Season 9 was one of those seasons that feels “Right” to me. I mean that very much in a spiritual sense. theres no real metric that can be used to measure whether something is objectively “good” or “bad” but what I mean is that to me, it feels like all the pieces fit together perfectly, it feels like each review contrasts or compliments the other. with every season I do I often feel like there’ll be at least 1 or 2 episodes out of the two(ish) dozen I make where I either dont feel I got a grip on exactly HOW I wanted to present the review, or I’ll feel like technically I was a bit off the mark.
But this season, every review I feel like I got exactly what I wanted out of it, we had some stinkers, we had some hidden gems. but, to me, it feels like the work I’ve put in to slowly reshaping the series somewhat (Work that first began waaaaay back in Season six) has finally matured into a format that, for now at least, im pretty happy with. I feel a lot more confident about this run of reviews than I have with any other previous run, and I feel a lot happier with my work load management and attitude towards how I run the process. genuinely, the last 12 months worth of writing and releases have been some of the most enjoyable I’ve done in the 4 and a bit years of working on the channel.
Personal highlights of this season for me were “Nutbag” a film that genuinely caught me off guard for just how amazingly bad it was. this is one of the few times where BBFC suggested edits have actually massively enhanced what would otherwise be a fairly drab affair, Deathrow Gameshow a film that totally surpassed my expectations, and I feel utter remorse that I didnt crack this one open much MUCH sooner as it’d been sat on my “To Watch” pile for WAY too long. My special video essay on a recent Bootleg Video Nasty haul was a definite highlight for the year and got quite a few people talking about their own experiences with Nasty’s which was nice. and the opportunity to collaborate with old friends like Raymond and new faces like G.G Graham were frankly an absolute delight.
This season for me will probably be fondly remembered as a time capsule of a 6-8 month period where things, while still rather grim beyond the walls of my house, were alright. and I hope that comes across in these reviews.
Given what was going on at the time this season was being created its a miracle that you’re even seeing the below playlist quite honestly. Season 8 was the first season to be full written during the Pandemic (I believe the first script was written some time in April and the last script was finally penned in October) and; though I think back on this season from the comfy room of 2021 with the sense that it was all “Too Easy” when I actually stop and think what was going on, it definitely seems to be quite the opposite.
For a starters, there was the pandemic. Which; well, it was good in some ways…through April,May and June I was pretty much stuck in a national lockdown with nothing to do BUT write and edit these scripts. That and working from home allowed a greater flexibility in my working hours allowing me to work scriptwriting and editing into my lunch breaks.
The downside to all this however was that the lockdown effected my partners health quite severely, leading to a number of trips to the hospital and, not wanting to go into too much detail, but a few very important people in our lives had to move on to new ventures (They’re not dead! we just cant really be involved with them anymore!) which really didnt help the mood.
Then from June to September I was in the middle of renovations. and Ladies and Gents. Let me be frank. I know these renovations were a long time overdue (at least 15 years overdue) I know they desperately needed doing, and now im sat here in a lush, gorgeous new space writing this out Im happy I did what I did. at the time I was in abject misery. I ached pretty much non stop from stripping wallpaper, taking light fittings out and carrying heavy flat pack furniture and hard wood exceedingly and almost comical distances. I loathed having to sofa surf during a pandemic because the room where my Bed is was being used as storage. I detested the fact the the weather was a near constant 36-40 degrees celcius and that buildings in britain are built to keep heat IN not let it OUT.
In fact; the only good memory I have of the summer of 2020 was that, at one point, the conditions of the lockdown lifted and I was able to take my car out on a quasi long distance run (like; 50-60 miles round trip) where the sun was delightful, the music was good, the roads were empty and I was living my best life for all of an hour and 30 minutes. The rest of it, was arse.
Equally; the Renovations ran drastically over. meaning what should have been an 18 episode run for this season ended up having to be cut down to a 16 episode run + 1 collaboration. which was not ideal…but luckily I’ve been able to carry over the 2 dropped episodes into Season 9.
So September rolled around, I jumped on my machine, edited together the first 6 episodes of this season and then my harddrive exploded. as in, literally shut down. couldnt get anything on or off it that was bigger than 2gb in size. it was dead. and…for a time I panicked. I panicked violently because on that drive were all 17 audio recordings, 6 edited episodes and all of my current branding material.
