again…but in better weather…and im hoping this year that the channel will continue its upward momentum as we hit 1.2k subs as of a few days ago..so getting to 1.4 or even 1.5 by this time next year would be astounding honestly…

I suppose thats really the mantra im carrying going into 2024…’Lifes what you make it’ im really hoping for smooth sailing (or at least…a calmer year than 2023) but who can honestly say? Personally i’ve craved stability now for the last 2 years…if I can manage that as a base note for 2024…I’ll be happy. 

To 2024, a year of the unknown. I wish you all the best, the safest and the brightest of futures.

  • TYTDan x

The Best of the ‘First Timers’ – 2023

As another year winds down to a close, I decided this year to do something a little bit different. Last year, at the end of the year, I put together a letterboxd list of my ‘Top 10 films I’d seen in 2022 for the first time’. They didnt have to BE films made in 2022, they just had to be movies that, to me; were a first time viewing. And I quite enjoyed the experience honestly. It made for an interesting journey back through my Letterboxd diary list for that year to shortlist out the films i’d watched for the first time, and to see which ones, thanks to the passage of time, had matured into something I’d genuinely enjoyed. 

There were movies i’d loved on the first watch, but had soured over the months since checking them out, by contrast there were films I thought were absolute stinkers for which, the passage of time had actually mellowed my views and given me a new affection towards them. Movies like ‘Flesh for Frankenstein’ and ‘Thriller: A Cruel Picture’ were no brainers, but the likes of ‘SGT. Kabukiman: NYPD’ genuinely caught me off guard! 

So! With 2023 only 2 days away from completion, I thought i’d do it all again and pull up my ‘Top 10 First time watches of 2023’. Frankly; given theres still 2 days left of the year, im a little bit concerned even at this point that I may get one final amazing movie land in my bluray player before the years out…But! We do have to cut these things off at SOME point… Some may surprise, though I reckon anyone who’s been paying attention to my Letterboxd and youtube channel will probably have a pretty easy time guessing which movies made it into this list.

They wont be in any particular order, there isnt really a ‘best film of the year’ situation here (thats not how we roll) Instead, these are just 10 films that left a profound impact on me that I absolutely would recommend you guys, gals and NB sweethearts check out at your next convenience. SO! With that out of the way…

Elvis (2022):

https://letterboxd.com/tytdreviews/film/elvis-2022/

Starting things off we have a film that I *very* nearly watched this time last year before life got in the way and it *just* slipped back into the first couple of days of January. ‘Elvis’ was one of the first 4k discs I picked up and I was absolutely blown away by both its lavish and sumptuous attention to visual detail, AND the script itself. Dancing a very fine line between campy TV movie and a visual feast. ‘Elvis’ is probably one of my favourite Baz Luhrmann films to date. A kaleidoscope of golds and reds. 

This truely felt like a film pushing the boundaries of the medium itself (as of 2022) in places, and it made me very excited of what lies in store for us in the coming decades. While it absolutely can be accused of boiling down Elvis to ‘just the basics’, with some moments of the film bordering on ‘Dewey Cox’ levels of simplicity. I found that aspect of the production charming and it only further enhanced the campy elements for me. With it shooting well past the 2 and a half hour mark, it unfortunately wont be one I have time to sink into again in a hurry, which is in fact one of the only bad things I have to say about it. Had it been closer to 90 or even 120 minutes, i’d have been much more likely to rewatch it. But even so, this was a delight. 

Paperhouse:

https://letterboxd.com/tytdreviews/film/paperhouse/1/

A film that was recommended to me by a viewer on my youtube channel, i’d vaguely heard of ‘Paperhouse’ before being asked to cover it, but I thought a lot of the promotional work looked a little bit uninspired, so I put it in my ‘to watch’ pile and essentially relegated it to ‘When I have a gap in the schedules’ status. Little did I know that arguably one of the best movies of that season was quite LITERALLY under my nose the entire time, a fact for which I apologise to whoever recommended this one to me for delaying it for so long. 

Paperhouse, from a marketing perspective looks like some kind of drama, maybe with some very light fantasy elements (think ‘Celia’). But if you cut through the promotional materials, theres a much richer complex story being told here, One that strongly reminded me of the works of Guillermo Del Toro’s better offerings…Though miraculously, this one came first. 

A dark and moody fantasy dealing with themes of abandonment, puberty and the ups and downs of life in working class England. ‘Paperhouse’ mixes bleak and gritty cinematography with an abstract fantasy edge to create an end product that Bernard Rose should be VERY proud of. It still blows my mind quite honestly that this thing is trapped on DVD. a 4k release of this film seems like a total no brainer, and I have to assume its caught in some kind of rights limbo because, other than a *slightly* shaky ending, the only other thing I could honestly pick fault with was the DVD presentation starting to show its age. 

Definitely worth checking out if your smitten with young adult-esq fantasy fiction, ‘Paperhouse’ was a film I took for granted, and I regretted doing so every day after watching it.

Beyond the Seventh Door:

https://letterboxd.com/tytdreviews/film/beyond-the-seventh-door/

Another totally pleasant surprise for me this year, this one was recommended by friend of the show ‘Triv’ from Trivial Theater, who brought it up during a podcast recording this year as a film she’d recently checked out that she thought i’d really quite like. And she ABSOLUTELY wasnt wrong! 

‘Beyond the Seventh Door’ is a bit of an oddity, a Canadian SOV film that looks and feels like the kind of thing you’d have seen in the 90s as a physical gameshow on TV, such as ‘The Crystal Maze’ or ‘Legends of the Hidden Temple’. 

Its an oddity also in the sense that…for SOV…80’s SOV…It actually looks really bloody good! We have crisp and sharp video footage that feels right around broadcast quality, the set work is superb with spaces that have lots of moving parts, intricate detailing and interesting small details…This is a low/no budget SOV film that features a scene where our main characters have to solve a word puzzle that built into the floor ‘hopscotch’ style, and when they DO solve the puzzle one of the tiles on the floor starts lowering like an elevator. I have seen HUNDREDS of SOV flicks in my time…I’ve never seen one do something like that!

Littered with small references to the place it was filmed in, ‘Beyond the Seventh Door’ is pretty much the best SOV flick i’ve seen this year. And thats not even BEGINNING to mention ‘Lazar Rockwood’ who’s performance here is absolutely insane and only pushed this thing even further up my ‘must see’ list. If you have any good feelings towards SOV cinema at all, this is a must see in my opinion. A short but sweet fun little romp that has genuine passion behind it and hits all the right notes.

Saw X:

https://letterboxd.com/tytdreviews/film/saw-x/

Towards the end of this year, I finally decided to plug a big gap in my horror knowledge and took the plunge in checking out the ‘Saw’ franchise. Part of this was down to the fact i’d only ever previously seen ‘Saw’ 1 and 2. Part of it was down to the fact that Shudder announced they would be streaming the first 7 films on their platform…and I figured at £4-5 for a months subscription, this would probably be the cheapest way to catch all of them, short of doing naughty torrents or paying £25-£45 for the privilege of a boxset. 

‘Saw X’ is the latest entry in the franchise (coming out this year no less!) and it isnt so much what this film DOES, but rather what it DOESNT do…Set in between ‘Saw’ 1 and 2, ‘X’ breaks from the formula, doing the one thing i’d wished ALL these ‘Saw’ films had done in the first place. It tells a largely self contained story, in an interesting way that prioritizes character development over gory visuals. 

This isnt a film where you need to remember the ‘lore’ of 8 other movies for it to make sense, and it isnt trying to essentially be a glorified ‘snuff’ film as the latter entries in this franchise ultimately ended up. ‘Saw X’ gives Jigsaw and Amanda a LOT more room to explore there own morals, hang ups and humanity. In such a way that NON of the other ‘Saw’ films have really bothered with. Its script is razor in it’s execution, flexing wildly between getting us to sympathise with Tobin Bells character, who ultimately believes that what he’s doing is morally sound. While not failing to remind us that he IS ALSO responsible (directly or indirectly) for multiple people now missing limbs or not being alive anymore. 

