The Independent (2000)

I have to be honest; im totally in the dark as to why this film is as unknown as it is. This is a genuinely funny movie. Hardly a comedy classic mind; we arnt talking a “Clerks” or “Spinal tap” but I’d argue its most definately in the same class as the likes of “Best on show” or “A Mighty Wind”. this is a mockumentary following a schlock movie director planning one last big movie and Stiller absolutley OWNS this movie. he’s one of the funniest parts of this.

It may be forgotten but it’s quality shines through…it may be a bit muddled as to whether it wants to be a straight comedy movie or a mockumentary but I love it all the same. A totally underrated classic that I found for 50p in a charity shop. I do not regret this decision. when you look at forgotten and obscure media you’re more often than not in for a bad time I find. but every so often you’ll land on a cult classic in the making like this and it makes all the “Phantom from space” style movies more than worth it.

(My favourite parody film in this is probably “Christ for the Defense”)

Eraserhead (1977)

This was the first David Lynch film I chose to review on my channel and I chose it for a couple of reasons, first and formost I’m a massive fan of Lynch’s work (In particular all his works in “Twin Peaks”, Blue Velvet and Inland Empire…even if that last one is a bit overly long) his style is so unusual and tonally interesting it’s quite literally like walking into a dream/nightmare over which you have no control. Things just happen in Lynch’s films. they happen because things dont have to have a reason, life doesnt necissarily have a purpose and we’re all here just trying to give our lives a function till we expire. (A bit dark but yeh).

Lynch Straddles the line between Mainstream cinema and experimental video art and while he’s never quite been fully accepted into the mainstream. It could be argued that by many he is seen as the ambassador for experimental film to “Normal people” a wayward guide showing that the hard rules of storytelling and film making arnt actually as solid as first thought.

This subversive nature was what drew me into film making in the first place and what attracted me to video art ultimately…Eraserhead to me could be seen as the Catalyst that led me to where I am today so ultimately im very grateful to the “Lynch’s” of the world and we desperately need more subversive creative types in these modern turbulant times.

I also chose Eraserhead because; well. it’s a just plain weird experimental film. and when I think of Art house and experimental cinema my mind instantly flicks to anything from the chicken baby to the lady in the radiator to that surreal and mesmorising shot that is the films poster. The Red Triangle as a format exists to cover the kind of films that I cant do on TYTD. more extreme horror movies, Video nasties, erotic cinema, art house films. Stuff that I just wouldnt feel like I was doing justice placing it next to the likes of “Ring of Terror” or “Let’s ruin Dads day” and Eraserhead definitely deserves being in my “Red Triangle” series. This is another one that I kind of feel a bit mixed about in terms of my review. I feel like I didnt really fully nail down why I love this film in this review. I dunno;  I just kind of feel like I maybe could have said more…so I may end up revisiting this one again in future…But yeh! for now; enjoy! and I’ll be looking to do more Lynch in future!

(One dose of nightmare fuel and insecurity about parenthood comin’ riiiiiight up!)

That Warm Fuzzy Glow (Why Medium Matters) – Opinion Piece

Largely for completionists sake; I thought it best to share this post here. This was an opinion piece I wrote a short while ago about how the format you choose to present your film in can be detrimental to how well/poorly it is recieved by an Audience. whether you choose to present it in HD, VHS, DVD hell even laser disc quality. the medium will effect the film differently each time. whether you need that pin point precise sharpness or maybe you wish to use the fuzz that VHS can offer to your advantage as a direction. I believe that choosing your format should be as important as shot compisition or the way the film is edited. (I also use this piece as a way to put across my genuine love of all things VHS so do prepare to see me wax lyrical about the joys of it)

(Ever since I optimised my editing desk to include a HD to SD to VHS converter deck I really must say that cutting stuff like this has been a breeze!)

The Descendents of Wing Chun (Fo Shan Zan xian sheng) (1978)

This was one of the biggest fake out’s I think i’ve had on my channel to date. I picked this movie up expecting basically a very straight laced Kung-fu movie. And in many ways I think in its original dub this film probably was a lot more straight played than the english dubbed version is. Popping the disc in however I felt like the floor had dropped out from under me. It became very clear very quickly that all the mysticism, philosphy and general profoundness found in the original dub had been completely binned in favour of funny voice acting and playing the film down. Im not saying that this film was intended to be completely without humour; there are moments here that defiantely have that vibe both physically and in the dub. But here it makes “On the Busses” look like “The Kings Speech” rediculously over the top but one I can ultimately reccommend in terms of just how weird tonally it is.

(My only regret is that the character “Fatty the Kung-fu Yorkshireman” never made it into another movie #Sadtimes)