Mercifully, through a mixture of cloud storage solutions and periodic backups I was able to recover, relink and rexport ALL the original premiere pro files. which meant in as little as 5 days I went from losing everything to being back in the race. and…mercifully at least, from there things went very smoothly. the last 2 episodes written and recorded were “Garfields Halloween Adventure” and “Silent Night Deadly Night” which were both done in October, both recorded at my partners flat in a hurry and both edited on the hoof to try and get them out the door and into the schedules (I really hope it doesnt show)
Season 8 was an absolute Journey to complete and when a collaborative effort involving 7 people is the EASIEST part of editing for the season. you know somethings not quite gone right. It was a good one in terms of the films I got to see though, “Truck Turner” is probably one of my all time favourite Blacksplotation films, “Silent Night, Deadly Night” was a hoot of a first time watch, Reviewing AND doing a commentary for “Robot in the Family” was brain meltingly entertaining and whats more. I got to experience all of these wonderful film moments with friends. which…at a time when isolation is one of the biggest by-products of this whole blasted neusence. was incredibly life affirming.
So this is me; closing the door once and for all on Season 8. another chapter in TYTD History. Not to let the Ego run ahead of me, but I think seasons 7 and 8 have heralded some of the best work I’ve ever done. and I really hope Season 9 and 2021 keep that momentum going.
So we’re back again with another addition of the…CCCCCCCOMEDYDININGEXPERIENCE. and this month we thought we’d do something a little bit different and instead of doing a commentary for a film. I decided to show Ben “You can Read” a series he’d never seen before and was thoroughly delighted to sit through…at least thats what I inferred the screaming to mean.
Anyway! Here it is! Enjoy! and remember! you CAN read!
(I always loved the VHS boxes for these things….they were really quaint.)
So We have a bit of an oddity here today. Way back in Season 4 I ended up doing a collaboration with a fellow youtuber Raymond Smith. Ray was in the process of doing a month on “Terminator” Knock off movies and we decided it would be pretty cool if he ended his series of Terminator movies and I ended my 4th Season with a cross over collaboration. The first one I’d ever done non the less!
It was huge fun working with Raymond and I really hope we get the chance to work together again in the future 🙂 He’s a fun reviewer and his channels heaving with movie reviews of every possible shape and size! I highly recommend checking him out some time (You can head straight to his youtube channel by clicking Here)
Unfortunately due to copyright issues half of our collaboration was removed from youtube by a company called “Lasso Entertainment”. Naturally this was most heinous and simply would not stand. So while I’ve been backlogging my reviews over on Breach.tv I decided it was time to dust this one off and give it a proper home on this site. Breach arnt quite as anal about upholding the whims and wishes of companies who have little or nothing to do with the movies we talk about and actually seems to understand what “Fair Use” is…so they’re an ace company in my books! anyway; before this turns into a mini rant; I hope you enjoy this not as often seen review! You can get to it by either clicking the link below the picture or by clicking the picture itself!Oh! and before I forget! you can check out the second part of this review for the other film we collaborated on 1989’s “Lady Terminator” By clicking Here
This film was a pile of poo in my opinion and quite honestly I have very little to say about it. Its a bit of a boring film that never quite gets to where it wants to be and barring one or two interesting lighting and directional choices is pretty much a dead weight…theres a reason they never made a “Night of the Demons 4” and this film illustrates pretty cleanly why. Avoid where possible…Where’s the Tylonol?
(Even the poster for this film is lazy because it’s literally just a reshoot of the last “Night of the demons” poster but flipped with a different coloured backdrop and visual gag…this film doesnt deserve a legitimate write up…lazy.)
In celebration of hitting a 200 subscriber milestone I thought I’d offer up a bit of a bonus video this week! here’s a commentary we recorded in November 2018 covering over 150 Public information films. We were really rather “Merry”. and we will admit it’s a bit more towards the “Derek and Clive” end of the spectrum as a result. Still! here’s to the next 200! and we hope you enjoy this dealve into the terrifying world of the UK in the 1970’s and 80’s
I’ve been trying to find the best way to approach talking about “You Can Read!” (The 1988 Orbis Video released Edutainment series) for a long time now. In fact since I first found out the series I’d watched as a kid was called “You Can Read” I’ve always wanted to cover it on this channel. But I wanted to make sure I did it right (Or at least as right as possible given the spotty information thats available online about it) indeed it was literally only a couple of days before I was set to record the audio for this episode that I even found out that 3 years prior it had had a full DVD re-release in Malta.