Thats not to downplay the kills in this film either however which are some of the series best, with over the top gory slayings that dance a VERY fine line between being quite campy in there execution and downright unsettling. 

With rock solid performances, some fantastic camera work, the sharpest script the franchise has had in *at least* 15 if not 20 years, and a score that felt oppressive and perfectly timed. ‘Saw X’ left a solid impression on me that didnt leave for quite a while, I almost feel bad I didnt get to catch this one in theaters. 

Idiocracy:

https://letterboxd.com/tytdreviews/film/idiocracy/

Another one that I’d put off for years through a mixture of split opinions on what its trying to communicate, AND the shocking fact that this thing hasnt yet made the jump to HD. I caught ‘Idiocracy’ with my partner over the summer for the first time, and while it’s now seen as fairly trite to say this film was supposed to be a warning, not a documentary. I couldnt help but laugh in a somewhat worried way at just how many things mentioned in this film could, entirely realistically, happen in the real world in the very near future. 

I appreciate that, by the time I have gotten to this film, the moment for it has well and truely passed. But as someone who went into this thing only knowing the absolute barest of plot points (a guy gets frozen in the early 2000’s and wakes up in the far FAR future in which humanity has almost entirely out bred and outpriced the intelligent from the planet and created a ‘coddled’ version of society that doesnt know why things are the way they are, but wont question it either) I honestly just found it quite funny. Yes its a bit sneering in places, yes it does dabble in Eugenics talk in places (largely the first act) but once it gets underway and it boils down to ‘average intelligence guy is basically the only ‘Einstein’ on a planet of idiots’, It falls into Mike Judges specialty area. Dumb humour. And from that point on, its just gut buster after gut buster for me. 

Its a largely professional end product as well, which was a nice surprise. Given the budget and how easy it would have been to just turn this into a cheap and nasty ‘dumb people be dumb’ movie. It DOES at least attempt to add a bit more complexity and scathing commentary on society into the mix to bring it up to the next level. I think it’ll be interesting to see how this film ages over the NEXT 20 years…because if the 20 or so years between this film and now has made it feel THIS close to reality. Lord knows where the next 20 will take us. It’s not for everyone, but I personally had quite the soft spot for it.

Deadstream:

https://letterboxd.com/tytdreviews/film/deadstream/

A genuinely pleasant surprise to stumble on, I found ‘Deadstream’ literally at random one night while flicking around on Shudder looking for something to kill 90 or so minutes, normally I don’t tend to watch ‘Shudder Originals’ as my past experience with them hasnt been the best. But the marketing made this sound like it was some kind of ‘found footage’ horror film about a social media influencer livestreaming his time in a haunted house for clicks…and that sounded kind of neat for me…well…neat enough to take a 90 minute gamble on it. 

Then the comedy hit, and I totally fell in love with it. Comparisons to ‘Evil Dead 2’ are kind of obvious with this one, I honestly wasnt expecting this to be a horror comedy, and a GOOD horror comedy at that! Its all presented as if your watching a livestream take place, and while some of the plot points are a *little* bit dubious (our main character has half a dozen ‘go pro’ esq cameras that he sets up around the haunted house that he can control, cut to and generally use at ANY time with NO interruption thats simultaneously able to be controlled by an Ipad, BUT ALSO has a wireless direct feedline to whatever software hes using to stream…thats a big mental leap for me to make honestly) 

In some ways, the simplicity of the execution is kind of what draws me to it, I feel like had this been a much more polished affair, it wouldnt have the charm. Its that rough and ready, rogueish element that really quite won me over. Our lead character is charismatic, has a deep history that gets pooled into across the runtime leading to a nice slowburn release about his character. 

Most importantly, its a movie trying to be a livestream, that ACTUALLY feels like a live stream! Which an astonishing number of movies really quite fail to achieve (its a similar problem that plagues scenes where actors play video games in movies…either they don’t look like they’re *Really* playing the game or the game looks less like a game, and more like an animation…

In either case, Deadstream is a big goofy and surprisingly well made feature that I feel would pair wonderfully with something like ‘The WNUF Halloween Special’ and is absolutely worth your time.

Django Unchained:

https://letterboxd.com/tytdreviews/film/django-unchained/

I can often be accused of being ‘late to the party’ on some movies. In many ways I prefer it that way because it means I rarely get swept up in the ‘hype’ that often comes with new releases. But it does then have the negative consequence of having to find the time to play catch up with the rest of the world. 

This year, I decided I wanted to try and plug a gap in my Quentin Tarantino knowledge, at the start of the year i’d seen just under half of his movies, and (broadly speaking) I do have a soft spot for his work. ‘Resevoir Dogs’ and the ‘Kill Bill’ movies did a wonderful bit of upcycling in taking awesome moments from B-picture exploitation flicks and transplanting them into larger budgeted, studio driven productions…Part of me kind of resents that because I feel it downplays the importance of the cult source material…but then…part of me knows had he not ripped off a ton of exploitation pictures, audiences likely would have never appreciated them, or even known they existed…

My Tarantino gap was really everything after ‘Kill Bill Volume 2’, I’d seen ‘The Hateful 8’ but that was about it. So…as you can imagine, when I found out that Tarantino had gone MASSIVELY grander in his visions for his films post 90s…I quickly got quite invested. And by the time I got to ‘Django: Unchained’ well I just about lost my damn mind frankly. 

Doing what he did with asian cinema, and the cult B-pictures of the drive in ‘Django’ takes the exploitation era spaghetti westerns and pulps them into a 2+hour long visual feast, arguably not just one of his best movies, but one of the greatest westerns of the 21st century (which…being honest, isnt THAT hard of an achievement…but it sounds cool…so im going to roll with it)

An Acidic anti racist script laced with scathing commentary on American culture and slavery. Django is unflinching in what it sets out to do, and it does what it sets out to do really bloody well. 

With rich colourful visuals, an astoundingly powerful script, some of the strongest direction Tarantinos ever committed to film and a score that makes my hair stand up on end. Im getting to a point in life where I feel like I could say ‘Django’ is my favourite Tarantino film. Its almost certainly a peak for him as a creator that he hasnt *quite* managed to scale again since. But if you only catch one of his movies. This or ‘Reservoir Dogs’ are essentials. 

It’s a Mad Mad Mad Mad World:

https://letterboxd.com/tytdreviews/film/its-a-mad-mad-mad-mad-world/

Making it onto the list by literal DAYS. It was a total accident that I wound up catching ‘Its a Mad Mad Mad Mad World’. I decided while on my Christmas Vacation that now would be a time to try and sink all the 2+ hour movies I had because I really don’t have the time to watch anything that long (or longer) while im working. This had been near the top of my ‘To watch’ list for a while, so I gave it a chance and didnt regret it for a second. 

Essentially, it feels like the film makers got their hands on a list of every US comedian or entertainer from 1930 to the present day of 1963 who wasnt dead, called them and asked if they’d be interested in starring in a movie…and seemingly most of them said ‘Sure!’ 

Its SO densely packed with now LEGENDARY comedians you barely get a second to catch your breath before the next madcap scene is taking place. Its a non stop barrage of every single type of comedy you’d care to think of. And while I cant say there was much in the way of total gut busting laughs. It did have a consistently good hit rate for jokes, enough to keep you smiling and chuckling from beginning to end. 

Everyone involved seems to know the tone this thing is working towards, Everyone seems to be having a really good time on set, the direction and cine are astounding for the time with grand comedic set pieces looking utterly effortless for the most part, the script is damn near perfect, the scoring perfeclty suited and highly memorable. This things slow burn, but very VERY rewarding. By the time the end credits came around, I knew i’d just sat through something quite special and I really cant wait till I next get an opportunity to watch it again. 

Barbie:

https://letterboxd.com/tytdreviews/film/barbie/

‘Barbie’ was arguably my most anticipated release of the year, i’d been ready and waiting for it from the moment the very first ‘early preview’ trailer for it launched back in 2022, based on that trailer and the handful of set photos that had come out around it, I knew that there was something special going on behind the scenes with this one, and I absolutely was NOT disappointed. 

They really don’t make movies like ‘Barbie’ anymore, an ultra colourful, seemingly harmless on the surface big dumb adventure comedy movie, the last time this kind of thing had a resurgence was in the 80s with films like ‘The Goonies’ or ‘Pee Wees Big adventure’ only…those films were ONLY really there to entertain. ‘Barbie’ has an added layer to it, which is beyond the bubblegum pop aesthetic and ‘head emptiness, is an acidically self aware script that directly attacks toxic masculinity, attempts to teach progressive feminism in basic terms both to a very young audience or to people who may not entirely understand the fundamentals and not only does it shine a light on those traits, it inverts them, inviting men to question their own flaws and women to question the very purpose of their own personal existence. 

Traditionally; if I go to see a film in theaters, i’ll go once and then pick up the bluray/4k if I really liked it. I went to see Barbie twice in theaters, bought the streamable copy as soon as it became available and as of the time of writing I have the 4k release winging its way to my doorstep courtesy of Amazon. 

Its a truely astounding work of our time that not only something like this would be released internationally, but that TWO major companies would have greenlit this given the film attacks those companies as ‘part of the problem’ amongst its many MANY other axes to grind. Im still kind of in shock the film got made at all letalone released, and its a testimony to it’s uniqueness in a sea of ‘Marvels’ and ‘Star Wars-es…’ that this became one of the highest grossing films of the year. A title I feel it rightfully earned. 

While I will admit, sometimes it can get a little heavy handed on its messaging, i’d also suggest that…some people need that level of detail BECAUSE this kind of content is so alien to them. It can be a bit patronizing to people who get it, but the fact it boils things down to SUCH a simple level that even kids can understand it, I thought was honestly quite wonderful. 

I was sold on the aesthetic of this thing before it even hit theaters, but to be hit with SUCH an ‘out of left field’ revelation that this film was smart, and wanted YOU to know it was smart…was the thing that absolutely made me fall in love with it. 

Easily my favourite film released this year, My only concern now is the glut of ‘sanitized’ movies that’ll be coming in 2025 trying to do what ‘Barbie’ did, but in a safer…more studio friendly way…*sigh* ah well…the world probably needed a ‘Hot Wheels’ Movie that deals with gentrification anyway…

Dr. Caligari:

https://letterboxd.com/tytdreviews/film/dr-caligari/

And last, but certainly not least. We have ‘Dr. Caligari’ probably my most anticipated purchase of this year, I nabbed it from Mondo Macabre last Halloween and it arrived just in time for me to include it in my youtube channel, where it (quite rightfully) took the season finale slot. 

Its an 80s neu wave explosion in a paint factory of a movie thats *suggested* to be a sequel to the german expressionist film (maybe even a remake) but realistically…shares a name and a couple of plot beats, but not much else. And I absolutely adored it. The mashing up of the german expressionist movement and the 80s new wave movement was a totally inspired decision, the film looks unique, handmade and fairly lavish given the minimal set scenery (most of this takes place in a void with bizarre props and set pieces in the foreground) 

The script is nuttier than fruit cake, but has a lot to say about the medical industry of the US, the characters are all eccentric, over the top, camp tastic and utterly delightful to be around. The direction is very considered with a rock solid edit, razor cine and scripting and a killer score. This is everything I want out of an art house movie and more, and it’s really put me on to Stephen Sayadian in a big way (my kingdom for ‘Nightdreams 4k’ 

Its just such a delight to sit through honestly, with not a single dull moment, I utterly loved this movie. And with news that ‘Cafe Flesh’ is also making its way to 4k in 2024. All I can say is…I look forward to talking about Sayadians work again this time next year.

Finishing the Complete Thirteenth Season (2023)

…I knew I should have just called this one ‘Season X’ or ‘Not Season 13’ or something like that…Bizarrely the actual production of this season more or less went without a hitch. All these episodes were written, recorded and edited between late July 2022 and early January 2023. Before any of the crappy problems i’d had with this year really got underway… With only the last 2 reviews (Die hard Dracula and Dr. Caligari) happening later (Caligari was written, edited and uploaded in late April/Early May, and Die hard Dracula was written in July, edited in late august and uploaded in September)

Quite honestly, it feels like an age ago since I worked on these. im usually quicker at putting together a ‘Finishing the…’ post on these, but the series finished with a perfect dovetail into a TON of personal problems that basically wrote me off for most of July/August/September and October…

I can say that this season introduced me to a few films that im now very happy I checked out, that HAVE been on repeat rotation now for a little bit. Though, i’ve got to admit, because of life stuff happening right at the tale end of the run, I was kind of on autopilot for the back end of this season.

Even so, I think some of my best reviews are included here. Its overall a sturdy season that I think has a decent flow, and given that this was the one and only season of this year. Im quite proud with how it turned out…

The next 12 months (Seasons 14 and 15) are going to feel a little odd comparatively because not only have I had to split the original season 14 almost in half (with half making up half the run of Season 14 – Jan – June 2024, and the other half going into Season 15 – Sept – December 2024) But also because we’re going to be making less episodes overall…It means realistically, the next time I’ll get to sit and properly plan out a new season from Tail to Snout will be Season 16 (Feb – June 2025) which feels like a lifetime away…But planning for that will begin around August of next year…Which’ll crop up on us sooner than you’d think…

Anyway; im rambling…I wish I remembered more about the making of this season honestly. from what I can recall though it was just really smooth sailing right up till the last 6 or so episodes…then things started to get a bit messy…Messy doesnt mean bad mind…I had a lot of fun with this season…Messy here quite literally means…messy.

Finishing the Complete Ninth Season (2021)

Season 9 was one of those seasons that feels “Right” to me. I mean that very much in a spiritual sense. theres no real metric that can be used to measure whether something is objectively “good” or “bad” but what I mean is that to me, it feels like all the pieces fit together perfectly, it feels like each review contrasts or compliments the other. with every season I do I often feel like there’ll be at least 1 or 2 episodes out of the two(ish) dozen I make where I either dont feel I got a grip on exactly HOW I wanted to present the review, or I’ll feel like technically I was a bit off the mark.

But this season, every review I feel like I got exactly what I wanted out of it, we had some stinkers, we had some hidden gems. but, to me, it feels like the work I’ve put in to slowly reshaping the series somewhat (Work that first began waaaaay back in Season six) has finally matured into a format that, for now at least, im pretty happy with. I feel a lot more confident about this run of reviews than I have with any other previous run, and I feel a lot happier with my work load management and attitude towards how I run the process. genuinely, the last 12 months worth of writing and releases have been some of the most enjoyable I’ve done in the 4 and a bit years of working on the channel.

Personal highlights of this season for me were “Nutbag” a film that genuinely caught me off guard for just how amazingly bad it was. this is one of the few times where BBFC suggested edits have actually massively enhanced what would otherwise be a fairly drab affair, Deathrow Gameshow a film that totally surpassed my expectations, and I feel utter remorse that I didnt crack this one open much MUCH sooner as it’d been sat on my “To Watch” pile for WAY too long. My special video essay on a recent Bootleg Video Nasty haul was a definite highlight for the year and got quite a few people talking about their own experiences with Nasty’s which was nice. and the opportunity to collaborate with old friends like Raymond and new faces like G.G Graham were frankly an absolute delight.

This season for me will probably be fondly remembered as a time capsule of a 6-8 month period where things, while still rather grim beyond the walls of my house, were alright. and I hope that comes across in these reviews.

Finishing the Complete Eighth Season (2020)

Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.

For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.

The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.

Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.

In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.

Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.

So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.

Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)

Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.

So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.

The “You Can Read” Comedy Dining Experience (1988)

So we’re back again with another addition of the…CCCCCCCOMEDYDININGEXPERIENCE. and this month we thought we’d do something a little bit different and instead of doing a commentary for a film. I decided to show Ben “You can Read” a series he’d never seen before and was thoroughly delighted to sit through…at least thats what I inferred the screaming to mean.

Anyway! Here it is! Enjoy! and remember! you CAN read!

 

(I always loved the VHS boxes for these things….they were really quaint.)