Tormented (1960)

Public domain films are quite literally that. Films that for; whatever reason, have fallen out of copyright (Meaning noone legally owns the rights) and that the films are free to be used by the public in whatever manner suits them whether thats screening the film to a wider audience, cutting it up to spice up there own personal projects or even (As was very popular in the early 90s) chopping out the weirdest bits and using them to make a trippy Dance music video.

Arguably the most well known of these public domain films would be “Night of the living dead” but really its a sprawling and constantly growing set of content that cover most genres decades and styles.

Companies like Mill creek entertainment and Treeline films can make a tidy profit from grab bag compilation sets. charging between £10 and £20 for sets of 50 to 100 films all tied loosely to a specific genre…I myself own 3 of those sets (Horror classics, sci-fi classics and Nightmare worlds) and they’re infinately useful in bulking up a film collection and introducing you to films that are either so godawful you wouldnt touch them with a barge pole or so forgotten that they havent been re-evaluated since the late 80’s/early 90s

“Tormented” is one of these films. though arguably it had a hell of a boost in reputation by being featured on an episode of “Mystery Science theatre 3000”  (And its a very enjoyable episode thats currently up on youtube and I recommend watching the riffed version of this rather than the unriffed one) unriffed this film is quite slow and unfortunately I now own it at least 3 times (The MST3K version, the version on my mill creek set, and a copy on my “Something weird video” copy of “The Monsters Crash the Pyjama party Spooktacular Spectacular” (which I will talk about at some point because its a bloody interesting DVD release)

There isnt really a tremendous amount I recall about Tormented that I dont already mention in the review. Its definately not a masterpiece but at the same time it does have at least 1 or 2 small things that are trying to work in its favour…though I go into way more detail in my video review of this:

(The Poster is literally the coolest thing about this film…I want this film poster in my house some day…gorgeous stuff…)

Eraserhead (1977)

This was the first David Lynch film I chose to review on my channel and I chose it for a couple of reasons, first and formost I’m a massive fan of Lynch’s work (In particular all his works in “Twin Peaks”, Blue Velvet and Inland Empire…even if that last one is a bit overly long) his style is so unusual and tonally interesting it’s quite literally like walking into a dream/nightmare over which you have no control. Things just happen in Lynch’s films. they happen because things dont have to have a reason, life doesnt necissarily have a purpose and we’re all here just trying to give our lives a function till we expire. (A bit dark but yeh).

Lynch Straddles the line between Mainstream cinema and experimental video art and while he’s never quite been fully accepted into the mainstream. It could be argued that by many he is seen as the ambassador for experimental film to “Normal people” a wayward guide showing that the hard rules of storytelling and film making arnt actually as solid as first thought.

This subversive nature was what drew me into film making in the first place and what attracted me to video art ultimately…Eraserhead to me could be seen as the Catalyst that led me to where I am today so ultimately im very grateful to the “Lynch’s” of the world and we desperately need more subversive creative types in these modern turbulant times.

I also chose Eraserhead because; well. it’s a just plain weird experimental film. and when I think of Art house and experimental cinema my mind instantly flicks to anything from the chicken baby to the lady in the radiator to that surreal and mesmorising shot that is the films poster. The Red Triangle as a format exists to cover the kind of films that I cant do on TYTD. more extreme horror movies, Video nasties, erotic cinema, art house films. Stuff that I just wouldnt feel like I was doing justice placing it next to the likes of “Ring of Terror” or “Let’s ruin Dads day” and Eraserhead definitely deserves being in my “Red Triangle” series. This is another one that I kind of feel a bit mixed about in terms of my review. I feel like I didnt really fully nail down why I love this film in this review. I dunno;  I just kind of feel like I maybe could have said more…so I may end up revisiting this one again in future…But yeh! for now; enjoy! and I’ll be looking to do more Lynch in future!

(One dose of nightmare fuel and insecurity about parenthood comin’ riiiiiight up!)

The Descendents of Wing Chun (Fo Shan Zan xian sheng) (1978)

This was one of the biggest fake out’s I think i’ve had on my channel to date. I picked this movie up expecting basically a very straight laced Kung-fu movie. And in many ways I think in its original dub this film probably was a lot more straight played than the english dubbed version is. Popping the disc in however I felt like the floor had dropped out from under me. It became very clear very quickly that all the mysticism, philosphy and general profoundness found in the original dub had been completely binned in favour of funny voice acting and playing the film down. Im not saying that this film was intended to be completely without humour; there are moments here that defiantely have that vibe both physically and in the dub. But here it makes “On the Busses” look like “The Kings Speech” rediculously over the top but one I can ultimately reccommend in terms of just how weird tonally it is.

(My only regret is that the character “Fatty the Kung-fu Yorkshireman” never made it into another movie #Sadtimes)

The Stuff (1985)

So I have a bit of a dilemma with this one. The Stuff (1985) was made by Larry Cohen and I LOVE Larry Cohen films. I really do. they’re often very entertaining and a bit manic. And I can wholeheartedly reccommend you go and watch this film pretty much without hesitation because its a wondefully subersive look at 80’s consumerist culture. However; When I first uploaded this episode it more or less instantly got flagged by a 3rd party company. the company who claimed this video for copyright infringement dont own the rights to “The Stuff” and I know they dont own the rights to it because not only did I get in touch with the official distributors who explained they’ve had problems in the past from this 3rd party company but that theres literally nothing they can do to stop them claiming copyright on their copyrighted material. So I got in touch with these theiving gits and not one of them would talk to me. they didnt even acknowlege reciept after multiple emails. So I challenged them on youtube after trying to reach out and within minutes they’d upheld the claim.

Meaning that this episode is the only episode on my channel that is currently set up to monetize to a 3rd party. So I wholeheartedly apologise. theres nothing really I can do about this and it makes me feel awful. All I can tell you is to actively NOT watch this episode (I’d rather take the hit) until such a time that I can re-edit and re-upload this video in a shorter form. What I can say is “The Stuff” is a great movie that you should definately check out!

(Conform!, Consume!, Obey…) – Mr. Snaffleburger

Quatermass and the Pit – (Five Million Years to Earth) (1967)

I’ve seen my fair share of Hammer films in my time. Though I always feel like I could have seen more. Take “Quatermass and the pit” (Renamed Five Million Years to Earth for US audiences) for example. its a brilliantly shot and wonderfully performed piece that I’ve seen both on the big screen and in the comfort of my own home. combined with Hammers more horror inspired movies there should be little reason for me to watch any other studios movies at all! and yet I always seem to forget the Hammer films. I really should do more of them…

(How this film and “The Web of Fear” havent been mashed up yet at this point frankly astounds me…)