Theres literally no information about this re-release online barring a Facebook page and a throwaway article buried deep in one of the lesser known tabloid sites. and finding that article was completely by chance. And apart from a handful of people who have commented on the facebook page to say the first 2 volumes were messed up (They’d apparently been authored as CD-Roms rather than DVD’s) it’s almost impossible to find any “Real world” evidence that these DVD’s actually exist at all. Im not denying they exist you understand. it’s just that outside of that facebook page’s own advertisements I havent seen one photograph on instagram, google or social media in itself of a member of the public owning a copy of these movies. Which does rather lead me to believe it may be a scam of some sort…but then…this is too obscure to really be proper scam material…or maybe it’s just obscure enough?…
Either way this series was a major impact on my childhood and adulthood, I was rediculously pleased to grab not only a copy of this on tape…but a copy that I actually owned as a kid and even though it’s only worth a couple of quid tops. it’s my most prized possession in terms of VHS. Probably only just being pipped by my original “Video Nasty” era release of “Tenebrae”
(All the VHS artworks look odd, they have a very basic design but they’re probably the most consistant thing in this series…)
As usual whenever I cover something a touch obscure Im usually immediately met with the problem of there just not being a high enough resolution image of the box art for the film im trying to cover. “You Can Read” is no exception. and the handful of covers I’ve been able to find online barely break the 500 pixel region…So here’s a 3k scan of the cover of Volume 3: Me I hope you enjoy the attention to detail.
It’s rare that I get to see films like Liquid sky. Movies movies sacrifice plot over absolutely everything in order to deliver a creative, colourful and unique viewing experience. This isnt a film that is trying to balance a good plot with visuals. This film couldn’t care less where its going. It just wants to look good doing it. And in that sense it’s absolutely achieved its goal here.
The films a rare example of a “Nice Video; Shame about the song” movie that’s made it onto my shelf of interesting things. And I’m pretty sure it’s going to be there for a pretty long time. It does have its faults, bit it’s far from a terrible film.
Equally; I’m not sure if I mention this in the review (I wrote this some time around March 2019) but I found out today (19th July 2019) that lead actress Anne Calisle plays both Jimmy and Margret in this film. If I dont mention it in the review then I almost certainly would have as it’s an astounding performance in this case! If I do mention it…then I was a good egg for doing so and its yet further proof of my increasing frailty. Anyway! Enjoy.
(While the original poster is nice…the VS re-release poster is just astounding…if not a tad muted for my taste.)
So it’s been just over 2 years since I last watched an American Ninja movie (The American Ninja 2: The Confrontation) and I’ve finally taken the plunge and decided to give another one another go. my review probably wont surprise anyone who’s already seen these movies, but to newcomers all I can say is I hope you like this one!
Whenever I think of the American Ninja series of films I am chronically reminded of my own failings as a critic. I started on 2! Who starts reviewing a series on the 2nd one!? thats a bit like eating the bread and leaving the filling of a sandwhich! Its something Im hoping to correct at some point in future…I mean…technically I’ve reviewed the Bollywood version of the first American Ninja movie With “Commando” (No not that one) So I suppose im not utterly shameful…I dont know…anyway! here’s AN3BH…I hope you enjoy it as much as I did…
I speak at the start of this review about how VHS covers are sometimes misleading and I really believe that this is the case here. I made a mental note when I first saw this tape in amongst the haul to talk about it at the next possible convenience because I really thought I was getting into a Horror/Gialo-esq movie. maybe something like “The New York Ripper” or “Deep Red” but the reality is this film couldnt really be further from these types of movies. Honestly? I dont really know exactly where to put it in terms of genre…Thriller is about the closest I can assign it…but that implies this film has some kind of suspense when in reality I’ve had more suspensful botty coughs.
Considering the director is well known for exploitation and sexploitation cinema I really was expecting more from this movie…as it stands the cover is probably the best thing about this movie.
This was also the last script I wrote and recorded before I took my hiatus and as such is also the last script I wrote in 2018…which is a bit mad really considering we’re now at the tale end of June 2019 and it’s only just coming out. Still it marks the end of that year officially over here. and as such I feel this is a rather special occasion!
(That cover really is impressive mind…I just wish they’d made the film as good…)
As Usual when it comes to obscure movies that havent been released on DVD or Bluray that equally have awesome covers. I took a look online for 1986’s “If Looks Could Kill” and while I found some variant covers and a couple of foreign releases I couldnt find this specific cover online in anything close to resembling decent resolution. So in order to help do my bit for the preservation of the arts. I present here a 3k scan of my VHS cover for the UK release of “If Looks Could Kill” Enjoy: